- Varnish yellowed; horizontal crease[?] in upper margin
- Soiled w. scattered sm. stains.
= With the collector's name of H.M. Wesseling in pencil on verso (perhaps Hendrik Marius Wesseling, mayor of Naarden). On laid paper with D. & C. Blauw watermark
= With the collector's mark of C.P. van Eeghen on verso (Lugt 6016).
- Nearly invisible crease in centre.
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso.
- Sm. closed tear in outer lower right corner. = Attractive watercolour.
Robinet, P. (early 20th cent.). (Farmhouse and sheds). Watercolour, 16,1x22,5 cm., signed in lower right corner, tipped onto mount.
- The outlines of the putto are perforated w. minuscule holes; ink sl. fading in areas; a few unobtrusive oblique folds.
= The original drawing by Hulswit is currently in the collection of the Prentenkabinet Leiden (PK-T-AW-2672).
AND 4 others similar, all signed (2x only last part of signature visible), by the same or by Leonard Johannes EYMER.
= Provenance: the collection A.M. van den Broek.
- Occas. frayed or with portions along margins lacking; occas. trifle foxed.
= Comprises i.a. a view of a town on a hill, a view of a rocky river, cattle/ animals, Dutch towns and many forest views. Provenance: the collection A.M. van den Broek.
- First drawing vertical cut in left magin, just touching image.
AND 3 others similar.
- Trifle soiled (greyish offsetting) in left margin; 2 pinholes near upper edge.
- Trifle frayed; a few (vague) creases not touching the image.
- Tipped onto mount
= The artist's identification on verso of mount. Provenance: Henry Sotheran Ltd. (London).
- Some minor defects.
= I.a. a few attractive drawings. Provenance: the collection Jan Severijnse and later A.M. van den Broek, all w. his collector's stamp on verso.
- Slightly foxed; sl. yellowed; a few sm. waterstains.
= With contemporary annotations on verso: "Formenoys myn moeders moeder, wiens naam was Delprato, en de moeder van Delprato was weder Pellicorne" and on the other "Pottey myn grootmoeders de Tray's moeder". With correspondence and genealogical charts, researched by the curator and director of the Rijksprentenkabinet J.W. Niemeijer. From his collection.
AND 12 other 19th/ early 20th century drawings of coats of arms by i.a. monogrammists "J.E. v.L" and "G.A.", all loosely inserted in the same album, i.a. of the families Van Dortmont, Lulofs, Ermerins, Cloeck, Schorer, Bors van Waveren and De Ranitz.- AND a small drawing (17th cent.?) of the Amsterdam seal of 1656. - ADDED ±50 (cut-out) engr./ etched prints w. coats of arms.
= The coat of arms contains i.a. a fleur-de-lis, a central shield with 3 corner elements pointing upwards and a native African man on top holding an arrow. SEE ILLUSTRATION PLATE CV.
- Three repaired chips and holes near/ along edges; sm. closed tear near upper edge.
= Genoels created an etching after this drawing. Cf. Hollstein 16.