81 5984 Ribera José de ±1590 1652 after 
81 5984 Ribera José de ±1590 1652 after 
81 5984 Ribera José de ±1590 1652 after 
- Trimmed to/ inside platemark; waterstain in left blank margin and 2 sm. waterstains in image; 9 tiny pin-holes in upper blank margin.
= Reverse copy of Bartsch 9 ("Tête d'homme à poireaux").
ADDED: 3 miscellaneous others.
81 5985 Rodin Auguste 1840 1917 
- Mouldy spots; sl. yellowed. = Delteil 6. Proof before letters.
81 5986 Roghman Geertruida 1625 ? 
- Fine. = Hollstein 18, 1st state of 2.
81 5987 Roghman Roelant 1627 1692 
- Sm. spot in centre. = Hollstein 15, the first and only state.
81 5988 Roghman Roelant 1627 1692 
= Hollstein 38.
AND an etching by Jan van de VELDE.
81 5989 Roghman Roelant 1627 1692 
81 5989 Roghman Roelant 1627 1692 
- First print w. a few sm./ tiny brown spots; 2nd print sl. grey impression.
= Hollstein 17, 2nd state of 3; Hollstein 19, first and only state.
81 5990 Ruischer Jan ±1625 after 1675 
- Both trimmed a few mm. outside the platemark/ image; first print laid down. Both fine impressions.
= Hollstein 15 and 16; Hollstein (Waterloo) 90 and 91, 2nd state of 3, reworked by Antoni Waterloo, with his address added.
81 5991 Ruisdael Jacob van 1628 1682 
= Hollstein 3, the 2nd state (of 2), with the clouds added; De Groot, Landscape, 218. SEE ILLUSTRATION PLATE XCVIII.
81 5992 Ruisdael Jacob van 1628 1682 
- Impression on laid paper with small margins. Vague foxing.
= Hollstein 3, the 2nd state (of 2), with the clouds added; De Groot, Landscape, 218.
81 5993 Sadeler I Johannes 1550 ±1600 
- Cut on the platemark; trifle foxed; stamped "5" in blue ink in lower right corner of margin; a few vertical printing/ paper flaws.
= Hollstein 182, 1st state of 2.
81 5994 Sadeler I Johannes 1550 ±1600 
- First print cut just outside the platemark; sm. chip in upper left corner; 2nd print w. paper flaw; last print w. closed tear in the caption just touching the image.
= Adam and Eve in the garden of Eden. The Sacrifices of Cain and Abel. Cain, his wife and son Henoch. Lamech and his two wives. Hollstein 22, 1st state of 2; 23 and 25, both 2nd state of 2.
AND 2 other engravings after Maarten VAN HEEMCKERCK, both bible scenes.
81 5995 Sadeler I Johannes 1550 ±1600 
81 5995 Sadeler I Johannes 1550 ±1600 
81 5995 Sadeler I Johannes 1550 ±1600 
- Wide margins, w. wormhole in upper left corner upper margin; margins sl. fingersoiled.
= Hollstein 34. From the series Bonorum et malorum consensio.
Idem. The Ascension of Christ and the Holy Virgin. Engraving after Maarten DE VOS, 20,2x24,2 cm. Collaert I, Hans (1566-1628). The Calling of Matthew. Engraving after Ambrosius FRANCKEN, 20x28 cm., monogrammed in the plate.
= New Hollstein 308, 1st state of 3.
AND 3 other similar bible prints, i.a. by Johannes WIERIX and after Karel van MANDER.
81 5996 Sadeler I Raphael 1560 1632 
81 5996 Sadeler I Raphael 1560 1632 
81 5996 Sadeler I Raphael 1560 1632 
= Incl. 2 duplicates. I.a. Sturmio, the 40 martyrs of Larich, Carolomanus, Cumbaldus and Gistarius, Sola van Solnhofen and Emaram of Regensburg.
AND 1 other by the same from Trophaeum Vitae Solitariae.
81 5997 Sadeler I Raphael 1560 1632 
- Cut just outside the borderline and caption; sm. closed tear in centre caption.
= Part of the series of 4 allegorical prints, also representing the Ages of Man. Janssen, Grijsaards in zwart en wit, p.98-100, ill. 38; Hollstein (R. Sadeler) 209; Hollstein (De Vos) 1465.
81 5998 Sadeler Aegidius 1570 1629 
81 5998 Sadeler Aegidius 1570 1629 
81 5998 Sadeler Aegidius 1570 1629 
81 5998 Sadeler Aegidius 1570 1629 
- Ample margins, partly soiled.
= Supplied in two copies, 1x w. the address of Marco Sadeler. From the series of Vestigi delle Antichità di Roma, Tivoli, Pozzuolo et altri luochi. After the drawing of Bruegel in the Rijksmuseum. Hollstein 193, 1st state and a copy (by Hier. Ferri (w. the address of Marco Sadeler, but edited by Rossi)).
Idem. (Temple of Venus near Baia). Engraving, 16,5x27,5 cm. (platemark), numb. "44".
- Wide margins; agetoned; sl. soiled in margins. = Hollstein 195, 1st state. From the same series as above.
Sadeler I, Johannes (1550-±1600). Rocky riverscape, on the right three boys and a moor. Engraving, 21,4x27 cm., "I Sadeler sc. et ex." in the plate.
- Two closed tears in lower margin and left margin, just touching/ within the image; sl. soiled in right margin. Good impression.
= Hollstein 581.
81 5999 Saenredam Jan 1565 1607 
- Trimmed outside the platemark; upper margin strengthened on verso (i.a. a small hole in blank margins visible); somewhat grey and sl. weak impression.
= Hollstein 83, this 18th century state (Covens and Mortier started their business in 1721) not mentioned by Hollstein.
81 6000 Saenredam Jan 1565 1607 
- Good impression with small margins. Foxing; old vertical middle-fold.
= Hollstein 84, 3th state (of 5).
81 6001 Saenredam Jan 1565 1607 
- Trimmed 1 or 2 mm. outside the borderline, w. a few tiny chips in the left margin; sl. agetoned w. a few brown spots/ sm. stains.
= New Hollstein 683, state.
AND 2 others by the same, both trimmed to the image, with the captions/ verses cut off: Morning/ Evening (Hollstein 97/ 98).
81 6002 Sandrart Joachim von 1606 1688 after 
81 6002 Sandrart Joachim von 1606 1688 after 
= Both from L'Academia Todesca della Architectura, Scultura & Pittura: Oder Teutsche Academie der Edlen Bau-Bild- und Mahlerey-Künste (1675).
AND 11 others similar, all from the same work, i.a. "Centaurus", "Faunus", "Marsiyas" and "Galathea", a few w. waterstain in upper right corner.
81 6003 Sarti Antonio 1797 1880 
- Laid down on modern stiff paper; prob. professionally cleaned, but still some soiling in the margins; a few worn/ rubbed spots in the margins.
= Large Piranesi style veduta of the Basilica of Saint Paul Outside the Walls after the fire of 1823.