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Auction 81, 18-22 Nov 2024

Auction 80, 13-17 May 2024

Auction 79, 21-24 Nov 2023

Auction 78, 23-26 May 2023

Auction 77, 22-25 November 2022

Auction 76, 17-20 May 2022

Page 1232 of 1858 Results 24621 - 24640 of 37146
80 246 Music Azevedo A 80 246 Music Azevedo A
80/ 246 [Music]. Azevedo, A. Félicien David sa vie et son oeuvre. Paris, Ménestrel and Heugel et Cie., 1863, 99,(1)p., lithogr. portrait by A. LEMOINE on chine collé, 3 facs. plates, orig. (frayed) wr. (very rare). Köchel, L. von. Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amade Mozarts nach Angabe der verlorengegangenen und unterschobenen Kompositionen. Leipsic, Breitkopf & Härtel, 1980, reprint of the 3rd ed., XLIX,984p., orig. rexine w. (frayed) dustwr., large 8vo.
€ (50-70)
80 247 Music Bach J S 80 247 Music Bach J S
80 247 Music Bach J S 80 247 Music Bach J S
80/ 247 [Music]. Bach, J.S. Das Wohltemperirte Clavier II. London, British Library, 1980, VII,(1)p., 22 facs. lvs., orig. giltlettered cl., obl. folio.

= British Library Music Facsimiles: 1.

AND 2 others on J.S. Bach.

€ (50-70)
80 248 Music Franco J 80 248 Music Franco J
80/ 248 [Music]. Franco, J. Vier liederen voor sopraan en piano op gedichten van M. Nijhoff. Amst., Broekmans en Van Poppel, n.d. (1937), 17,(2)p. (incl. wr.), orig. wr. by D. KET, folio.

= With AUTOGRAPH SIGNED DEDICATION "voor mijn goede vriendin en zangeres Ileana Melita van Johan Franco 25 okt. 1967".

AND 1 other by the same: Herinnering aan Holland. In Memoriam H. Marsman. Piano-vocal score (New York, 1941, orig. wr., large 4to. Lower outer corner of frontwr. sl. nibbled by silverfish).

€ (50-70)
80 249 Music Gershwin G and Alajalov 80 249 Music Gershwin G and Alajalov
80 249 Music Gershwin G and Alajalov 80 249 Music Gershwin G and Alajalov
80/ 249 [Music]. Gershwin, G. and Alajalov. George Gershwin's Song-Book. New York, Simon and Schuster Inc., 1932, 1st ed., XI,167p., col. ills. by ALAJALOV, scores, orig. cl. w. velour over spine, 4to.

- First free endpaper lacks tiny portion. Upper joint trifle weak; corners showing.

€ (70-90) 100
80 250 Music Gluck C W 80 250 Music Gluck C W
80/ 250 [Music]. Gluck, C.W. Alceste. Tragédie. Opera en trois actes. Representée pour la 1ere fois par l'Academie R.ale de Musique le 30 Avril 1776. Paris, Boieldieu jeune, n.d. (1776), plate no.2, (2),293p., engr. title-p. and engr. full-score, sl. later hcalf, folio.

- Closed tear in title-p.; contents otherwise good/ fine. Binding worn/ rubbed along extremities.

= RISM G 2642 (5th edition).

€ (250-350)
80 251 Music Haydn J 80 251 Music Haydn J
80 251 Music Haydn J 80 251 Music Haydn J
80 251 Music Haydn J 80 251 Music Haydn J
80 251 Music Haydn J 80 251 Music Haydn J
80/ 251 [Music]. Haydn, J. Jahreszeiten. Piano and song adapt. by Ant. André. Offenbach a.Main, J. André, n.d. (±1802), plate no.1640, 176p., lithogr. title-p., engr. score, contemp. frontwr., obl. 4to.

- Rebacked w. cloth and w. later backcover. = RISM H4692; Hoboken II, p.59f.

Idem. Die Schöpfung. La Création. Piano and song adapt. by F. Ries. Bonn, N. Simrock (pasted over w. booksellers ticket of L. Plattner, Rotterdam), n.d. (1800), plate no. 9, (2),135p., entirely engr. score, contemp. hcalf, obl. 4to.

