80 306 Büch B 
80 307 Cats J 
- Very fine set. = Monumenta Literaria Neerlandica IX, 1, 2 and 3.
Hooft, P.C. De briefwisseling. Ed. H.W. van Tricht. Culemborg, Tjeenk Willink Noorduijn, 1976-1979, 3 vols., 932,(2); 1035; 869p., ills., orig. unif. cl. w. (sl. frayed) dustwr., 4to.
80 308 Clandestine printing Aafjes B 
= De Jong 14. With AUTOGRAPH SIGNED DEDICATION "Voor Jacques Bloem in, als het mag, warme vriendschap en in, als het kan, nog warmere bewondering" on verso frontwr.
Idem. Elf sonnetten op Friesland. N.pl., Molenpers, n.d. (1944), (16)p., orig. wr.
- Inkstain at lower corner backwr. = De Jong 7.
AND 3 others: De Jong 404, 407 and 710.
80 309 Clandestine printing Larbaud V 
- Boards sl. browned/ discoloured along margins. = De Jong 485; Van Dijk 641.
(Eikeren, J.H. van). Vier Maria Legenden. Apeldoorn, De Ivoren Toren (= Amst., F. Hoes), n.d.(1945), 29,(2)p., col. linocut ills. by A. NONYMUS (= J.H. van Eikeren), printed in 250 numb. copies, orig. wr., 4to.
- Frontwr. trifle foxed. = De Jong 868.
AND 9 others, i.a. R. VAN HARLINGEN, Haaien voor Nabatoe (Amst., 1944, orig. wr. De Jong 358); C.K. NORWID, De legende van Krakus en de Draak (n.pl., 1945, ills. and orig. wr. by A. NONYMUS (= J.H. van Eikeren), 4to. De Jong 609) and 4 vols. from the series QUOUSQUE TANDEM, i.a. A. VAN SCHENDEL, Sparsa (Amst., 1944, printed in 525 numb. copies, orig. wr. De Jong 741). - WITH a copy of the bibliography by D. DE JONG.
80/310 Clandestine printing Lot of ±70 Dutch clandestine publications 
= I.a. G. ACHTERBERG, Reiziger "doet" Golgotha (n.pl., Mansarde Pers, 1943, orig. wr. De Jong 27); H. ROLAND HOLST-VAN DER SCHALK, De loop is bijna volbracht (n.pl., Mansarde Pers, 1944, tipped-in frontisp. portrait by C. TOOROP, orig. wr., 4to. De Jong 712); G. HOYER, 7 Stompjes kaars (n.pl., 1944, orig. wr. De Jong 408); M. VAN ROTTERDAM, Volk in smart (Maastr., Novaria, 1945, orig. hcl. De Jong 718); and incl. De Jong 34, 39, 95, 114, 140, 215, 299, 355, 418, 441, 532, 609, 665, 749, 797, 868, 915 and 959.
ADDED: ±20 related publications, various authors and publishers, mostly ±1945.
I.a. Gek en Wijs tijdens Seys (The Hague, ±1945, orig. wr.); A. DEN DOLAARD, De Partisanen (Tilburg, 1945, orig. wr.) and A. TESTRA, Een goede Kerst (Amst., 1945, clothbacked boards).
80 311 Couperus L 
- Two vols. w. bookplate on first free endpaper. All spine-ends trifle worn.
= De kleine zielen (whitish dec. on light grey cl.); Het late leven (brown dec. on greenish grey cl.); Zielenschemering (dark blue dec. on grey cl.); Het heilige weten (green dec. on greenish grey cl.). Van Vliet p.216, no.1-4; Braches 1453 I-IV.
80 312 Couperus L 
- Traces of removed bookseller's ticket in lower outer corner of upper pastedown. Spine faded; a few sm. faded spots on frontcover along joint.
= Van Vliet, p.123. Rare.
Idem. Oostwaarts. The Hague, H.F. Leopold, 1924, 1st ed., XII,260,VIp., frontisp., num. plates, orig. gilt dec. cl., large 8vo.
- Owner's entry on htitle. Backstrip sl. rubbed; frontcover some faded spots/ whitish stains. = Van Vliet p.318, no.1.
80 313 Couperus L 
- Occas. sl. foxed; owner's entry on first blank. Spine and backcover partly sunned; spine-ends sl. worn.
= Van Vliet p.324, no.1.
Idem. Oostwaarts. The Hague, H.P. Leopold, 1924, 1st ed., XII,260,VIp., frontisp. portrait, num. plates, orig. gilt dec. cl., large 8vo.
- Occas. trifle foxed; owner's entry on htitle. Otherwise a fine copy. = Van Vliet p.318, no.1.
80 314 Couperus L 
- Bookplate on verso first free endpaper. Spine faded. Fine copy. = Van Vliet p.206, no.2; Braches 809.
80 315 Couperus L 
80 315 Couperus L 
- Trifle foxed.
Idem. Xerxes oder der Hochmut. German transl. E. Otten. Ibid., idem, n.d. (±1920), 1st-5th thousand, 276,(4)p., orig. gilt clothbacked dec. boards. - AND 3 others by the same, all early German translations, i.a. Die Komödianten (Munich, 1919, orig. dec. boards) and Am Wege der Freuden (Berlin, 1920, orig. dec. cl., sm. 8vo).
