79 5496 Jongkind Johan Barthold 1819 1891 
- Fine impression w. ample margins.
= Delteil 5, the 2nd state of 3, with the signature, but before the publisher's address of Auguste Delâtre. SEE ILLUSTRATION PLATE CIII.
79 5497 Jongkind Johan Barthold 1819 1891 
= Delteil 18, 3rd state (of 4). SEE ILLUSTRATION PLATE CIV.
79 5498 Jongkind Johan Barthold 1819 1891 
= Delteil 12, 2nd state (of 3).
79 5499 Jongkind Johan Barthold 1819 1891 
- Fine impression w. broad margins. Sl. foxed in outer blank margins. = Delteil 4, the second state (of 2).
79 5500 Jongkind Johan Barthold 1819 1891 
- Trifle yellowed. = Delteil 20, 3rd state (of 4).
79 5502 Knip Henri 1819 1911 
- Unevenly yellowed; lower (manuscript?) caption cut off.
79 5503 Kolbe I Carl Wilhelm 1757 1835 
- Soiled in upper right part.
= Proof before letters. Martens 300, 2nd state (of 3). Part of the series Collection des tableaux en gouache et des dessins de Salomon Gessner. Gravés à l'eau forte par Guil. Kolbe.
79 5504 Laer Pieter Bodding van 1592 1642 
79 5504 Laer Pieter Bodding van 1592 1642 
- Fine impression, trimmed on the platemark.
= Hollstein 2, the 1st state (of 2) before the number. With the collector's mark of Charles Howard Hodges (Lugt 552).
Idem. The Mules at the door of a stable. Etching from the series of Various animals (8 plates),11,8x16,9 cm.
- Trimmed just outside the border line.
= Hollstein 8, the 1st state (of 2) before the number. With watermark "PLv(?)".
AND 1 other from the same series: Three cows and sleeping herdsman (Hollstein 2, 2nd state of 2. Grey impression).
79 5505 Laer Pieter Bodding van 1592 1642 
79 5505 Laer Pieter Bodding van 1592 1642 
79 5505 Laer Pieter Bodding van 1592 1642 
79 5505 Laer Pieter Bodding van 1592 1642 
- Trimmed just outside the platemark.
= Hollstein 17, 1st state of 2, before the borderline. With an unidentified armorial collector's mark, not found in Lugt.
Idem. Landscape with two trees. Etching, 3,3x4,8 cm. (platemark).
= Hollstein 18, 1st state of 2, before the borderline. With the same collector's mark as above.
Idem. A woman seated. Lozengeshaped etching, 4,7x4,7 cm. (platemark).
= Hollstein 19, only state. With the same collector's mark as above.
Idem. A Horseman. Etching, 3,3x3,3 cm. (platemark).
= Hollstein 20, 1st state of 2, before the borderline. With the same collector's mark as above. A rare set of the 4 smallest etchings by the artist.
79/5506 League of Armed Neutrality Algemeene staatkundige konstplaat van 't jaar 1780 
- Without the letterpress explanatory booklet called for by Muller; folded once and foxed.
= F.M. 4361: "Een folio blad waarop in 5 rijen onder elkaar, de 15 verkleinde copien staan, in verschillende groote (...) van 15 zeer lelijke en flauwe zinneprenten in 1778 en 1780 hier verschenen over onze politieke verhouding en betrekking tot Engeland en America, doch vooral over de Gewapende Neutraliteit. (...) Zoowel de plaat als de uitlegging komen zelden voor." The plate showing 15 reduced caricature plates on the League of Armed Neutrality and the Dutch position with regard to the American Revolution and Great Britain.
79 5507 Lepère Auguste 1849 1918 
= With the collector's stamp of Jules Gerbeau (Lugt 1166) in lower right corner above the signature. Lotz-Brissonneau 236
79 5508 Leyden Lucas van 1489 or 1494 1533 
- Sl. yellowed; some foxing/ soiling; cut on/ just inside the image; repaired section in right blank margin.
= New Hollstein 97b. With the collector's stamp of Pierre Sentuc on verso (Lugt 3608).
79 5509 Leyden Lucas van 1489 or 1494 1533 
- Cut to/ just inside the borderline.
= New Hollstein 90b. With the collector's stamp of Pierre Sentuc on verso (Lugt 3608, sl. shining through).
79 5510 Lievens Jan 1607 1674 
- Small repaired spot in outer lower margin (sl. affecting image); some foxing/ dustsoiling.
= Hollstein 49, the 1st state (of 2), before the signature. SEE ILLUSTRATION PLATE CIII.
79 5511 Lievens Jan 1607 1674 
- Sl. browned; ample (partly browned) margins, well outside the platemark.
= Hollstein 20, 8th state, the address erased. SEE ILLUSTRATION PLATE CIV.
79 5512 Linnell John 1792 1882 ? 
- Closed crack on the right; sl. wear along the edges of the panel.
79 5513 Lorrain Claude 1600 1682 
79 5513 Lorrain Claude 1600 1682 
- Later impression on velin paper; trimmed on the platemark.
= Mannocci 18, the 6th and final state. "The greatest of all Claude's etchings seems to me to be the Bouvier. In quality it is surprising, and in touch magical - one never tires of wondering at it. Though highly finished it has the true ring of an etching, and in texture it is what the printers of steel engravings would call 'a rotten plate'. It need scarcely be said that this rottenness is its chief recommendation" (quote by F.S. Haden in About Etchings (London, 1879, p.39)).
Idem. L'Apparition (The vision). Etching, ±1630, 10,3x17 cm.
- All corners chips in blank margins.
= Mannocci 5, the 5th state (of 5). Nineteenth century impression on velin paper.
79 5514 Lorrain Claude 1600 1682 
79 5514 Lorrain Claude 1600 1682 
- Trimmed a few mm. outside the platemark, corners of the leaf rounded.
= Nineteenth century impression on velin paper. Mannocci 19, state 7 (of 7).
Idem. Scene des brigands (Landscape with brigands). Etching, 12,6x19,7 cm., w. "Claudius in sup. P" vaguely engr. below the image.
- Trimmed a few mm outside the platemark.
= Nineteenth century impression. Mannocci 11, 9th and final state; Robert-Dumesnil 12.
79 5515 Lorrain Claude 1600 1682 
79 5515 Lorrain Claude 1600 1682 
- Trimmed on/ just outside the platemark.
= Nineteenth century impression on velin paper. Mannocci 15, the 8th state (of 8); Robert-Dumesnil 15.
Idem. Le Dessinateur (Coast scene with an artist). Etching, 12,8x18 cm.
- Trimmed on/ just outside the platemark.
= Nineteenth cent. impression on velin paper. Mannocci 36, 5th and final state.