82 6380 Tissot James 1836 1902 
82 6380 Tissot James 1836 1902 
- Small tear in lower outer blank margin; impression partly grey; nevertheless fine.
= Wentworth 48, possibly a posthumous impression with the title margin blank, after the 3rd and final state; Tissot 43; Béraldi 47. Although it was not uncommon for Tissot to use wove paper, it is not known he did so for this particular etching. "In other cases, trial proofs were taken on papers closely related to that used for the edition itself. Promenade dans la neige and Le journal are examples." (Wentworth, p.20). For the other known copies of this print, he used cream laid paper. Wentworth also states that the whereabouts of the plate are unknown, which could indicate that this is a posthumous impression.
AND 1 offset lithograph after James TISSOT: "Type of Beauty".
82 6381 Tissot James 1836 1902 
= Wentworth 64, 2nd state (of 2) with "p.105" engr. in lower left corner; Tissot 66; Béraldi 55.
82 6382 Tissot James 1836 1902 
- Closed wormhole in the image near lower edge.
= Wentworth 36, 2nd state (of 2); Tissot 32; Béraldi 28. Each state published in an edition of ±100 copies. SEE ILLUSTRATION PLATE XCV.
82 6383 Tissot James 1836 1902 
- Fine dark impression. = Wentworth 28, only state; Tissot 22; Béraldi 21.
82 6384 Toulouse Lautrec Henri de 1864 1901 and Ibels Henri Gabriel 1867 1936 
82 6384 Toulouse Lautrec Henri de 1864 1901 and Ibels Henri Gabriel 1867 1936 
82 6384 Toulouse Lautrec Henri de 1864 1901 and Ibels Henri Gabriel 1867 1936 
82 6384 Toulouse Lautrec Henri de 1864 1901 and Ibels Henri Gabriel 1867 1936 
82 6384 Toulouse Lautrec Henri de 1864 1901 and Ibels Henri Gabriel 1867 1936 
82 6384 Toulouse Lautrec Henri de 1864 1901 and Ibels Henri Gabriel 1867 1936 
- Plates sl. foxed; textp. worse. Hinges weak. Covers partly waterst. and worn along extremities; spine partly dam.
= Wittrock,18-28; Adriani, 16-26. With AUTOGRAPH SIGNED DEDICATION by Henri Gabriel IBELS on first blank. The plates by Lautrec depict the following artists and persons: 1. Jane Avril; 2. Yvette Guilbert; 3. Paula Brébion; 4. Mary Hamilton; 5. Edmée Lescot; 6. Madame Abdala; 7. Aristide Bruant; 8. Caudieux; Petit Casino; 9. Ducarre aux Ambassadeurs; 10. Une Spectatrice; 11. Comique Excentrique Anglais.
82 6385 Troost Cornelis 1696 1750 after 
82 6385 Troost Cornelis 1696 1750 after 
- Second print w. tear in lower margin (affecting captions) and oblique fold.
= Niemeijer 699T. With a duplicate of the first print.
AND 1 other.
82 6386 Troost Cornelis 1696 1750 after 
82 6386 Troost Cornelis 1696 1750 after 
82 6386 Troost Cornelis 1696 1750 after 
82 6386 Troost Cornelis 1696 1750 after 
= Cf. Niemeijer 653-656. Forms a humorous visual story in which we see how a pleasant evening of a group of respectable gentlemen starts off very nicely and gets completely out of hand because of excessive drinking. The name of the series, NELRI, is a combination of the initials of the five Latin titles. Provenance: the collection A.M. van den Broek.
82 6387 Usteri Johan Martin 1763 1827 
82 6387 Usteri Johan Martin 1763 1827 
82 6387 Usteri Johan Martin 1763 1827 
- Very fine condition.
= The text below the prints consists of the 7 lines of "Our Father Who art in Heaven" (one line to each print) and of the parallel response of the traditional Swiss Alpine farmer to the consequences of the French Revolution in Unterwalden which ruins him.
82 6388 Uyttenbroeck Moses van 1595 1646 
82 6388 Uyttenbroeck Moses van 1595 1646 
82 6388 Uyttenbroeck Moses van 1595 1646 
= Hollstein 43, 2nd state of 2. From the series of 3 etchings The theft of Apollo's cattle (Metamorphoses by Ovid).
AND 5 others, i.a. by Stefano DELLA BELLA and Egidius SADELER.
82 6389 Vaillant Wallerant 1623 1677 
- Trimmed to the image on three sides. = Hollstein 83.