- Binding (sl.) worn along extremities. = Hoboken XXI/ 2, p.42.; RISM H4652.

Händel, G.F. Der Messias. Piano and song adapt. by C.F.G. Schwencke, "mit deutschen Texte von Klopstock und Ebeling." Hamburg, J.A. Böhme (publ. name pasted over w. ticket of Theune & Comp., Amst.), 1809, no plate no., (4),166p., engr. title-p. w. oval vignette, engr. score, contemp. marbled gilt hcalf w. gilt oval green mor. letterpiece on frontcover, obl. 4to.

- Contents very fine. Binding worn/ rubbed along extremities. = RISM H740.

AND 4 others: R. SCHUMANN and C. SCHUMANN-WIECK, Genoveva. Oper in vier Acten nach Tieck und F. Hebbel. Piano and song adapt. C. Schumann-Wieck (Leipsic, n.d. (±1851), plate no.3388, lithogr. title-p. and scores for voice and piano, contemp. hcalf w. green mor. letterpiece, folio. Title-p. sl. foxed. Binding worn along extremities; spine-ends dam.); G. MEYERBEER, Le Prophète (Paris etc., n.d. (±1849), lithogr. title-p. and score, contemp. giltlettered green hmor., folio. Lithogr. title loose; textp. foxed; most leaves w. waterstain in upper margin affecting the uppermost bar.); P. VON WINTER, Das unterbrochene Opferfest. Piano adaptation by ? (Braunschw., n.d. (1832), plate no.207, lithogr. frontisp. portrait, title and score, contemp. hcalf w. gilt green letterpiece on frontcover, obl. 8vo. Vaguely dampstained in lower and inner margins; upper joint starting) and J.G. BERTELMAN, Missa (The Hague, Fr. Beuster, 1836, entirely engr. full score, with piano score, contemp. giltlettered hcalf, obl. 4to. Joints and corner rubbed, otherwise fine).

€ (250-350) 250
80 252 Music Haydn J 80 252 Music Haydn J
80/ 252 [Music]. Haydn, J. Quatuor pour deux Violons, Alto et Violoncelle. No.12-22. Berlin, Trautwein & comp., n.d. (±1840), new ed., plate nos. 711, 724, 727, 735, 745, 746, 749, 751, 752, 754 and 759, 11 vols., engr. full-score, orig. unif. wr. in contemp. board chemise w. giltlettered mor. letterpiece.

- Three vols. partly waterstained in lower outer (mainly blank) corner; otherwise a good set, occas. w. sl. foxing.

€ (40-60)
80 253 Music Mahler G Mitchell D and Reilly E R 80 253 Music Mahler G Mitchell D and Reilly E R
80 253 Music Mahler G Mitchell D and Reilly E R 80 253 Music Mahler G Mitchell D and Reilly E R
80 253 Music Mahler G Mitchell D and Reilly E R 80 253 Music Mahler G Mitchell D and Reilly E R
80/ 253 [Music. Mahler, G.]. Mitchell, D. and Reilly, E.R. Gustav Mahler. Facsimile edition of the Seventh Symphony. Amst., Rosbeek, 1995, 2 vols., 98; (2),308p., ills., scores, orig. unif. wr., together in orig. giltlettered cl. drop back box, folio. - AND 2 others, i.a. J. SCHMIDT-GÖRG, Beethoven. Een Skizzenbuch zu den Diabelli-Variationen und zur Missa Solemnis (Bonn, 1972, 1 vol. (of 2), scores, orig. wr., obl. 4to). - ADDED: O. VOLTA and J.M. BONET, Erik Satie Del Chat Noir A Dada (Valencia, 1996, 2 vols., num. ills./ num. facs. printed booklets/ tickets, orig. unif. boards, 4to).
€ (80-100) 100
80 254 Music Mengelberg W 80 254 Music Mengelberg W
80/ 254 [Music]. Mengelberg, W. Lot of ±50 program booklets, almost all for concerts in the USA (esp. in Carnegie Hall, New York and the Brooklyn Academy of Music), dated between 1922-1929, various sizes. - WITH 6 picture postcards w. portraits of Mengelberg (unused, ±1920-1935, partly issued on occasion of Mengelberg's 25th anniversary as conductor of the Concertgebouw Orchestra in 1920) and a special issue of Melos (year 1, no.6), publ. 1920 on occasion of the Mahler-Fest (Leipsic, 1920, ills., orig. wr. w. yellow wrap-around band reading "Zum Mahler-Fest in Amsterdam"). - AND WITH 2 publications on W. MENGELBERG, i.a. Willem Mengelberg Gedenkboek 1895-1920 (The Hague, 1920, num. plates/ ills., orig. gilt cl., large 8vo. Covers foxed).
€ (80-100) 180
80 255 Music Stockhausen K Conen H 80 255 Music Stockhausen K Conen H
80/ 255 [Music. Stockhausen, K.]. Conen, H. Formel-Komposition. Zu Karlheins Stockhausens Musik der siebziger Jahre. Mainz etc., Schott, 1991, 282p., ills., orig. boards.

