79 5716 Beijer Jan de 1703 1780 
= Provenance: the collection A.M. van den Broek. with his annotation in pen on verso. Sold in auction at R.W.P. de Vries, December 1931. The Noordhollands archief holds an almost exact copy of this drawing (inv.no. 43426). With later attributions to Cornelis Pronk and Paulus van Liender. SEE ILLUSTRATION PLATE CXVII.
79 5717 Bertichen Pieter Godfried 1796 1856 
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso. Bertichen emigrated to Brazil in 1833.
AND a small drawing of the same gate by F. VOS.
79 5718 Bloemen Pieter van 1657 1720 attrib 
- Vague grease(?) stain in right part.
= On paper with a watermark showing the coat of arms of Amsterdam. The Rijksmuseum holds what appears to be a preliminary drawing (RP-T-1993-89).
79 5719 Bolomey Benjamin Salomon 1739 1819 
- Foxed. = Benjamin Bolomey was a court portraitist in the service of Stadtholder Willem V.
79 5720 Bonheur Rosa 1822 1899 
79 5720 Bonheur Rosa 1822 1899 
- Some craquelé, especially in the centre. Needs cleaning. Frame sl. dam. = SEE ILLUSTRATION PLATE CXVI.
79 5721 Bosboom Johannes 1817 1891 
= Prepatory sketch for the painting, now in the collection of the Dutch royal family. Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso; sold in auction Sotheby's Amsterdam, November 1982 (lot 356A); former collection of J.A.G. baron de Vos van Steenwijk. Displayed in the centenary exhibition of 1917 in The Hague. SEE ILLUSTRATION PLATE CXVII.
79 5722 Brussel Hermanus van 1763 1815 attrib 
= With attribution in pencil on verso.
79 5723 Bulthuis Jan 1750 1801 attrib 
79 5723 Bulthuis Jan 1750 1801 attrib 
79 5723 Bulthuis Jan 1750 1801 attrib 
79 5723 Bulthuis Jan 1750 1801 attrib 
79 5723 Bulthuis Jan 1750 1801 attrib 
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso mounts. Views of villages in West-Friesland. Hendrik de Winter drew partly the same views in 1744 (now in Noord-hollands archief). It is not certain whether the artist copied them (with small differences) or that he revisited the same places and stood on the same spot. But it appears he must have seen them. The accompanying texts (all but one) give extra topographical and historical information. It is unknown if these drawings were used for engravings. SEE ILLUSTRATION PLATE CXVIII.
79 5724 Cambiaso Luca 1527 1585 style of 
- Partly sl. browned. = On blueish laid paper.
79 5725 Carracci Annibale 1560 1609 school of 
- A few spots and some foxing.
= Perhaps the surroundings of Domenico Zampieri (1581-1641). But the composition also reminds us of the later artist Giovanni Francesco Grimaldi.
79 5726 Cassiers Henri 1858 1944 
- Trifle yellowed. A few chipped spots on frame. = A fine view. SEE ILLUSTRATION PLATE CXVIII.
79 5727 Castiglione Giovanni 1609 1664 style of 
- Vaguely waterst./ sl. foxed; old handling creases.
= Mount with unidentified collector's stamp (Lugt 2111). SEE ILLUSTRATION PLATE CXIX.
79 5728 Chantal Louis 1822 1899 
= A very delicate drawing with four small 'scenes': an older and a young fisher woman, a view of 'bomschuiten'on the beach and view of fishermen homes.Provenance: the collection A.M. van den Broek; sold at auction Sotheby's Amsterdam, 1981. SEE ILLUSTRATION PLATE CXIX.
79 5729 Clemens Dirk Abraham act 1772 1825 
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso and, according to his notes, before that from the collection Hoog (Haarlem). Signature probably erased, "Hillegom 1819" still vaguely visible on verso. Attractive drawing with a pair of turkeys in the foreground. SEE ILLUSTRATION PLATE CXX.
79 5730 Conrad J W B late 18th/ early 19th cent 
79 5730 Conrad J W B late 18th/ early 19th cent 
79 5730 Conrad J W B late 18th/ early 19th cent 
- Lower left corner creased.
AND 4 other (early) 19th cent. drawings: a watercolour of the ruin of Egmond, a view of a house, manor, a drawing of the ruined church of Bergen and an unidentified walled town near a river.
79 5731 Cormon Fernand 1845 1924 ? 
79 5731 Cormon Fernand 1845 1924 ? 
= Showing probably a caricature of the artist Fernand Cormon (by himself?) on a rather wild feast. On verso a small manuscript note (unread).
79 5732 Cranenburgh II Hendrik van 19th cent 
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso.
79 5733 Cranenburgh Pieter van 1792 1858 
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso,
79 5734 Decker Coenraet ±1650 1685 ? 
- Laid down on (chafed) blue laid paper; somewhat foxed; a few weak spots and sm. holes; chafed spot in lower left corner.
= Design for the etched titlepage or frontispiece of 't Verwerd Europa, ofte Politijke en historische beschryvinge der waare fundamenten (...) van de oorlogen (...) in Europa (Amsterdam, 1675) by P. Valkenier. The title-page was etched by Coenraet Decker in the style of Romeyn de Hooghe. The final etching differs mostly in the details, the general composition is the same.
79 5735 Derkinderen Antoon 1859 1925 
= Sketch for the monumental fresco in the Begijnhof, Amst. Provenance: the I.Q van Regterern Altena sale (Christie's, Amst., 2015). SEE ILLUSTRATION PLATE CXX.