- A few very sm. dam.(?) spots.
= On blue laid paper with a watermark showing a stylized tree with the word "wolfhagen"(?) below.
- Brown stain in upper part; laid down on sl. later paper.
= A more pronounced sketch of the lightning bolt on verso of the orginal leaf can be seen shining through. The original design for the engraved plate in DANIEL DEFOE, Réflexions sérieuses et importantes de Robinson Crusoe (Amst., 1722). It was also used in the Dutch edition (engraving supplied).
= Design for a medaillon. An engraving of this subject was made by B. Picart in 1730, after the drawing of 1715 [this drawing?].
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Tipped onto mount along top margin.
(Dillen, Georg van (act. 1800-1830)). (Two travellers walking along a stream in a wooded landscape). Drawing, pen and ink, 18x24,8 cm. Bendorp, Johann (1767-1849). (An angler and a passer by near a bridge and farm). Drawing, brush and grey wash, 6,7x12 cm., signed and dated "1782" in pen and ink on verso.
- Both mounted on limp board; edges w. some worn spots and (glue)stains from former framing.
= On 17th/ 18th cenntury laid paper.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE CXXX.
= Demolished in 1748. Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE CXXXI.
= Demolished in 1834. The two pillars shown in this drawing still exist, although in dilapidated state. Provenance: the collection A.M. van den Broek, with his collector's mark on verso. Splendid drawing. SEE ILLUSTRATION PLATE CXXXI.
- Sl. soiled; tiny tears in lower edge.
- Sl. browned; (dust)soiled; w. a few sm. stains.
= Hendrik Spilman created an etching after this drawing and used it in Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (1750). This was combined with a view of the watergate of Woudrichem after a drawing in a very similar style, attributed to Paulus van Liender by RKD (formerly in the collection of gallery Gebr. Douwes, 1963). The etchings are signed "C.P. ad viv.del", so the attribution to van Liender is very doubtful.
= Probably after the prints in Kabinet van Nederlandsche en Kleefsche outheden (1727-1733). Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= This composition was used by Rademaker for the print in Kabinet van Nederlandsche en Kleefsche outheden (1727-1733). After the drawing by Jan van der Velde, now in Teylers Museum. Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE CXXXII.
- Yellowed. = SEE ILLUSTRATION PLATE CXXVIII.
- Traces of former tipping-in on verso. = SEE ILLUSTRATION PLATE CXXXII.
Idem (attrib.). (Small farmhouse on a lake with resting cows near a small wood). Drawing, pen and brown ink and watercolour, 11,3x19 cm., within framing line in pen and brown ink.
- Poor copy, waterstained in lower part; laid down, w. closed holes and tears, mostly in lower part.
= A contemporary copy after a drawing by Ricci, now part of the collection of the Morgan Library and Museum (inv. no. 1976.38). Provenance: sir Thomas Lawrence (1769-1836) (blindstamp mark, Lugt 2445), William Young Ottley (1771-1836) (stamp, Lugt 2663). According to the annotation on the mount, donated to the Rugby School Art Museum by Matthew Holbeche Bloxam (1805-1888).
- Num. annots. in pencil (by the artist?). Outer margins laid down on mount.
= With manuscript collector's mark "J.E. Ridinger Sammlung Weigel" on verso (perhaps T.O. Weigel, Lugt 2554). SEE LLUSTRATION PLATE.
- Sl. yellowed. = SEE ILLUSTRATION PLATE CXXXIII.