= With SIGNED dedication by Stockhausen on first free endpaper.

Stockhausen, K. Texte zur Musik. Vol.7-10. 1984-1991. Kürten, Stockhausen-Verlag, 1998, 4 vols., orig. unif. boards.

= Band 7: I Neues zu Werken vor Licht, II Zu Licht bis Montag, III Montag aus Licht. Band 8: IV Dienstag aus Licht, V Elektronische Musik. Band 9: VI Über Licht, VII Komponist und Interpret, VIII Zeitwende. Band 10: IX Astronische Musik, X Echos von Echos.

AND 7 others by/ on the same, i.a. Kompositorische Grundlagen Neuer Musik. Sechs Seminar für die Darmstädter Ferienkurse 1970 (Kürten, 2009, orig. boards).

€ (150-250)
80 256 Music Wagner Vereeniging 80 256 Music Wagner Vereeniging
80 256 Music Wagner Vereeniging 80 256 Music Wagner Vereeniging
80 256 Music Wagner Vereeniging 80 256 Music Wagner Vereeniging
80/ 256 [Music]. Wagner Vereeniging. Lot of ±120 program booklets, text booklets, printed leaflets, announcements, membership information etc., all for/ concerning concerts organised by the Wagner Vereeniging, ±1899-1958, all in orig. wr. by/ after i.a. FRÉ COHEN, R.N. ROLAND HOLST, W. SANDBERG, I.Y. BILIBIN and J. WALTHER, various sizes, in 3 modern black ringbinders, 2x folio, 1x 4to size.
€ (80-100) 140
80 257 Music Lot of ±120 programs advertisements invoices picture postcards etc 80 257 Music Lot of ±120 programs advertisements invoices picture postcards etc
80/ 257 [Music]. Lot of ±120 programs, advertisements, invoices, picture postcards etc. all but a few dated between 1874-1956, mainly for opera concerts, i.a. 22 issues of De Nieuwe Scheveningsche Koerier (all 1930, all w. col. pict. frontwr. by E. VETERMAN), Buitengewone Opera-Avonden (13 program booklets, 1927-1929, incl. a few duplicates), Opera Italiana. Orgaan van de N.V. Italiaansche Opera (24 issues, 1930-1934); a fine letterpress program poster for a concert given by the Amsterdamsche Opera-Vereeniging in the Paleis voor Volksvlijt ("De verdronken klok" by Heinrich Zöllner, ±1917. Folded) and an AUTOGRAPH LETTER SIGNED by Eugene Scribe (invitation for dinner at Montalais).

= The super-abundance of opera companies and concerts in The Netherlands was sharply criticized by Matthijs Vermeulen on occasion of the final concert listed above: "Wij zullen langzamerhand moeten gaan denken, dat men ons voor den mal houdt. Er bestaat eene Nederlandsche Opera, een Lyrisch Tooneel, er bestaat eene onderneming van Pauwels, welke alle drie opera's geven. Daarbij geeft het Concertgebouw nog opera's, Kee van Zanten geeft opera's, Koeberg geeft opera's, Von Gerlach graast het veld af met opera's, de Wagner-Vereeniging, de Fransche Opera - alles geeft opera's en nu is er nog eene Amsterdamsche Opera-Vereeniging bij gekomen, waarvan niemand wist wanneer ze was opgericht of dat ze bestond.

