= Wentworth 46, only state, published in an edition of roughly 100 copies; p.200: "Etching, presumably related to an unlocated painting of the same English title exhibited at Grosvenor Gallery 1979, no.99"; Tissot 41; Béraldi 37. SEE ILLUSTRATION PLATE CI.
= Wentworth 39, only state. Although Wentworth mentions only one state, this impression seems somewhat darker and occas. trifle reworked.
= Wentworth 53, only state, published in an edition of 100 copies; p.230: "Etching, based on a photograph of Mrs. Newton with a woman and child, presumably her sister, Mary Hervey, and her niece, Lilian. A painting of the same subject, now given the same title, and based on the same or a closely related photograph is known"; Tissot 53; Béraldi 44.
= Wentworth 56, 2nd state (of 2); Tissot 57; Béraldi 47. Published in an edition of ±100 copies.
- Trifle yellowed. = Wentworth 50, the second state (of 2); Tissot 49; Béraldi 41.
- Sl. yellowed; outer blank margins some (finger)soiling.
= Wentworth 50, the second state (of 2); Tissot 49; Béraldi 41. SEE ILLUSTRATION PLATE CI.
- Trifle yellowed; doubled w. Japanese; tiny closed hole just below lower border line.
= Wentworth 36, 2nd state (of 2); Tissot 32; Béraldi 28. Each state published in an edition of ±100 copies in each state. SEE ILLUSTRATION PLATE CII.
= Wentworth 84, only state, published in an edition of 30 copies; p.334: "William Eglinton was one of the more widely known mediums of the nineteenth century"; not in Tissot and Béraldi. With a contemp. annot. and crossed out property stamp of the Marylebone Spiritualist Association on verso. On paper with part of a large crowned watermark.
- Slightly yellowed. = Wittrock 57; Delteil 75.
- Plates sl. foxed; textp. worse. Hinges weak. Covers partly waterst. and worn along extremities; spine partly dam.
= Wittrock,18-28; Adriani, 16-26. With AUTOGRAPH SIGNED DEDICATION by Henri Gabriel IBELS on first blank. The plates by Lautrec depict the following artists and persons: 1. Jane Avril; 2. Yvette Guilbert; 3. Paula Brébion; 4. Mary Hamilton; 5. Edmée Lescot; 6. Madame Abdala; 7. Aristide Bruant; 8. Caudieux; Petit Casino; 9. Ducarre aux Ambassadeurs; 10. Une Spectatrice; 11. Comique Excentrique Anglais. SEE ILLUSTRATION PLATE CII.
- Sm. waterstain in upper left corner, just touching the image; trimmed on the platemark.
Idem. "De Lustplaats Suypestyn". Engraving by PELLETIER, 39x51,5 cm. (platemark), Amst., P. Fouquet jr.
- Two waterstains in lower margin; trimmed on the platemark.
AND 2 others after the same: "Gezicht van de herberg het Bokje in de Haarlemmer Hout" (soiled) and "Didoos dood".
- Wide margins; some foxed spots; a few grey areas.
= Hollstein 34, the 2nd state (of 2), with the address of Franc vanden Wijngaerde in upper right corner. From a series of 4 Wide landscapes. Rare.
- Vague yellowish stains/ foxing.
= Rare. Hollstein 43, the 3rd state (of 4). With an unidentified collector's mark on recto (not in Lugt).
- Trimmed ±0,5 cm. outside the platemark. Fine impression. Pinpoint hole in clouds; trifle foxed.
= New Hollstein 17, 2nd state of 5. One of a series of 4, The story of Tobias. With the collector's mark of Albert van den Briel (Lugt 407a).
- Trimmed on (lower edge just within) the borderline; somewhat soiled.
= Very rare. Hollstein 17. SEE ILLUSTRATION PLATE CIII.
- Fine; trimmed on the platemark.
= Hollstein 422, only state; cat. Harlemia Illustrata 123 ("behoren tot de oudste en fraaiste stadsgezichten van Haarlem").
- Both cut to the image, lacking the captions; both very dark impressions; first print w. old flattened vertical creases and trifle soiled.
= Hollstein 73 and 74.
- Sl. yellowed; a few sm. foxed spots om sky area. = Hollstein 39 ('Ouwerkerk nae Apkou toe').
- Printed on thick 18th cent. paper. = Hollstein 183, 2nd state of 2. Part of a series of 18 prints.
Idem. Dilapidated church-tower surrounded by houses. Etching, 12,2x18,9 cm., numb. "8".
- Sl. soiled; vague handcolouring in the tower. = Hollstein 275, 2nd state of 4.
AND 4 others by the same: Hollstein 241, 252, 260 and 291 (all 2nd state).
- Laid down on sl. later laid paper; sl. soiled.
= Very rare. Hollstein 524. Part of a series of 14 landcape etchings by an anonymous artist (often attributed to van de Velde), published by Barthélemy Gaultier (act. 1625-1661 in Lyon) and his brother-in-law Claude Savary.