- Some foxing (mainly) in blank margins; flattened folds.
"Het St. Nicolaas Feest". Engraving by Arnold HOUBRAKEN after Cornelis TROOST, 37,2x43 cm., ibid., P. Fouquet jr., 1761.
= Niemeijer p.105-107, under J; and p.325, no.608T (with illustration).
= Comprises i.a. "Schaatzemaker" (anonymous engraving after J. LUYKEN, ±1700); "Divertissemens des hollandois pendant la Gelée" (from J.N. DE PARIVAL, Les Delices de la Hollande, 1669) and "Costumi Olandesi"/ "Lo sdrucciolar sul ghiaccio" (both from G. FERRARIO, Il costume antico e moderno o storia del governo, 1829).
- Cut on the platemark; stains in upper corners on verso, sl. shining through.
= Rare. One of the five known etchings by the artist. With the collector's mark of Hieronymus von Bayer (1792-1876, Lugt 1293) and manuscript mark of Naudet, dated 1818 (act. ±1763-1830, Lugt 1937). Second state, with the name below.
AND 1 other etching by the same: A stone bridge leading to partly dilapidated buildings (chip in upper edge, reattached. Bartsch 2. With collector's marks of the Kunsthalle Hamburg (Lugt 1328 and doublette stamp, not in Lugt)).
- Ample margins. = Hollstein 125. From a series of 8 etchings with playing putti.
Neefs, Jacob (1610-after 1660). (Putti personifying various elements of mathematics). Lot of 6 engravings after P. FRUITIERS or M. MANDEKENS, each ±9,5x13 cm.
= Part of the 36 illustrations in J. CIERMANS, Disciplinae mathematicae traditae anno institutae (...) (Leuven, 1640).
AND 4 others.
- One plate sl. foxed in margins; sl. dustsoiled along edges.
= Very rare portfolio. Besides a few views of flooded landscapes for the series De Waterramp van 1855, these are the only etchings by Springer.
- A vertical scratch in the image near the left edge; number prob. erased.
= Rare. Part of a series of 6 Landscapes. New Hollstein (de Gheyn family) 218.
= Very rare proof before letters and number and the cartouche in the sky. Hollstein 15, 1st state of 2.
AND 3 other views of houses and estates. i.a. the estate and house Rijksdorp (near Wassenaar) by Cornelis ELANDTS (very rare, Hollstein 1-14) and view of Huis ter Noot by J.C. PHILIPS.
- With extended modern margins.
= New Hollstein (Stradanus) 561; from the series Equile Ioannis Austriaci Caroli (The Stable of Don John of Austria).
AND 5 others, showing horses.
= New Hollstein 460ff. SEE ILLUSTRATION PLATE C.
= Hollstein 29, 2nd state.
Waterloo, Anthonie (1609-1690). Woman on a small bridge. Etching, 11,6x13,9 cm., monogrammed and "2" in the plate.
- Trimmed just outside the image; vague yellowish stain in lower left corner.
= Hollstein 34, 3rd state of 4.
AND 5 others, i.a. landscape etchings by Jan GRONSVELD, Anthonie WATERLOO and Jan VAN DE VINNE.
- Sl. duststained in margins.
= Hollstein 15, 1st state (of 3). On laid paper with a watermark showing a sun with a monogram. With collector's mark of Joseph Pricken (Lugt 2049).
AND 10 others, i.a. 4 others by the same, a mountain landscape by Melchior KÜSEL (fine) and Franciscus de BARGAS (w. chip).
- Lower left blank corner restored; old horizontal fold; blank margins sl. duststained.
= F.M. 3702c. The temple built for the celebration of the Peace of Nystadt in 1721. Rare.
= Rare. Complete series. The artist came originally from Germany, named Bernhard Heinrich, as an apprentice glazier. The original design for the heads of the sheep and kid goats are in the collection of the Rijksmuseum. According to annotation on mount, from the collection of churchmaster of Leyden Isaac van Buren (friend and benefactor of the artist) and tipped on this mount by him. His collection was sold in 1808.
- Lacks the engr. title-p., the frontisp. and plates 34, 45 and 46. Information supplied in contemp. manuscript. All etchings w. contemp. manuscript description below. Spine professionally restored.
= Depicting the story of Odysseus after the paintings by Primaticcio at Fountainebleau. Published by Melchior Tavernier, Paris, 1639. Hollstein 39-96, first state of 4, without the address. SEE ILLUSTRATION PLATE CII.
- Six etchings cut to the image, others w. margins and captions.
= Depicting the story of Odysseus after the paintings by Primaticcio at Fountainebleau. Published by Melchior Tavernier, Paris, 1633. Scenes present: 2, 3, 4, 14, 16, 21-27, 32, 33, 36, 41-44, 46, 49-52 and 54-58. Hollstein 39-96.
- Slightly foxed (mainly) in blank margins and in title margin.
= Wentworth 75: presumably a late 1st state (of 3) with the title margin cleaned, but without the engraved title and traces of a second signature in the plate; Tissot 77; Béraldi 66. Published in an edition of at least 500 copies.
- A few thin and tiny scratches affecting the image; some foxed spots in blank margins.
= Wentworth 72; Tissot 74; Béraldi 63. SEE ILLUSTRATION PLATE C.
- Small brownish stain in centre near lower edge.
= Wentworth 43, only state; Tissot 39; Béraldi 35. Published in an edition of ±100 copies. SEE ILLUSTRATION PLATE CI.