81 6064 Veneziano Agostino ±1490 ±1569 
- Laid down on mount (attached along the edges, otherwise loose); fingersoiled in margins; an impression from a sl. worn plate; trimmed ±0,5 cm. outside the platemark.
= Bartsch XIV, 50, 2nd state with the address. With the collector's mark of Pim van Eekelen (Lugt 5101) on verso mount.
81 6065 Vernet Claude Joseph 1714 1789 after 
81 6065 Vernet Claude Joseph 1714 1789 after 
81 6065 Vernet Claude Joseph 1714 1789 after 
81 6065 Vernet Claude Joseph 1714 1789 after 
- All w. ample margins; occas. (sl.) yellowed/ trifle frayed/ trifle waterst. in blank margins; 1x browned and creased; 1x w. closed tear in centre.
= Comprises i.a. the ports of Languedoc, Marseille and Toulon. Under the title "peintre des marines de sa majesté", Vernet was commissioned by Louis XV in 1753 to paint fifteen views of the main ports of France. At that time the country was at war with England, and Louis specifically requested that the artist show off the economic activities and maritime strength of France. This rare series of engravings was created after those paintings. Despite its incompleteness, a desirable set.
81 6066 Villamena Francesco 1566 1624 
- Verso strengthened on old folds and outer margins; lacks small portion of upper right corner (repaired).
= Le Blanc 62.
81 6067 Visscher Claes Jansz 1586 1652 
= View of the castle Loevestein, the prison of Hugo de Groot and Rombout Hoogerbeets. In the background Woudrichem and Gorinchem.
81 6068 Visscher Jan de 1633 after 1693 
81 6068 Visscher Jan de 1633 after 1693 
- Trimmed to the borderline; yellowed; laid down.
= One of 25 plates/ large illustrations from the Lutheran bible: Biblia. Das ist: die ganze H. Schrift (...). (1672) Hollstein 157.
AND 12 others by the same from the same work. - AND 7 other large(r) devotional prints, i.a. Christ as the Good Shepherd (17th cent. engraving by an anonymous artist, printed by Pierre Bertrand).
81 6069 Vliet Jan Gillisz van 1600 1668 
- Printed from a sl. worn plate; otherwise fine.
= On laid paper with watermark "MI" or "IM". Hollstein 56, 2nd state of 2.
81 6070 Vliet Jan Gillisz van 1600 1668 
= Hollstein 42.
81 6071 Vliet Jan Gillisz van 1600 1668 
81 6071 Vliet Jan Gillisz van 1600 1668 
81 6071 Vliet Jan Gillisz van 1600 1668 
81 6071 Vliet Jan Gillisz van 1600 1668 
= Hollstein 59, 2nd state of 5, Hollstein 63, 67, 68, all 2nd state of 3.
81 6072 Vos Maerten de 1532 1603 after 
81 6072 Vos Maerten de 1532 1603 after 
81 6072 Vos Maerten de 1532 1603 after 
- Cut on/ to the platemark; a foxed spots; sm. brown spot in centre.
= Hollstein 1143 (De Vos). Part of the series of Repentant sinners from the Old and New Testament.
Gaultier, Léonard (1561-1630/41). The last Judgement. Etching after MICHELANGELO, 31,4x23,4 cm., with "Leonardus Gaultier fecit" engr. in the plate.
- Browned; laid down on modern paper; large superficial scratch in lower part; foxed spots.
= Le Blanc 18, first state (of 2): "Avant le nom de Mariette".
AND 14 other engraved Biblical scenes, 16th-17th cent., i.a. Christ in conversation with Nicodemus (by Raphael SADELER after Maerten DE VOS. Hollstein 18) and Jubal and his family making music (Johannes SADELER after the same. Hollstein 27).
81 6073 Voüet Simon 1590 1649 
81 6073 Voüet Simon 1590 1649 
81 6073 Voüet Simon 1590 1649 
81 6074 Wael Cornelis de 1592 1667 after 
= Hollstein 19. On 17th cent. paper w. a large watermark showing the coat of arms of Amsterdam(?).
81 6075 Wagner Joseph 1706 1780 
- Both sl. dustsoiled.
AND 1 other by the same after David TENIERS.
81 6076 Waterloo Anthonie 1609 1690 
81 6076 Waterloo Anthonie 1609 1690 
- Trimmed to the borderline. = Hollstein 107, 4th state of 5. Part of the series of 6 Large Landscapes.
Swanevelt, Herman van (±1600-1655). Balaam and the ass. Etching, 23x31,5 cm., w. "H. Swanevelt Fecit Rom" and "Poilly Excudit" in upper right corner.
- Trimmed just outside the platemark; on thick laid paper. = Hollstein 5, 7th state of 8.
AND 3 others: by JAN BOTH (2x, both late states/ impressions, 1x w. repaired tear) and ANTHONIE WATERLOO.
81 6077 Waterloo Anthonie 1609 1690 
81 6077 Waterloo Anthonie 1609 1690 
81 6077 Waterloo Anthonie 1609 1690 
= Hollstein 3-6, probably the 2nd state (of 4).
81 6078 Waterloo Anthonie 1609 1690 
81 6078 Waterloo Anthonie 1609 1690 
- Lacks one etching; all doubled; "k" and "m" sl. dam. in upper margin; "h" w. crease or closed tear; sl. foxed/ fingersoiled and yellowed.
= Hollstein 21-23 and 25-32, final states (incl. Basan editions).
81 6079 Waterloo Anthonie 1609 1690 
81 6079 Waterloo Anthonie 1609 1690 
81 6079 Waterloo Anthonie 1609 1690 
- Trifle/ sl. (dust)soiled.
= Hollstein 77-82, 1st and only state. Five of the prints with unidentified (collector's) stamp(s).
81 6080 Waterloo Anthonie 1609 1690 
- Trifle foxed/ sl. yellowed. = Hollstein 48, the 1st and only state.
81 6081 Waterloo Anthonie 1609 1690 
81 6081 Waterloo Anthonie 1609 1690 
- Hollstein 114 and 115 w. old manuscript collector's mark "Naudet M. Descamps[?] au Louvre 1787". = Hollstein 114ff.
AND 1 other etching by the same.
81 6082 Waterloo Anthonie 1609 1690 
81 6082 Waterloo Anthonie 1609 1690 
- A few dustspots near upper margin.
= Hollstein 47, 1st and only state. Part of a series of 6 landscapes. With an unidentified collector's stamp (not in Lugt).
AND 6 others by the same: Two Cows on a ferry (H.26, 1st state); The sentry-box on the wall (H.31, 1st state); A man and his dog beneath a knoll (H.41, 2nd state); A man sleeping beside a road (H.49, 1st state); A traveller and his dog (H.60, 2nd state. w. the doublette stamp of the Leiden University printcabinet (Lugt 700b)); Two riders (H.63, 1st state, w. the doublette stamp of the Leiden University printcabinet (Lugt 700b)).
81 6083 Waterloo Anthonie 1609 1690 
- Fine impression w. small margins. Sl. foxed.
= Hollstein 91, probably the second state (of 3).