= Provenance: the collection A.M. van den Broek, both w. his (manuscript) collector's stamp on verso.
= On paper with watermark showing part of "J. Whatman Turkey Mill 18(...)". Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Old horizontal fold and small restorations in upper and lower margin.
= Provenance: the collection A.M. van den Broek, both w. his collector's mark on verso.
= J. Lutgens was the son of the more famous P.J. Lutgers, "Lutgens" being the formal surname.
AND 1 other by the same: (Alpine landscape with a road along a fast flowing river, a church to the right) (brush and grey wash, monogrammed "J.L. 1894 d'après [...?] J.P.L." in lower left corner).
- Slightly foxed; closed tear in upper edge.
= Lutgens was the son of the more famous P.J. Lutgers, "Lutgens" being the formal surname.
- Trifle foxed.
= J. Verhoog, Noordwijk door de ogen van J. Lutgers (Noordwijk, 2014): cf. 62f. J. Lutgens was the son of the more famous P.J. Lutgers, "Lutgens" being the formal surname. SEE ILLUSTRATION PLATE CVI.
- Slightly foxed.
= J. Verhoog, Noordwijk door de ogen van J. Lutgers (Noordwijk, 2014): cf. 60f ("Villa Beatrice 1884"). J. Lutgens was the son of the more famous P.J. Lutgers, "Lutgens" being the formal surname.
- Tiny chips in left margin. Otherwise fine.
Idem. (Interior of a peasant's cottage). Drawing, pencil and brush and sepia, 15,6x13,5 cm., on wove paper.
= Attractive drawings, both after Adriaan van Ostade.
= The considerably larger painting after which this copy was made, was painted by Maris around 1891-1892. We were not able to identify the copyist "Alma".
= Attribution in contemp. hand in pencil on verso. Attractive scene.
- Sl. foxed.
= With annot. in pencil on verso providing information on the sitter and on Anton Mauve: "L.J. Egeling als jong dokter te Haarlem geteekend door Mauve (...) dominee Mauve te was vriend van L.J. Egeling. Suze meisjes waren vriendinnen van tante Janneke. Anton mocht op raad van L.J. Egeling teekenen leeren, waar zijn vader op tegen was. Zijn kleindochter is Mevr. Dr. Gerritsen te Lunteren."
Kept in simple paper portfolio w. 2 tipped-in cartes-de-visite of L.J. Egeling (one dated "Nov. 1861" and one dated "1863" in pen and ink on portfolio).
= Perhaps after Michiel Versteegh, who also drew this composition and was his contemporary in Dordrecht. Both artists were specialized in candle light scenes, after i.a. Gerrit Dou.
- Slightly foxed.
- A few unobtrusive small old tears in lower margin.
AND a handcol. lithogr. by PH. BENOIST, "Le Capitole avec l'Escalier et l'Eglise de l'Ara Coeli" (28,2x36 cm. (incl. captions), ±1870, framed).
= Drawing from a mirrored perspective. With an attribution to Pierre Louis DUBOURCQ on verso.
AND 6 smaller drawings (mainly 19th cent.) of views in Haarlem and its surroundings.
= Provenance: the collection A.M. van den Broek, each with his collector's mark on verso.
- Loosening. Covers foxed.
= Various sketches and drawings, incl. a few amusing caricatures. SEE ILLUSTRATION PLATE CVIII.