Met de dirigenten gaat het juist zoo. De heele wereld dirigeert en over een paar jaren zal de reputatie van Mengelberg geen goed inkomen per jaar meer waard zijn. Koopman vertelde me, dat er alléén voor de vacature Richard Heuckeroth stapels sollicitaties waren binnengekomen. Stapels... en ik heb hem onmiddellijk geloofd. Het is een epidemie, welker omvang men 't best kan schatten uit het feit, dat zelfs de tenor Louis van Tulder koren en orchesten dirigeert, dat ik onzen collega Theo van der Bijl hier ontmoet aan het hoofd van de Amsterdamsche Opera-Vereeniging.

Het is onze collega, de muziek-criticus van De Tijd, die aldus profiteert van de prachtige gevolgen der Zweedsche heil-gymnastiek en heil-massage, en van de vrijgeleiden, welke het universeele dilettantisme verstrekt aan de onbelangrijkste menschen, die men desnoods alle menschelijke en goddelijke eigenschappen wil toekennen behalve de eigenschappen van den kunstenaar. (...)"

€ (70-90) 200
80 258 Occultism Hermes Trismegistus 80 258 Occultism Hermes Trismegistus
80/ 258 [Occultism]. Hermes Trismegistus. Corpus Hermeticum. Ed. and Dutch transl. R. van den Broek and G. Quispel. Amst., In de Pelikaan, 1990, 1st ed., 209p., col. frontisp., orig. cl. w. dustwr., 4to.

- Top of dustwr. spine worn/ chipped.

Quispel, G. Valentinus de gnostinus en zijn Evangelie der Waarheid. Ibid., idem, 2003, 145p., orig. cl. w. dustwr. Het Evangelie van Thomas. Ed. G. Quispel. Ibid., idem, 2004, 380p., orig. cl.

= Texts and Studies published by the Bibliotheca Philosophia Hermetica 2, 8 and 10.

AND 10 others in 14 vols., i.a. G. QUISPEL, Makarius, Das Thomasevangelium und Das Lied von der Perle (Leyden, 1967, orig. cl.) and The Nag Hammadi Library in English (ibid., 1996, 4th ed., orig. boards).

€ (70-90) 70
80 259 Philosophy Bloch E 80 259 Philosophy Bloch E
80/ 259 [Philosophy]. Bloch, E. Geist der Utopie. Munich/ Leipsic, Duncker & Humblot, 1918, 1st ed., 445p., orig. wr.

- Loosening; a few markings in pen and ink at the end; a few scattered stamps. Backstrip partly worn away; backwr. loose and frayed.

AND 1 other: IDEM, Subjekt-Objekt (Berlin, 1951, reissue, orig. cl.).

€ (40-60)
80 260 Philosophy Erasmus D 80 260 Philosophy Erasmus D
80/ 260 [Philosophy]. Erasmus, D. Opera omnia. Recognita et adnotatione critica instructa notisque illustrata. Vols. I/1,2,4,6, II/2,4-8, IV/1,1A,2, V/2,5,6, VII/6 and IX/1-3. Amst., North Holland Publishing/ Elsevier, 1969-1996, 19 vols., plates, orig. unif. cl., large 8vo.

- Fine set. = The standard scientific edition of Erasmus' collected works.

€ (200-300) 200
80 261 Philosophy Kant I 80 261 Philosophy Kant I
80/ 261 [Philosophy]. Kant, I. Kritiek van de zuivere rede. Kritiek van de praktische rede. Kritiek van het oordeelsvermogen. Dutch transl. by J. Veenbaas and W. Visser. Amst., Boom, 2004-2009, 3 vols., 689; 230; 480p., orig. unif. blindst. cl. w. dustwr., sm. 4to.

- First vol. w. owner's entry.

AND 2 biographies of Hegel and Kant, both publ. by Cambridge Univ. Press, 2000-2001, orig. unif. cl. w. dustwr.

€ (50-70) 80
80/262 Philosophy Die Kreatur Year 1 3 all publ Ed M Buber V von Weizsäcker und J Wittig 80/262 Philosophy Die Kreatur Year 1 3 all publ Ed M Buber V von Weizsäcker und J Wittig
80/ 262 [Philosophy]. Die Kreatur. Year 1-3 (all publ.). Ed. M. Buber, V. von Weizsäcker und J. Wittig. Berlin, L. Schneider, 1926-1930, 3 parts in 6 vols., orig. hcl. (year 1 and 3)/ orig. unif. wr. (year 2 in 4 vols.), 4to.

