- Stamp of the "Nederlandse informele groep (...) Arnhem" in upper blank corner.
AND 11 other small publications, i.a. 2 copies of E. WILLIAMS, Litany and response no.2, For Alison Knowles (cyclostyled leaflet on grey paper, (1962). A later, shortened version); D. TREMLETT, Sometimes we all do (Bari, M. Bonomo, 1988, ills., orig. wr., obl. sm. 8vo); L. FONTANA, Spazialismo (shaped invitation card, Stuttg., Galerie Senatore, 1961); G. BRECHT, (Water Yam) (2 sm. printed cards of the series, both supplied in 2 copies, n.pl., the artist, 1962).
- Most lvs. (finger)soiled in (outer) margins; one leaf w. sm. marginal repair; most plates (sl.) foxed on verso.
= Splendid chromolithographs showing an alphabet of richly decorated initials in late medieval style including borders. SEE ILLUSTRATION PLATE XXXII.
- All vols. w. owner's stamp on first page or title-p.; occas. sl. yellowed; most vols. wrs. loose(ning)/ trifle soiled; spines worn/ dam.; no.10 w. large tear in frontwr.
= Bolliger II, 527: "Die (...) Zeitschrift, die mit 'La Révolution surréaliste' and 'Le Surréalisme au Service de la Révolution' das grosse Dreigestirn der surrealistischen Zeitschriften bildet. (...) 'Le Minotaure' (...) zeigt die Bewegung in ihrer neuen Phase: der Surrealismus ist zu einer Bewegung geworden, dessen künstlerische Lehren allgemeine Anerkennung gefunden haben und die ungeheure Anziehung auf die dichterischen und künstlerischen Kräfte ausüben. Minotaure wird die luxuriöseste, vielseitigste Zeitschrift und die mit der breiteste Wirkung. An der Spitze stehen Albert Skira und Tériade (...). Von Anfang an stehen die Surrealisten in engem Kontakt mit der Zeitschrift [und] legen die Herausgeber grösstes Gewicht auf die äussere Gestaltung. Die farbigen Umschläge, von suggestiver plakathafter Wirkung, werden von den bedeutendsten Künstlern geschaffen (in der Reihenfolge der Hefte): Picasso, G.-L. Roux, Dérian, Borès, Duchamp, Miró [See illustration plate ], Dalí, Matisse, Magritte, Max Ernst, Masson. In hervorragendem Reproduktion werden Werke abgebildet von Arp, Bellmer, Brancusi (...). Komplett von allergrösster Seltenheit".
- Spine-ends worn; wr. sl. yellowed; corners frontwr. sl. folded.
= Dupin, Miró engravings, 161-235; cf. Cramer 49, showing resemblance with a part of the publication A toute Épreuve, in the same year. Printed on the occasion of a Miró exposition in the Galerie Berggruen in 1958.
= Copy hors commerce of the DELUXE EDITION of 150 copies printed on Vélin des Rives. SEE ILLUSTRATION PLATE XXXII.
- Both vols. w. heraldic bookplate on upper pastedown. Fine copy.
- A (very) fine copy. = Mardersteig 43.
ADDED: Commemorative Catalogue of the Exhibition of Dutch Art held in the Galleries of the Royal Academy, Burlington House, London, January-March 1929. London, Oxford University Press, 1930, XXX,311,(1)p., 120 plates, orig. giltlettered buckram, folio, t.e.g.
- Mint.
= Published on occasion of the exhibition at the Fondation pour l'Architecture in Brussels.
Greeling, L. a.o. Matt Mullican. The City Project. Amst., De Appel, 1991, text booklet ((12)p., orig. wr.) and 18 col. postcards, together in orig. paper folder, des. by IRMA BOOM.
- Without the fold. dustwr.
= An issue of Kwadraatblad, a Dutch journal for graphic design, visual art, literature, architecture and music, published by Pieter Brattinga.
AND 1 other Kwadraatblad, des. by W. SPREEUWERS.
- Dustwr. sl. yellowed and worn/ sl. dam. at corners/ on edges.
= An issue of Kwadraatblad, a Dutch journal for graphic design, visual art, literature, architecture and music, published by Pieter Brattinga.
- Ringbinder sl. soiled; otherwise fine.
= A rich source, documenting exhibitions held at the museum from 1969-1970. Inluding the shows: Christo - Wrapped Floors (w. braided paper wr.), Jan Dibbets - Audio-Visuele Dokumentationen (w. a large fold-out leporello (200 cm) and a vinyl record "Afsluitdijk 1969", conveying the sound of driving a car), Fred Sandback - Installations, Tim Ulrich - Totalkunst and Ulrich Rückriem - Steine und Eisen.
- Stamp on verso frontwr. Wrappers sl. yellowed/ backwr. sl. foxed; upper joint splitting.
= On the Tokyo biennale of 1970, with contributions by i.a. Dietrich Albrecht, Carl Andre, Boezem, Daniel Buren, Christo, Jan Dibbets, Ger Van Elk, Kohi Enokura, Luciano Fabro, Barry Flanagan, Hans Haacke, Stephen J. Kaltenbach, Tatsuo Kawaguchi, Jannis Kounellis, Sol LeWitt, Yutaka Matsuzawa, Mario Merz, Katsuhiko Narita, Bruce Nauman, Panamarenko, Giuseppe Penone, Markus Raetz, Klaus Rinke, Richard Serra and Jiro Takamatsu.
- Backstrip cracking.
Lam de Wolf. Monumentaal en Dichtbij. Amst., Voetnoot, 2010, 258,(2)p., num. col. ills., loosely inserted DVD, orig. wr., 4to. - AND 17 others, i.a. JAN FABRE. Passage (Antw., 1997, (col.) ills., orig. cl., 4to); E. STEGEMAN a.o., Jan Roeland (Zwolle, 1997, (col.) ills., orig. cl. w. dustwr., 4to); WILLEM DE ROOIJ. Index (Bristol etc., 2016, (col.) ills., orig. wr., 4to) and M. JORDAN a.o., Everything, Always, Everywhere. Rafaël Rozendaal (Amst., 2017, col. ills., orig. wr.).
- Four ex-library copies; a few owner's entries; all vols. endpapers sl. foxed/ browned. Backstrip of 1929 loosening; bindings occas. trifle foxed; dustwrs. occas. sl. frayed.
= W.L. & J. Brusse 416. The binding of year 1929 (titled Ruimte) designed by VILMOS HUSZÁR (Ex/ Hoek p.126 and ill. 204). Contains illustrations of works by i.a. P. Zwart, Th. van Doesburg, P. Schuitema, J. Jongert, S.H. de Roos, C.A. Lion Cachet, G. Rietveld and E. Wichman.
= One of 150 copies of the regular edition. Personal Structures Art Projects Number 02.
- First/ final few lvs. and wrs. sl. browned.
Pinset, R. and D'Auriac, J. Histoire du portrait en France. Ibid., A. Quantin, 1884, (4),274p., 39 (helio-)engr. plates/ ills., contemp. gilt hmor., a.e.g.
- Partly sl. browned/ foxed.
AND 3 others, i.a. R. BAZIN, Les Oberlé (ibid., ±1900, col. plates, ills., contemp. gilt hmor., t.e.g., 4to) and P. DE NOLHAC, Fragonard (ibid., 1918, col. plates, contemp. gilt hmor., t.e.g.).