79 5456 Fragonard Jean Honoré 1732 1806 
79 5456 Fragonard Jean Honoré 1732 1806 
= Wildenstein 11, the first state of 2, before the number "5".
AND 1 other etching by the same, Le festin d'Antoine et de Cleopatre (Wildenstein 12, the first state of 2, before the number "6").
79 5457 Galle I Cornelis 1576 1650 
79 5457 Galle I Cornelis 1576 1650 
- Trimmed on the borderline; sl. foxed and browned. = Hollstein 406.
AND 1 other engraving with a night interior view by Crispijn DE PASSE the younger: Byblis writes her brother Caunus a love letter (Hollstein 236ad).
79 5458 Galle I Cornelis 1576 1650 after 
79 5459 Galle Philips 1537 1612 
79 5459 Galle Philips 1537 1612 
79 5459 Galle Philips 1537 1612 
- Closed tear in upper part. = New Hollstein 18, 2nd state of 2. Part of the Theatrum Biblicum.
Idem. The Discovery of Holofernes's corpse. Engraving after Marten VAN HEEMSKERCK, 20,4x24,8 cm.
- Trimmed on the platemark; w. extended margins.
= New Hollstein 86. With the collection marks of the Bibliotheque National de France (Lugt 400 and 409).
AND 7 others by the same, i.a. after Marten VAN HEEMSKERCK, i.a. Daniel refusing to worship Bel (New Hollstein 93, 2nd state); The Annunciation to Zacharias (lower right corner repaired; New Hollstein 175, 1564, 1st state of 3) and The People of Sodom struck blind (dam. and frayed; New Hollstein 7).
79 5460 Galle Philips 1537 1612 
- Sl. browned and w. sm. waterstain in lower margin, sl. within the caption; ample margins.
= New Hollstein 383, 1st state of 2. Part of a series of 8 engravings depicting personifications of trades and professions.
79 5461 Galle Philips 1537 1612 
- Trimmed on/ just within the borderline. = Hollstein 478, 1st state (of 4).
= DeVesme 15, only state.
AND 3 other small etchings by the same, i.a. The Rape of Proserpina.
79/5463 Gastronomy Lot 15 of handcol woodengravings 
79/5463 Gastronomy Lot 15 of handcol woodengravings 
79/5463 Gastronomy Lot 15 of handcol woodengravings 
79/5463 Gastronomy Lot 15 of handcol woodengravings 
79/5463 Gastronomy Lot 15 of handcol woodengravings 
79 5464 Gaultier Léonard 1561 1635 
- Sl. browned.
= From the series of 12 Months. Shows 48 saints connected to the specific name days, i.e. Saint Hugo on April 1, Saint Erkenbod on April 12. Probably French or Spanish Netherlands. On laid paper with a watermark showing a horn upside down (!) in crowned shield, below the monogram "LDM".
79 5465 Genoels Abraham 1640 1723 
79 5465 Genoels Abraham 1640 1723 
79 5465 Genoels Abraham 1640 1723 
- First print trimmed on the borderline and sl. yellowed; 2nd and 3rd print w. ample margins.
= From the series of six landscapes: Hollstein 60 (3rd state of 4), 62 (4th state of 4) and 65 (3rd state of 4). The 2nd and 3rd print on thick 18th century laid paper.
Idem. Temple. Square Stone. Sacrifice. Three (of 4) etchings, each 10,8x16,3 cm., 1684 and 1688.
- First print w. ample margins on thick 18th century paper; sl. foxed, mostly in right margin; 2nd print w. annot. in pen and ink and pencil (collector's mark?) in lower margin.
= Part of the series of 4 landscapes: Hollstein 29-31. Second print with the collector's mark of J.P.M. Cerroni (Lugt 1432) on verso.
AND 5 others by the same, incl. 1 duplicate: Hollstein 29, 34, 47, 58 and 59.
79 5466 Genoels Abraham 1640 1723 
- Brown spot in lower section.
= Hollstein 21. With an unidentified circular collector's mark with monogram "G+W D" (not in Lugt).
Idem. (Terrace garden view with flight of stairs). Etching, ±14x20 cm., signed in the plate, w. the address of A.F. Van Meulen.
