79 5736 Dietrich Christian 1712 1774 attrib 
- Vaguely foxed/ trifle browned. = In the style of Rembrandt. SEE ILLUSTRATION PLATE CXVII.
79 5737 Dircks late 19th/ early 20th cent 
- Sl. soiled.
79 5738 Doeleman Johan Hendrik 1848 1913 
= Provenance: the collection A.M. van den Broek. Sold at auction Paul Brandt, ±1978.
79 5739 Drielst Egbert van 1746 1818 attrib 
- Small sl. browned spot in upper right corner.
= Title and attribution in pen on mount. Provenance: the collection of Hans van Leeuwen (sold at auction 1992-1999, lot 279, with title: "Travellers on a wooded road") and, according to a note on the passepartout, purchased at Pfann (Amsterdam in 1957). Another annot. on passepartout suggesting Willem Uppink might be the artist.
79 5740 Dubourcq Pierre Louis 1815 1873 attrib 
= Provenance: the collection A.M. van den Broek with his collector's mark on verso.
79 5741 Dumont L C 20th cent 
= Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso.
79 5742 Dusart Cornelis 1660 1704 attrib 
- Vaguely browned; sm. chip in upper edge; lower right corner w. small repair.
= With a stamped unidentified collector's mark (Lugt 5638) and an unidentified manuscript collector's mark (A. Baduner?) on verso. SEE ILLUSTRATION PLATE CXXI.
79 5743 Eeghen Anna Catharina Maria van 1878 1924 
- Pinholes in corners; partly discoloured; a few tiny rubbed spots.
79 5744 Eerelman Otto 1839 1926 
79 5744 Eerelman Otto 1839 1926 
= Artist identified in pencil on passepartout. SEE ILLUSTRATION PLATE CXXI.
79 5745 Eymer Arnoldus Johannes 1803 1863 
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
79 5746 Eymer Arnoldus Johannes 1803 1863 
= Provenance: the collection A.M. van den Broek.
79 5747 Famars Testas Willem de 1834 1896 
- Both fine.
= Original drawings for J. VAN LENNEP, Klaasje Zevenster (Leyden, A.W. Sijthoff, Leiden, ±1888-1890). Both with reference to the relevant passage in the book in pencil by the artist on verso with a quote from Klaasje Zevenster. The quote on the first drawing is also SIGNED in full in pencil by the artist.
WITH a copy of the work in the edition Leyden, A.W. Sijthoff, ±1888-1890, orig. gilt cl., t.e.g., folio. Sl. foxed; backstrip sl. dam.).
79 5748 Fargue Jacob Elias la 1735 ±1778 attrib 
- Laid down on modern board.
= Depicting wind mill De haan in the background and to the right windmill de Zijl. = Provenance: the collection of A.M. van den Broek with his collector's mark on verso. SEE ILLUSTRATION PLATE CXXI.
79 5749 Fargue Karel la 1739 1793 
- Sl. browned and duststained; two brownish stains in upper and lower right corner.
= Possibly a view of the Vliet or Trekvliet near Voorburg.
79 5750 Fargue Karel la 1739 1793 
= From the collection of P.J. and L. Buijnsters-Smets.
79 5751 Floods Anonymous 1st half 19th cent 
79 5751 Floods Anonymous 1st half 19th cent 
- Blank margins darkened/ scorched(?), sl. brittle and w. a few waterstains.
= SEE ILLUSTRATION PLATE CXXII.
79 5752 Flowers Anonymous 17th cent 
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). On 17th century laid paper with a foolscap watermark. Van den Broek attributed the tulip drawings to Severeinse himself.
79 5753 Flowers Anonymous 17th cent 
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). On 17th century laid paper with a foolscap watermark.
79 5754 Flowers Anonymous 17th cent 
79 5754 Flowers Anonymous 17th cent 
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). On 17th century laid paper. SEE ILLUSTRATION PLATE CXXI.
79 5755 Flowers Anonymous 17th cent 
- Sl. soiled.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso, the artist Jan van der Veer (1912-2001) and the artist Jan Severeinse (1760-1846). . On 17th century laid paper with watermark crossed fllail within a chaplet (similar to Churchill, no. 544: 1640).