- Vellum browned and soiled; some dustspots; various wormholes; sm. tears/ frayed, mostly in margins; vellum wrinkled and sl. shrunk in the lower left corner.
= After the painting by van den Hoecke, now in the Kunsthistorisches Museum in Vienna. Very rare portrait, no other copy could be traced by us.
- Doubled and neatly remargined. = Cf. Bartsch XVIII (Caracci), 2.
- All plates worn/ dam. (mainly in margins), fingersoiled and laid down on album leaves. Sold w.a.f.
= Various states. Contains the following Hollstein (Stradanus) nos. in various states: H415, 416, 417, 419, 420, 421, 422, 423, 424, 425, 426, 427, 428, 430, 431, 432, 433, 434, 435, 436, 437, 439, 440, 443, 445, 446, 447, 448, 449, 450, 451, 452, 453, 454, 456, 457, 458, 460, 462, 464, 473. Cf. Schwerdt II, p.226ff; Thiébaud, p.856f.
- Trimmed to/ on the border line; yellowed/ sl. browned; a few foxed spots; sl. faded from restoration on verso at top and lower end of central fold.
= Hollstein 30, 2nd state of three, but without the separately printed texts in Dutch, Latin and French below. F.M. Supplement 1284 ("Hoogst zeldzaam"). SEE ILLUSTRATION PLATE XCIII.
- Formerly tipped onto mount, w. sm. remnants on verso; vague horizontal fold.
= Hollstein 10, 2nd state of 4. From the collection of F. Rechberger, with his manuscript collector's mark (Lugt 2133) on verso and dated 1803.
- Fine impression. Attached to mount w. tape along upper margin; cut to the image; lacks sm. portion of lower corners (restored); a few professionally restored marginal tears; some vague brown spots; a few flattened folds and thin spots.
= Very rare print. These types of scenes, which often came with a moralising message, were very popular in the 16th and 17th century, mainly in the Southern Netherlands. Hollstein 26, first state (of 5) with the address of Baudouz and Colijn. Only two copies known of the first state. SEE ILLUSTRATION PLATE XCIII.
- Vague horizontal fold; a few sm. inkstains on verso (not visible on recto). Trimmed just outside borderline.
= Hollstein 19, 1st state (of 5).
- First print trimmed just inside the plate mark; second print trimmed just outside the plate mark; first print partly foxed on verso; second print foxed on verso and recto.
= Hollstein 9 and H.11, both 2nd state (of 3).
AND 1 other by the same: Christ Healing the paralytic (Hollstein 3, 1st state (of 3). A sliver of lower left margin cut off (provisionally reattached)). - ADDED: 1 other.
- Cut partly on the platemark/ just outside the borderline; upper right corner restored/ strengthened on verso.
= Hollstein 1, 1st state of 2. First of a series of 4 scenes from the Old Testament.
Wtenbroeck, Moyses van (1595-1646). Tobias restoring his father's vision. Etching and engraving, 12,8x18,1 cm., "M v Wtenbrouck 1621" in the plate.
- Trimmed ±0,5 cm. outside the platemark. Fine impression. Pinpoint hole in clouds; trifle foxed.
= New Hollstein 17, 2nd state of 5. One of a series of 4, The story of Tobias. On thin laid paper with a 'Strasbourg bend' watermark. With the collector's mark of Albert van den Briel (Lugt 407a).
Potter, Paulus (1625-1654). The Bull. Etching, 10,6x14,2 cm., "Paulus. Potter. f. 1650." and "Clement de Ionghe excud." in the plate.
- Cut ±5 mm. outside the platemark; soiled; upper corners restored.
= First etching from the series of eight various oxen and cows ("Het bullenboekje"). Hollstein 1, 2nd state of 4.
AND 10 others, i.a. by/ after Nicolaas Berchem, Daniel Marot, Jacques de Gheyn and Abraham Bloemaert.
= Hollstein 6-9, the 4th state (of 4). With unidentified collector's mark "J.N.S." (not in Lugt, identified in later hand on mounts as Johan Nepomuk). Rare series. SEE ILLUSTRATION PLATE XCIV.
- Very fine set.
= Extremely rare complete set in superb condition. Le Blanc 4; Hollstein 8-15 (publ. by Nicolaus Visscher). SEE ILLUSTRATION PLATE XCIV.
= Probably from the series of 7 Peasants, busts (Le Blanc 22f and Hollstein p.192).
- Partly foxed and/ or browned; lacks almost all textleaves (only 2 textleaves of the introduction and the engraved list of contents are present); upper hinge split. Sold w.a.f.
= The Italian paintings in the collection of the Archduke Leopold Wilhelm of Austria were reproduced in engravings made by various engravers after reduced-size copies (modelli) created by David Teniers. The engravers of these copies were i.a. Jan van Troyen, Lucas Vorsterman II, Pieter van Lisebetten, Coryn Boel and Theodor van Kessel. SEE ILLUSTRATION PLATE XCV.
= Hollstein 4, only state.
AND 6 others, i.a. a lithograph after N. STRIXNER, an engraving "Hesione" after Gerard de LAIRESSE by I.D. HERTZ and an engraving published by Gillis van SCHAGEN,"Tarra. de Aerden".
- Eight etchings cut to the image, the others w. margins and captions.
= With 5 duplicates. Depicting the story of Odysseus after the paintings by Primaticcio at Fountainebleau. Published by Melchior Tavernier, Paris, 1633. Scenes present: 2, 3, 4, 14-16, 21-27, 32, 33, 36, 37, 41-44, 46, 49-52 and 54-58. Hollstein 39-96.
- Trifle yellowed; a fine dark impression.
= Wentworth 74, only published state; Tissot 76; Béraldi 65. Published in an edition of ±100 copies. Tissot had personal contact with the De la Seillière family and portrayed Baron Aimé de la Seillière in 1866. SEE ILLUSTRATION PLATE XCV.
- Yellowed; brownish stain in lower margin of the image; closed horizontal tear just above the upper edge of the border line.
= Wentworth 42, only state; Tissot 38; Béraldi 24. Published in an edition of ±100 copies.
- Image fine; a few brownish remnants of sellotape in outer blank margins.
= Wentworth 32, only state; Tissot 28; Béraldi 25. Published in an edition of ±100 copies. SEE ILLUSTRATION PLATE XCV.
- Trifle yellowed.
= Wentworth 10, only state: "In preparation for the portfolio Ten Etchings, Tissot made three figural frontispieces, all of which were ultimately rejected"; Tissot 4; Béraldi 4. Published in an edition of ±100 copies.



































