82/224 Playboy A Portfolio of Art and Satire No 2 Ed E Arens 
- (Vague) waterst. in upper blank corner and part of upper blank and fore-edge margin (also visible on backwr.); a few lvs. w tiny tear in fore-edge margin. Spine some repaired spots. A good copy.
= The second of 9 issues that were irregularly published 1919-1924 and that contained contributions by many modernist artists and authors, i.a. John Nicholas Beffel, Horace Brodzky, My Carloyn Davies, Ben B. Finkle, William Gropper, Zoltan Hecht, Alfred Kreymborg, Gaston Lachaise, Esta Varez, Max Weber and Zorach.
82/225 La Pluma Revista mensual de ciencias artes y letras Ed O Bertani No 17 
- Some sl. foxing. Sm. owner's entry on frontwr.; backstrip restored; wrappers sl. frayed in overlapping fore-edge margin; lower margin frontwr. sl. cut short.
= Global Avantgarde Uruguay 20. Rare.
82 226 Podrevsky K 
82 226 Podrevsky K 
- Annot. in pen and ink on frontwr. = Music by Aleksandr Levin.
Karelina, M. Na Taiti. Leningrad, Notnoe Izdatel'stvo, n.d. (±1925), 4p., scores, orig. wr. monogrammed "Yu.M.[?], folio.
- Creased and frayed. = Music by Paul Marcel.
82 227 Polumordvinov E 
- Owner's entry/ annots. on title-p.; sl. yellowed; hinges sl. weak.
82/228 Pro Musica Organ für neue Musik / Organ for contemporary music / Organe de musique moderne Heft 1 Ed F Jöde E Lothar von Knorr and H Reichenbach 
82/228 Pro Musica Organ für neue Musik / Organ for contemporary music / Organe de musique moderne Heft 1 Ed F Jöde E Lothar von Knorr and H Reichenbach 
- Small stamp on title and on front- and backwr.
AND 1 other similar: H. MUNSONIUS, Fenstergucker (n.d. Creased, but flattened).
82/229 Proletaruli Mtserloba Year 1931 no 3 
82/229 Proletaruli Mtserloba Year 1931 no 3 
- Vaguely waterst. in lower corner. Upper margin frontwr. partly dam. and restored w. paper (w. small part of title neatly reproduced).
= Chepyzhov 8. "Proletarian Literature" was the official art and literary magazine of the Association of Georgian Proletarian Writers. Early issues were designed by Aleksandr Rodchenko.
82/230 La Propiedad Ayer Hoy y Mañana 
82/230 La Propiedad Ayer Hoy y Mañana 
- Fine.
= Collection of quotations on property from the works of i.a. Bebel, Anatole France, Kropotkin, Marx, Thomas Moore, Pascal, Rousseau, Bertrand Russell and Tolstoi.
Gerbault, A. Perseguint el Sol. Diari de bord. Pref. J.B. Charcot, transl. M.A. Baltà. Barcelona, Edicions Ariel, 1930, 175p., fold. map, photogr. plates, orig. wr. w. anonymous design.
- Yellowed. Backstrip 3 tiny holes.
Izquierdo Giménez, J. Ráfagas del Recuerdo. Valencia, Imprenta Domenech, n.d. (±1935), 194,(2)p., orig. wr. w. anonymous design.
- Yellowed, incl. wrappers. Frontwr. w. tiny rubbed spot and lacks sm. portion of upper blank corner; backstr. sl. waterstained and worn at spine-ends.
82/231 Puntea de Fildes No 1 and 2 all published 
82/231 Puntea de Fildes No 1 and 2 all published 
- Both vols. some occas. thumbing/ soiling and loose in wr. (rusty staples); vol.1 w. waterstain in inner margin and on inside frontwr. Wrappers of vol.1 sl. browned/ stained and upper corner of front- and backwr. restored. Frontwr. of vol.2 w. 2 reddish stains; front- and backwr. lacking sm. portion of blank corner/ margin; spine split and repaired w. tape, w. sellotape stains along spine of bookblock.
= Global Avantgarde Romania 15; not in Le Fonds Paul Destribats. Extremely rare Jewish Romanian avantgarde periodical. For the linocut wr. by Marcel Janco of vol.1 see Ilk, Marcel Janco CR73 ("Extrem seltene Publikation der jüdischen Intellektuellen aus Bukarest (2 Jahresheft erschienen: 1925 u. 1926). Nur 2 Exemplare bekannt") and p.67 w. full-p. ill.
82/232 R M S Queen Mary Chef d'oeuvre d'architecture navale 
82/232 R M S Queen Mary Chef d'oeuvre d'architecture navale 
- Some sl. wear at extremities. = Nice typography.
82/233 R T A Grafiku Telniecibas Izstade 
- Trifle yellowed; horizontal and vertical middle fold.
