79 5556 Portraits Portraits of Martin Luther his wife and son Johannes and Johannes Hus 
79 5556 Portraits Portraits of Martin Luther his wife and son Johannes and Johannes Hus 
79 5557 Portraits Visscher Cornelis 1628 1658 
79 5557 Portraits Visscher Cornelis 1628 1658 
79 5557 Portraits Visscher Cornelis 1628 1658 
- A few portraits frayed in blank margins, otherwise fine, with ample margins.
= Hollstein, 77-116, the 3rd and final state.
79 5559 Potter Paulus 1625 1654 
79 5559 Potter Paulus 1625 1654 
79 5559 Potter Paulus 1625 1654 
79 5559 Potter Paulus 1625 1654 
79 5559 Potter Paulus 1625 1654 
- Hollstein 9 doubled; Hollstein 12 sl. foxed and sl. yellowed.
= The Frisian horse (Hollstein 9, 3rd state (of 3), the tail lengthened. Without watermark); The neighing horse (Hollstein 10, 2nd state (of 2), with the rework of the foreground and church in background. Unidentified watermark; The cropped horse (Hollstein 11, 3rd state (of 3), the tail made thinner. Unidentified watermark (identical to H.10)); The plough horses (Hollstein 12, 2nd state (of 3). Without watermark); The worn-out horse (Hollstein 13, copy with "Ex formis N. Visscher cum. Privil. 6" below lower right corner). SEE ILLUSTRATION PLATE CVIII.
79 5560 Potter Paulus 1625 1654 after 
- On paper w. unidentified watermark. = Hollstein 12, 3rd state (of 3).
79 5561 Prestel Maria Katharina 1747 1794 
79 5561 Prestel Maria Katharina 1747 1794 
79 5561 Prestel Maria Katharina 1747 1794 
79 5561 Prestel Maria Katharina 1747 1794 
- All prints w. some fading; partly also w. black. stains (from sloppy printing?) in blank margins/ corners and w. whitish spots (from rubbing or silverfish activity); all prints without captions.
= I.a. one of Le Blanc 54-55 (Evening or Morning). "(...) she produced some plates which are etched with spirit and finished in aquatint in a picturesque manner." (Prideau p.57). The print signed "Prestel" shows a landscape with a shepherd returning with his cattle to a village on a hill, with a mill on top of the hill.
- Leather clasp broken.
= Large print stand, with the possibility of displaying large prints when the frontpanel is folded 90 degrees.
79/5563 Printdrawings Collection of over 200 printdrawings after the method/ in the style of C Ploos van Amstel 
= Prints by i.a. Jabes Heenck, Pieter Janson, Johannes Christiaan Janson, Jacob Ernst. Marcus, Pieter de Mare, Aart Schouman, Rudolph Sondagh, Hendrik Spilman, Jurriaan Cootwijk, Hermanus van Brussel, Hendrik Busserus and Ernst Bagelaar.
79 5564 Quast Pieter 1606 ±1647 
- Broad margins sl. browned and w. traces of former mounting in upper blank margin. = Hollstein 51.
AND 2 other etchings (after the same?) and an etching by Albert CUYP from the Set of cows (browned and partly laid down).
79 5565 Ravenswaay Jan van 1789 1869 
79 5566 Rembrandt van Rijn 1606 1669 
- Trimmed just outside the platemark; sl. vague impression.
= Etchings by Rembrandt printed in sanguine are very rare (no other copy of this print in sanguine traced). New Hollstein 269, 2nd state (of 3). SEE ILLUSTRATION PLATE CVIII.
79 5567 Rembrandt van Rijn 1606 1669 
- Trimmed ±1 mm outside the platemark; vague glue remnants of former mount along edge on verso. Fine copy.
= On thick (18th cent.?) laid paper. New Hollstein 45, 2nd state of 3, before the re-biting by the Basan workshop, but with the horizontal scratch between figures, common in the later impressions. SEE ILLUSTRATION PLATE CVIII.
79 5568 Rembrandt van Rijn 1606 1669 
- Trimmed just outside the borderline. Fine, strong dark impression on late 17th/ early 18th cent. laid paper, no watermark.
= New Hollstein 302, 4th state (of 5), before the restoration of the shadow on the wall between Christ and the woman.
79 5569 Rembrandt van Rijn 1606 1669 
- Sl. browned/ vaguely foxed; Lower left, upper right and lower right corners repaired.
= New Hollstein 264, 9th state (of 10); Bartsch and White/ Boon 272; Nowell-Usticke B272. "The sitter was a well known publisher of prints, working in Amsterdam from about 1640 until his death in 1679. His inventory (...) contains a long list of prints by Rembrandt." (Hollstein).
79 5570 Rembrandt van Rijn 1606 1669 
- Good strong, dark impression.
= On laid paper (late 17th?/ early 18th cent.). New Hollstein 140, the 3rd state (of 4). SEE ILLUSTRATION PLATE CIX.
79 5571 Rembrandt van Rijn 1606 1669 school of 
- Good impression on contemp. paper w. unidentified watermark, trimmed on/ just inside the platemark. Some sm. thin spots, partly strengthened on verso. Verso w. the collector's stamps of i.a. A. Artaria (Lugt 33) and Julius von Elischer (Lugt 824).
= Hollstein/ Bartsch 341, 2nd state (of 2). Attributed to Ferdinand Bol, Hollstein 21 (Study for the large Jewish bride). Rare. SEE ILLUSTRATION PLATE CIX.
79 5572 Renoir Pierre August 1841 1919 
- Sl. yellowed; verso w. paper tape along outer margins. = Delteil 15, the second state (of 2).
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
79/5573 Reptiles Lot of 16 handcol steelengravings 
= Comprises i.a. snakes, frogs, lizards, turtles and chameleons. = Nissen, ZBI 4617.
79 5574 Ridinger Johann Elias 1698 1767 
79 5574 Ridinger Johann Elias 1698 1767 
- Contents very fine. Covers sunned; corners and spine-ends rubbed/ sl. worn.
= Beautiful equitation series, in strong impressions. Thienemann 606-627 (incomplete series); Schwerdt III, p.142; Mennessier de la Lance II, p.428 (stating that he has never encountered a complete copy of this series). SEE ILLUSTRATION PLATE CIX.
79 5575 Rosa Salvator 1615 1673 
- Partly stained/ sl. foxed, especially lower half. = Printed on 18th cent. paper. I.a. Bartsch 59, 77 and 67.
AND a bookillustration by Gerard de LAIRESSE.