80 316 Couperus L 
80 316 Couperus L 
- Two vols. w. owner's entry on title. Fine, complete set.
AND 2 others, i.a. IDEM, Hoe een roman wordt geschreven (ibid., 1991, orig. cl., 12mo. Owner's entry on upper pastedown).
80 317 Couperus L 
- Bookplate on first free endpaper. Binding w. white specks; sm. dam. spot at foot of spine.
= Van Vliet p.164, no.1; Braches 2249; Cat. Ned. Boek 26.
Idem. Williswinde. The same work, same edition, orig. wr. w. dec. identical to the above (lettering in black instead of gold) by L.W.R. WENCKEBACH.
- Bookplate on htitle. Rebacked w. green cloth tape; frontwr. w. sm. tear in margin and lacking tiny portion from lower corner.
= Van Vliet p.164, no.2; Braches 2249.
Idem. Williswinde. The same work, same edition, orig. wr. w. photogr. portr. of the author.
- Bookplate on htitle. Wrappers partly sl. (dust)soiled and some marginal imperfections; frontwr. w. [printed: Aflevering] "17/18" in blue pencil.
= Van Vliet p.164, no.4.
AND a fine copy of the same work, same edition, bound in a "neutrale band" (Van Vliet p.164, no.5). - ADDED: an ex-library copy in contemp. giltlettered hcl. (stamps, plastiziced etc. Sold w.a.f.).
80 318 Deyssel L van 
= Friendly letter, thanking for the kind reception when visiting Mr and Mrs Breugel: "(...) Ik verzoek U intusschen nog eens schriftelijk mededeeling te mogen doen van het buitengewone genoegen, dat ik gisteren had door u en de uwen en het uwe te leeren kennen en van de mate waarin ik de lieve hartelijkheid van uw ontvangst heb gewaardeerd (...)".
ADDED: Perk, M.A. Two AUTOGRAPH LETTERS SIGNED to "Waarde Jelle" [= J.R. Clifford Kocq van Breugel], dated resp. "16 Dec 1913" and "8 Maart 1914", each 1 fold. leaf, each 4p.
= I.a. on health matters and the troubles of old age, on family and ancestors and his publication of Zes jaren in Tripoli in Barbarije. Uit de gedenkschriften eener Nederlandsche vrouw (being the memoires of Wilhelmina Françoise Amélie Louise Clifford Kocq van Breugel, Perk's mother in law).
80 319 Deyssel L van 
- Some sl. occas. foxing.
= One of 200 numb. copies on Hollandsch, bound in unif. gilt hcalf, 2 blue mor. letterpieces, t.e.g. Good, attractively bound set. Comprises I. Een liefde (3rd ed.); II. De kleine republiek (2nd ed.); III. Uit het leven van Frank Rozelaar; Kind-leven; Als het dag wordt; Het ik (2nd ed.); IV. Kritieken (3rd ed.); V. Beschouwingen en kritieken (3rd ed.); VI. Lyrisch en verhalend proza; Ethisch mystiek varia; Reis-indrukken; Schetsen en aantekeningen (2nd ed.).
80 320 Eeden F van 
- Two lvs. loosening. = Braches 2277.
Idem. De kleine Johannes. Tweede deel/ Derde deel. Amst., W. Versluys, 1905/ 1906, 1st eds., 2 vols., (8),216; (4),355p., orig. not unif. dec. green cl. by E.W. KONING.
- First vol. edges and a few lvs. sl. stained. Fine set. = Braches 666 and 667.
AND the 7th edition of the first work.
80 321 Emmens J A 
- Dustwr. sl. worn and trifle soiled. = Verzameld werk deel 1.
Geel, C.J. van. Verzamelde gedichten. Ibid., idem, 1993, 1st ed., 1080,(3)p., india paper, orig. cl. w. dustwr. (backstrip of dustwr. sl. sunned). Kopland, R. Ibid., idem, (2006), 522,(3)p., india paper, orig. cl. w. dustwr. - AND 5 others in 7 vols., all but one orig. cl. w. dustwr., i.a. A. MORRIËN, Verzamelde gedichten (Amst., 1992. Dustwr. worn); W. SMIT, Verzameld werk (ibid., 1983); P. KEMP, Verzameld werk (ibid., 1973, 3 vols.) and W. KUSTERS, Pierre Kemp. Een leven (Nijm., 1910, ills., large 8vo).
80 322 Fens K 
80 323 Gorter H 
- Endpapers browned; owner's entry cut out of title-p.; trifle foxed. Spine sunned and sm. part of covers sunned.
AND 3 others by/ on the same, i.a. Een klein Heldendicht (ibid., 1908, 2nd. ed., orig. gilt cl.).
80 324 Gossaert G Seckel J 1881 1945 
- Frame w. a few dam. spots.
= Portrait of the Dutch poet and historian Frederik Carel Gerretson (1884-1958), known under the pseudonym Geerten Gossaert.
80 325 Grunberg A and Blanca P 
80 325 Grunberg A and Blanca P 
80 325 Grunberg A and Blanca P 
80 325 Grunberg A and Blanca P 
= The first edition of Grunberg's play Onze paus, which was rejected by Krystyna Meissner, director of the Wroclaw Theatre. The text in Dutch and Polish is accompanied by the refusal letter by Krystyna Meissner and the response of Arnon Grunberg (both in facsimile) and by six original photographs by Paul Blanca based on the play.