- Sl. foxed/ thumbed. Spine partly dam.; frontwr. sunned along margins and w. large vague stain/ rubbed spot.
= Rare contemporary Nationalist publication of the Spanish Civil War.
ADDED: Poligono. Rivista internazionale d'arte. Year V, no.2. Milan, Edizione del Poligono, 1931, p.69-136, (col.) ills., orig. wr. w. anonymous design, folio.
- Yellowed.
- Lower corner sl. inkstained throughout and wr. restored at foot of spine; sm. rubbed/ weak spot in frontwr.
= Global Avantgarde Turkey 11.
Alkım. No.2 and 4. Balıkesir, Balıkesir Lisesi, 1937, 2 issues, 32; 32p., orig. wr. des. by NEBAHAT (1x), 4to.
- Spines sl. worn (no.4 worse).
= Global Avantgarde Turkey 26 (variant in pink). Balıkesir school newspaper.
- Stamp on verso front- and backwr. and on first advert. page; sm. number written on first advert. page and on spine. Wrappers trifle dustsoiled, sl. worn/ rubbed at extremities; frontwr. vague traces of ticket in corner.
= Maan/ Van der Ree 93. Rare.
- Fine copy.
= Global Avantgarde Netherlands 48. The work was also published in a Wijdeveld-style cloth binding.
- Some sl. foxing. = With extensive AUTOGRAPH SIGNED DEDICATION by Roger Dernis. Rare.
Romain, L. Gestes et attitudes. Pref. by G. Linze. Liege, Éditions Anthologie, n.d. (±1930), 30,(2)p., 2 full-p. woodcuts by MARC DARIMONT, printed in 350 numb. copies, orig. wr.
- Yellowed. = Rare.
Linze, G. Le paysage inventorié. Esthetique et lyrisme du paysage. Ibid., Groupe Moderne d'Art de Liége, 1924, 52p., printed in 600 numb. copies, orig. wr.
- A few lvs. at the beginning bound in incorrect order. Upper left corner of frontwr. professionaly restored.
= Global Avantgarde Hungary 20; Csaplár p.72: "The cover designed for Tibor Déry's volume of poetry Énekelnek és meghalnak (They Sing and Die) can be traced back to two earlier works of art: to a collage made up of a circle and slightly diagonal rules and to a painting with the very same structure".
- Sl. worn and some minute holes along fold. Fine copy.
= Global Avantgarde Czechoslovakia 4; cf. Le Fonds Paul Destribats 198. Extremely rare prospectus for the periodical edited by Jaromir Krejcar, Jaroslav Seifert, Karel Teige and (for France and Germany) Iwan Goll of which only 2 issues were published between 1923 and 1925. On the frontpage of this prospectus the title and subtitle of the periodical are listed in Czech, French, German, Italian, Russian and English.
- Fine.
= Rare advertising leaflet for Documents internationaux de l'Esprit Nouveau, "topographie de l'aujourd'hui / pour être à la hauteur du jour au lendemain / passons aud salon d'essayage messieurs-dames / ou l'on se souhaite bonne chance à la limite de l'inconnu / c'est la première revue de réelle décentralisation artistique et anti-artistique / passé de mode le bâton de maréchal, vive l'agent vive l'agent-vigie soliste aussi / appliquez-vous à bien respirer dans l'espace nous nous chargeons de battre la mesure / ou: appuyez sur la gâchette et nous faisons le reste / que'on se le dise / qu'on se le dise tout haut".
= Invitation to a bal masqué at Hotel Věnec in Mladá Boleslav, for students of the women's academy. With the tear-off control strip still attached.
- Upper corner of frontwr. restored.
= Collection of poetry published as a supplement to the 5th issue of Hipnos.
= Global Avantgarde Croatia | Serbia | Slovenia 25.
- Stamp on title-p.; sl. yellowed and creased. Spine strengthened w. paper.
= Chepyzhov 20: "Drosha was the main artistic and literary magazine published from 1923 to 1935 (...). The design of Drosha changed over the years reflecting the different styles dominant in Georgian art. In the first period in 1923-24, the magazine was dominated by David Kutateladze, who designed the wrappers and the lettering - he was clearly influenced by Ilia Zdanevich's letterpress designs."
- Scattered old owner's entries/ annots. Spine dam./ splitting; two staples added.
= Global Avantgarde Georgia 1; Chepyzhov 20: "Drosha was the main artistic and literary magazine published from 1923 to 1935 (...). The design of Drosha changed over the years reflecting the different styles dominant in Georgian art. In the first period in 1923-24, the magazine was dominated by David Kutateladze, who designed the wrappers and the lettering - he was clearly influenced by Ilia Zdanevich's letterpress designs."
- Spine sl. worn and dam.; upper corner backwr. restored.
= Global Avantgarde Georgia 16 (other issue); Chepyzhov 20: "Drosha was the main artistic and literary magazine published from 1923 to 1935 (...). The design of Drosha changed over the years reflecting the different styles dominant in Georgian art. In the first period in 1923-24, the magazine was dominated by David Kutateladze, who designed the wrappers and the lettering - he was clearly influenced by Ilia Zdanevich's letterpress designs."
- Spine strengthened; wr. creased and w. some old flattened folds.
= Chepyzhov 20: "Drosha was the main artistic and literary magazine published from 1923 to 1935 (...). The design of Drosha changed over the years reflecting the different styles dominant in Georgian art. In the first period in 1923-24, the magazine was dominated by David Kutateladze, who designed the wrappers and the lettering - he was clearly influenced by Ilia Zdanevich's letterpress designs."
- Spine sl. dam. and worn.
= Chepyzhov 20: "Drosha was the main artistic and literary magazine published from 1923 to 1935 (...). The design of Drosha changed over the years reflecting the different styles dominant in Georgian art. In the first period in 1923-24, the magazine was dominated by David Kutateladze, who designed the wrappers and the lettering - he was clearly influenced by Ilia Zdanevich's letterpress designs."
- Edges of wrappers sl. creased.
= History of the Rustaveli National Theatre of Georgia, the illustrations showing modernist stage designs.
- Foot of spine restored; wr. sl. creased and fingersoiled.
= Vloemans 65; Primus p.23 and cat. no.44.
- Sm. owner's entry on htitle. Wrappers sl. worn at extremities; front- and backwr. lack sm. portion from margin/ corner; frontwr. w. fold in lower part.
= Rare Swedish translation of The Mystery of Hunting's End.
- Bookblock splitting; backstrip dam./ partly worn off; wr. sl. yellowed and creased.
= Rowell/ Wye 464 and ill. p.202; Leclanche-Boulé 209. First edition of one of Ehrenburg's most famous works.