= Poster for a sculpture exhibition at the Rigas Pils. Mākslas Muzejā (Riga City Art Museum), 12-26 February.
82/234 Radio Catalunya No 126 
82/234 Radio Catalunya No 126 
= Special 10th anniversary issue, i.a. listing a program of festivities.
Boletim da C.P. Órgáo da instruçá professional do pessoal da componhia. Year 7, no.73. Lisbon, Oficinas Gráficas da C.P., 1935, p.129-152, ills., orig. wr. w. anonymous design, 4to.
82/235 Radioamatér Casopis pro popularisování radiofonie 28·X·1918 1928 
82/235 Radioamatér Casopis pro popularisování radiofonie 28·X·1918 1928 
82 236 Raducu N 
- Sl. yellowed; a few tiny inkstains on wr. = Very rare.
82 237 Raudsepp H 
- Backstrip dented/ sl. creased.
= Global Avantgarde Estonia 20. Märt Laarman was a prominent theoretician of the EKR (Eesti Kunstnikkude Rühm - The Group of Estonian Artists).
82/238 ReD Mesícník pro moderní kulturu Year 1 no 8 Ed K Teige 
- Wrappers trifle creased and fingersoiled; foot of spine strengthened w. sellotape.
= Cf. Vloemans 102; Global Avantgarde Czechoslovakia 29 and 32 (other issues); Primus p.30: "Eine kontinuierliche Entwicklung des Umschlages im letzten Viertel des zwanziger und am Anfang der dreißiger Jahre können wir am Beispiel der Zeitschrift "ReD" - Revue svazu moderní kultůry Devětsil" (Internationale Monatsschrift für moderne Gestaltung) verfolgen (...). Auf den Umschlägen werden sowohl reine Typographie, als auch Zeichnungen, architektonische Entwürfe, Fotografie, Fotomontage und Beispiele verschiedener Ismen verwendet (...). Im Hinblick auf Inhalt and Aufmachung war ReD die beste Avantgardezeitschrift in der Tschechoslowakei."
82 239 ReD Mesícník pro moderní kulturu Year 3 no 6/7 Ed K Teige 
- Lower edges of wrappers sl. frayed.
= Cf. Vloemans 102; Global Avantgarde Czechoslovakia 29 and 32 (other issues); Primus p.30: "Eine kontinuierliche Entwicklung des Umschlages im letzten Viertel des zwanziger und am Anfang der dreißiger Jahre können wir am Beispiel der Zeitschrift "ReD" - Revue svazu moderní kultůry Devětsil" (Internationale Monatsschrift für moderne Gestaltung) verfolgen (...). Auf den Umschlägen werden sowohl reine Typographie, als auch Zeichnungen, architektonische Entwürfe, Fotografie, Fotomontage und Beispiele verschiedener Ismen verwendet (...). Im Hinblick auf Inhalt and Aufmachung war ReD die beste Avantgardezeitschrift in der Tschechoslowakei."
82 240 Remzi N 
- Backwr. stained/ sl. mouldy; backstrip worn. = Global Avantgarde Turkey 21.
82/241 Revista de las Indias No 7 10 
- Some fingersoiling and sl. foxing; no.7 lacks corner from first leaf w. loss of a few letters. All vols. lack backwr.; all frontwrappers sl. foxed/ worn; no.7 and 8 lack portion of blank margin of frontwr.; most backstrips partly dam. Sold w.a.f.
= Global Avantgarde Colombia 4 (other issue); Diagramming Modernity p.345 (no.8). Rare, early issues of "one of the most important cultural newspapers of the time" (Diagramming Modernity). "The various scholars who have studied Colombian graphic art agree on signaling Sergie Trujillo Magnenat as the most important artist of the 1930s and 1940s. (...). The general image of the review is based on its typography, a manifesto of the expressive capacity of the letters drawn by Trujillo (...) and their cardinal elements - the large, spaced and rational green and black letters on a white ground that cover the entire surface (...)" (Diagramming Modernity p.344ff).
82/242 Revolitsiis Tsqinaladgaze No 6 7 
- Portion of upper margin backwr. restored.
82 243 Robakidze G 
= Chepyzhov 34: "According to the National Library of Georgia, the edition was banned." Contains three plays performed at the Rustaveli National Theatre, produced by i.a. Irakli Gamrekeli. "Based on Franz Marc's famous canvas, the cover of the book features the image of a tiger, which as the embodiment of the wild, plays a symbolic role in Robakidze's artistic life. The poet Tristan Tabidze wrote of him: "Robakidze cried like a wounded tiger when he spoke in public about Friedrich Nietzsche and Edgar Poe". Although the "wounded tiger" had travelled back to Georgia before Marc painted his artwork, the use of the tiger image in the design of the book wrapper might well have been his idea." (Chepyzhov).