- Year 3 waterst., binding worn/ dam. and rebacked.

= With contributions by i.a. Walter Benjamin, Nikolai Berdjajew, Ernst Simon and Eugen Rosenstock.

€ (50-70)
80 263 Philosophy Nietzsche F 80 263 Philosophy Nietzsche F
80/ 263 [Philosophy]. Nietzsche, F. Zur Genealogie der Moral. Eine Streitschrift. Leipsic, C.G. Naumann, 1892, 2nd ed., XIV,(2),182,(2)p., contemp. gilt hmor.

- Spine sl. rubbed, otherwise fine. = Schadd 53 (" (...) 1000 copies printed").

€ (100-150)
80 264 Philosophy Schopenhauer A 80 264 Philosophy Schopenhauer A
80 264 Philosophy Schopenhauer A 80 264 Philosophy Schopenhauer A
80/ 264 [Philosophy]. Schopenhauer, A. Sämmtliche Werke. Ed. P. Deussen. Vol. 1-5 and 9-11 Munich, R. Piper & Co., 1911-1916, 8 (of 13) vols., contemp. gilt black hcalf, t.e.g.

- Spine-ends and corners parlty rubbed/ sl. worn.

= In total 13 vols. of the intended 16 were published (vol. 7, 8 and 12 were never published).

€ (100-150)
80/265 Provo Open het graf A homage to the dead a warning to the living Wereld world premiere Necrofilie bi lingual multinational happening Amsterdam 1912 9 decembrer 1962 Prinsengracht 146 80/265 Provo Open het graf A homage to the dead a warning to the living Wereld world premiere Necrofilie bi lingual multinational happening Amsterdam 1912 9 decembrer 1962 Prinsengracht 146
80/265 Provo Open het graf A homage to the dead a warning to the living Wereld world premiere Necrofilie bi lingual multinational happening Amsterdam 1912 9 decembrer 1962 Prinsengracht 146 80/265 Provo Open het graf A homage to the dead a warning to the living Wereld world premiere Necrofilie bi lingual multinational happening Amsterdam 1912 9 decembrer 1962 Prinsengracht 146
80/ 265 [Provo]. Open het graf A homage to the dead, a warning to the living. Wereld(world)premiere Necrofilie bi-lingual, multinational happening, Amsterdam 1912 (9 decembrer 1962, Prinsengracht 146). (Amst., 1962), 12 stencil printed lvs., ills., printed in 50 copies, stapled wr., 4to. - WITH: the (fold.) poster for the happening, printed in 400 copies.

= The program and poster of the first happening organized in Amsterdam. The happening on December 9, 1962 was organized by Melvin Clay, Frank Stern and Simon Vinkenoog at the workshop of Rik van Bentum at the Prinsengracht 146, Amsterdam. The name of the happening is a pun on the first Dutch televised fund raiser "Open het Dorp" (Open the Village) and the funeral of princess Wilhelmina. Contributors to the program were Simon Vinkenoog, Rik van Bentum, Melvin Clay, Jan Cremer, Robert Jasper Grootveld, Bart Huges, Jean-Jacques Lebel, Jean-Pierre Moulin, Frank Stern, Mike Lorsch and Cornelis Bastiaan Vaandrager. Other people were mentioned on the poster, but probably not all were there, i.a. Allen Ginsberg, Johnny van Doorn, Neal Simon, Ilse, Vince Taylor, Donald Jones, Lucia, Maxim Hamel, Brigitte Bardot and Tony Negenman. The program shows the first appearance of the Provo symbol (apple with stalk and dot), the Gnot apple. Gnot being a composition of God and Genot (God and Pleasure), designed and developed by Robert Jasper Grootveld and Bart Huges. Cf. Wim Beeren et al., Actie, werkelijkheid en fictie in de kunst van de jaren 60 in Nederland, p. 54-58. SEE ILLUSTRATION PLATE VI.

€ (300-500) 375
Page 1232 of 1858