82 24 Biebl K 
82 24 Biebl K 
- Backstrip restored; frontwr. w. some old flattened folds.
= With AUTOGRAPH SIGNED DEDICATION by the author on first blank. Edice Odeon 46. Vloemans 115; Primus, Tchechische Avantgarde 1922-1940, no.80, ill.76; Bollinger VI, no.692. Second, enlarged edition of Biebl's surrealistic poems from the years 1923-1928 (1st ed. 1925), the first with Teige's typographical compositions in red and black on yellow paper.
82 25 Biermann A 
- Covers sl. rubbed, otherwise fine. = Fototek 2. Rössler p.169; Bolliger VI, 301.
82 26 Binkis K ed 
- Owner's entry on htitle and a few underlinings in red pencil. Spine-ends trifle worn. Fine copy.
= Rare anthology of contemporary Lithuanian poetry.
82 27 Block F ed 
- Wrappers trifle dustsoiled.
82/28 BOR The College Almanac Fifth Volume 
82/28 BOR The College Almanac Fifth Volume 
82/28 BOR The College Almanac Fifth Volume 
- Some sl. thumbing. Frontcover trifle warped and w. vague scratch; gilt decoration some sm. flakes.
= Rare yearbook of The American College of Sofia, Bulgary, one of the oldest American educational institutions outside the United States. It traces its roots directly to a school for boys opened in Philippopolis by American missionaries for the 1860-61 school year.
82 29 Bourgoin M 
82 29 Bourgoin M 
82 29 Bourgoin M 
82 29 Bourgoin M 
- Frontwr. w. vague waterstain along fore-edge margin; backstrip some folds, spine-ends trifle dam. and w. sm. number written at top.
Piéard, L. Rimouski-Puebla, Du Canada au Mexique. Ibid., Librairie Valois, 1931, 255,(1)p., photogr. plates, printed in 3522 copies (3300), orig. wr. w. anonymous design.
- Trifle yellowed, but fine.
82 30 Bragaglia A G 
- Interior sl. foxed (frst and last blank worse); first few lvs. w. sm. number stamp. Wrappers soiled and brittle: chipped/ lacking portions from blank margin; backstrip worn w. cracks; top of spine sl. dam.; ticket on foot of spine.
= Global Avantgarde Argentina 16; Diagramming Modernity p.145.
82 31 Brañas C / Córdova A 
82 31 Brañas C / Córdova A 
82 31 Brañas C / Córdova A 
- Some vague foxing; owner's entry/ dedication on (h)title of both works. Upper joint split (repaired); spine-ends sl. dam.
= Rare.
Bermudez M., A. Prismas. Prol. by A. Ochoa-Alcantara. Tegucigalpa (Honduras), Calderon, 1938, 190,(2)p., orig. wr. w. anonymous design.
- Sl. dogeared. Frontwr. lacks tiny portion of both corners; backwr. a few sm. stains; backstrip browned and sl. dam. at spine-ends; joints rubbed.
= Rare.
82 32 Brody Rud 
82 32 Brody Rud 
- Trifle foxed. Frontwr. w. vague flattened fold.
= Global Avantgarde Denmark 3. Contains illustrations by i.a. Gunnar Hesselbo, Lajos Kassák, Laszlo Peri, Sandor Bortnyik, Laszlo Moholy-Nagy and Marthe Toud Donas. Rare.
82/33 Broom An International Magazine of the Arts Ed H A Loeb Vol 2 no 3 
- Backstrip and wrappers some carefully restored spots/ tears. A good/ fine copy.
= Global Avantgarde Italy 8; Le Fonds Paul Destribats 162; Riviste Futuriste p.922f; Futurisms in the World p.1045. Contains contributions by i.a. Jean Cocteau, Lipchitz, Luigi Pirandello, Gertrude Stein and Wallace Stevens.
82 34 Bukhnikashvili G 
- Good/ fine copy.
82/35 Bulletin de L'Effort Moderne Ed L Rosenberg No 6 
82/35 Bulletin de L'Effort Moderne Ed L Rosenberg No 6 
- Fine, unopened copy.
= One of a total of 40 issues that were published from 1924 to 1927. Contains contributions by i.a. H. VAN DE VELDE and J.J.P. OUD. The plates showing illustrations of works by Braque, Sonia and Robert Delaunay, Juan Gris, F. Léger, J.J.P. Oud, Picasso, G. Severini etc. Gallery owner and editor Léon Rosenberg (1879-1947) was one of the first propagandists of cubist art, and started collecting works by i.a. Braque, Gris, Léger and Picasso at an early point, thus mentally and financially supporting the artists. In 1918 he opened his gallery "L'Effort Moderne" and organized exhitions of i.a. Laurens, Léger, Braque, Gris, Picasso, Mondrian and Picabia. In 1941 he was forced to close his gallery due to the antisemitic laws. Global Avantgarde France 26 (other issue), Le Fonds Paul Destribats 259; Baudin p.43; Bolliger IV, 332: "(...) seltenen Zeitschrift der "Galerie de l'Effort Moderne" zur Propagierung moderner Kunst, insbesondere des Kubismus (...)".
WITH a very rare letterpress advertisement leaf for the Bulletin de "L'Effort Moderne" with unused subscription slip (sl. browned along horizontal middle-fold).
82/36 C L Krüger Die guten Drucke für den deutschen Westen 
82/36 C L Krüger Die guten Drucke für den deutschen Westen 
- Fine. = Brodbeck/ Rössler p.85.
82 37 Cáceres E de 
82 37 Cáceres E de 
- Some sl. occas. foxing.
= Global Avantgarde Uruguay 29; Diagramming Modernity p.677. With extensive AUTOGRAPH SIGNED DEDICATION on first blank. Published in the series Biblioteca "Alfar".
82 38 Cansinos Asséns R 
- Foxed. Wrappers sl. (dust)soiled; frontwr. w. retouched spots in corners; narrow and vague waterstain in lower margin of wrappers; spine-ends sl. dam.
= Futurisms in the World p.981: "Rafael Cansinos-Asséns (Seville, 1882-Madrid, 1964) (...) was trained in the school of Modernismo and then became spokesman of the Ultraist movement. (...) In the novel El movimiento V.P. Cansinos-Asséns painted an ironic picture of the protagonists of the Spanish avantgardes and Ultraism."
82/39 Cause Le surréalisme 
- Unused. Trifle yellowed; vague fold in upper left corner.
= Lupton/ Lustig Cohen p.27. The surrealist liaison office "Cause" at Paris was directed by the artist Sarane Alexandrian, Georges Henein and Henri Pastoureau. Its motto was "L'homme qui marche est une cause libre".
82 40 Cavars J 
82 40 Cavars J 
82 40 Cavars J 
82 40 Cavars J 
- Some foxing (first/ final blanks and inside wrappers worse). Backwr. spotted.
= Global Avantgarde Latvia 52; Fraser L403: "The greater part of the edition was confiscated because of its inflammatory poems".
82 41 Chilingirov S 
82 41 Chilingirov S 
- Bookblock shaken and splitting; final leaf loose. Backstrip worn off; without orig. backwr.(?).
Ehrenburg, I. Pâtyat kâm Germania. Ibid., n.publ., 1945, 38p., orig. wr. w. anonymous design, 12mo.
82/42 Circolo Artistico Gorizia Prima mostra Goriziania de belle arte 13 30 aprile 1924 
= Global Avantgarde Italy 15 (diff. colours).
82/43 Come on the telephone 
- Fine. = Rare brochure. The same image was used on a poster.