82 6390 Vasseur Jean Charles le 1734 1816 
82 6390 Vasseur Jean Charles le 1734 1816 
82 6391 Velde II Jan van de 1593 1641 
82 6391 Velde II Jan van de 1593 1641 
- Trifle foxed; vague ms. correction of the numb. 12 in pen and ink. = Hollstein 227, 2nd (?) state (of 6).
Genoels, Abraham (1640-1723). The tree trunk near the waterfall. Etching, 19,7x15 cm. (platemark), signed "J Genoels".
- Brown spot in lower section.
= Hollstein 21. With an unidentified circular collector's mark with monogram "G+W D" (not in Lugt).
Idem. (Terrace garden view with flight of stairs). Etching, ±14x20 cm., signed in the plate, w. the address of A.F. Van Meulen.
- Sl. foxed. = Hollstein 47. From the series of 6 garden views.
AND 3 others: an arcadian landscape by Franciscus de NEVE (w. brown stains. Hollstein 6) and two bookills. by Adriaen van der VENNE.
82 6392 Velde II Jan van de 1593 1641 
- Trifle browned/ foxed. = Hollstein 281, 2nd state (of 3).
82 6393 Velde II Jan van de 1593 1641 
- Old flattened midde-fold. Fine impression with ample margins. = Hollstein 193, the second state of 2.
AND an etching by Pieter van OS (right margin cut short).
82 6394 Velde II Jan van de 1593 1641 
- Dark impression with ample margins on paper with foolscap with 7-pointed collar watermark; large portion of upper left margin torn off and sl. irregularly re-attached (affecting a very sm. portion of the upper left corner, just inside the borderline); sm. manuscript number in upper right blank margin; some creases; sky sl. stained in upper right corner.
= Hollstein 352, 3rd state (of 3); cat. Harlemia Illustrata 105.
82 6395 Velde Adriaen van de 1636 1672 
- Later impression (19th cent.?). Fine, dark impression w. narrow magins. = Hollstein 10, only state.
Idem. Bull standing in water. Etching from the series of 10 Different animals, 1657, 10,8x13 cm., "A.V.Velde. f." in upper left corner.
- Later impression (19th cent.?). Fine, dark impression w. wide magins (±1 cm.). = Hollstein 6, only state.
82 6396 Veneziano Agostino ±1490 ±1569 
- Sl. fingersoiled in margins; good dark impression, with ample margins on thick 18th century laid paper.
= Bartsch 423.
82 6397 Vernet Carle 1758 1836 
82 6397 Vernet Carle 1758 1836 
82 6397 Vernet Carle 1758 1836 
- Without the title-print; sl. yellowed and foxed.
= Rare series of Paris street vendors. Lipperheide Fd18; Colas 2986; Hiler p.874; Ray, The Art of the French Illustrated Book 121: "This celebrated series, prized by the sociologist as well as the historian of costume, has become almost unfindable complete because of an unsatiable demand from hotelkeepers seeking wall decorations". SEE ILLUSTRATION PLATE XCVI.
82 6398 Vico Enea 1523 1567 after? 
- Trimmed on/ just outside the borderline; chip in right margin; horizontal fold; a few spots.
= Part of the large print series Speculum Romanae Magnificentiae, started by Antonio Lafreri and Salamanca. On 16th century laid paper with a watermark showing a fleur-de-lis within a circle topped by the letter M (cf. Briquet 7121 (Ferrara 1587)).
82 6399 Vinne Isaak van der 1665 1740 
82 6399 Vinne Isaak van der 1665 1740 
82 6399 Vinne Isaak van der 1665 1740 
82 6399 Vinne Isaak van der 1665 1740 
- Blank lvs. and backwr. w. 2 circular dents; otherwise contents fine. Wrappers worn along extremities.
= Extremely rare. Cf. Hollstein XXXVII, p.78, describing a similar album composed by Van der Vinne (1707) and p.80-222 listing the woodcuts in the album, also incl. woodcuts from the present album. See also C.H. Schuckman, "Gebruiksgrafiek bewaard: handelsmerken door Izaak Vincentsz van der Vinne", Doopsgezinde Bijdragen, nieuwe reeks nr.16 (1990), p.155-176. The marks are numbered by hand and have mottoes in a variety of European languages. The images show a large variety, with i.a. black people, Homer, a dancer, Atlas, a skater, town-views, ships, Jean Bart and a violin-player. The collection offers a fascinating view of the branche of Haarlem thread-merchants by the end of the 17th and the early 18th century. The variety of languages also gives an indication of the breadth of the trade. Provenance: the collection A.M. van den Broek.