- Sl. foxed. = Hollstein 47. From the series of 6 garden views.
AND 2 others: an arcadian landscape by Franciscus de NEVE (w. brown stains. Hollstein 6) and "Castellum Strijen" by DIRCKSZ. SANTVOORT.
79 5467 Gheyn II Jacob de 1565 1629 
- Fine impression w. small margins. = Hollstein 126. SEE ILLUSTRATION PLATE CII.
79 5468 Gheyn II Jacob de 1565 1629 
79 5468 Gheyn II Jacob de 1565 1629 
79 5468 Gheyn II Jacob de 1565 1629 
- Partly waterst. in lower blank margin (not affecting image); title duststoiled and reattached; sl. fingersoiled; a few prints trifle yellowed and foxed; 2 heraldic bookpates on upper pastedown; binding w. minor imperfections.
= Hollstein 340b and 341-457; cf. Cockle 79 (English ed., 1607); cf. Lipperheide Qb18 (Dutch ed. 1607); Jähns p.1005ff. The famous manual on handling muskets and pikes by Jacob de Gheyn (1565-1629). For the complex history of publication of the various (Dutch, German, English, French and Danish) editions in the years 1607-1608, see catalogue Le héraut du dix-septième siècle. Dessins et gravures de Jacques de Gheyn II et III, no.37 (Paris, Institut Néerlandais, 1985, with literature). SEE ILLUSTRATION PLATE CII.
79 5469 Gheyn III Jacques de 1596 1644 
- A few spots; two sm. holes in upper margin, 1x just within the image.
= New Hollstein 8. From the series of Septem Sapientum Græciæ Icones (Seven wise men of Greece).
79 5470 Glauber Johannes 1646 ±1726 
79 5471 Goltzius Julius ±1550 after 1595 
- With wide, ample margins.
= Rare, this print not traced. Not in New Hollstein (Van der Borcht or Bol). Hollstein (Julius Goltzius), lists 8 prints after Bol with landscapes with scenes from the Old and New Testament, divided in two series, each numbered 1 to 4 and published by Janssonius (Hollstein 1-8). Not specified by Hollstein which scenes and without images. New Hollstein (Bol) lists those 8 prints as no.11-14, together with the 4 prints (rejected as Bol) R22-25. Those last 4 prints are numbered 1 to 4, so they are probably the same as the 4 (of 8) as described in Hollstein (Julius Goltzius). However, the engravings in New Hollstein, Bol 11-14, are only partly numbered in the edition by Janssonius (with NH 15 numbered "5"!). So it is not certain if these 4 are part of the 8 listed under Julius Goltzius. There is an engraving in the Rijksmuseum by Goltzius after Bol: Abraham kneeling for the three angels, numbered "2"(according to the museum, Hollstein (Julius Goltzius) 2). This print is for some reason omitted from the New Hollstein (Bol). Although the name of van der Borcht is on our print, the style is very similar to the print in the Rijksmuseum and the 8 prints in the New Hollstein (11-14 and Rejected prints 22-25). So they are probably all by the same artist and part of an (unfinished?) series of biblical scenes. Cf. New Hollstein (Hans Bol) 11-14 and Hollstein (Julius Goltzius) 1-8.
79 5472 Gouwen Willem van der ±1650 ±1720 
79 5472 Gouwen Willem van der ±1650 ±1720 
- Closed tear on vertical fold.
= Hollstein 1, 1st state (of 2); cf. Hollstein Matham 317; F.M. 1082; Ingalls 359: "It is particularly important as a prototype for both whale print iconography and seventeenth-century Dutch landscapes."
AND 2 other prints: a Winter engraving by Jan de Wit after Jacob Cats (foxed) and an engraving attrib. to Theodor de BRY, "Hev nimum caecis errant connubia fatis", from Emblemata Saecularia, 1596
79 5473 Guérin Christophe 1758 1831 
79 5473 Guérin Christophe 1758 1831 
79 5473 Guérin Christophe 1758 1831 
79 5474 Haid Johann Jacob 1704 1767 
- Margins extrended w. a (sl. later?) blue and black wash border.
79 5475 Haid Johann Jacob 1704 1767 publ 
- A few duststains in blank margins.