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79/4716 Qi Baishi (1864-1957). Album with 22 woodcuts, Beijing, R. Baozhai, 1952, colophon leaf w. woodcut ill. and 22 col. woodcuts by QI BAISHI, bound as a leporello between orig. dec. silk covers w. paper title-piece, 4to.

- Trifle foxed.

€ (300-500)
79 4717 Qi Baishi 1864 1957 79 4717 Qi Baishi 1864 1957
79 4717 Qi Baishi 1864 1957 79 4717 Qi Baishi 1864 1957
79 4717 Qi Baishi 1864 1957 79 4717 Qi Baishi 1864 1957
79 4717 Qi Baishi 1864 1957 79 4717 Qi Baishi 1864 1957
79 4717 Qi Baishi 1864 1957 79 4717 Qi Baishi 1864 1957
79 4717 Qi Baishi 1864 1957 79 4717 Qi Baishi 1864 1957
79 4717 Qi Baishi 1864 1957 79 4717 Qi Baishi 1864 1957
79/4717 Qi Baishi (1864-1957). Album with 200 woodcuts, (China), 1951, 2 vols., each w. 100 col. woodcuts by QI BAISHI and resp. 6 and 3 textp., both bound as a leporello between orig. unif. gold speckled blue wrappers w. paper title-ticket, together in orig. decorated silk brocade chemise w. gold speckled paper title-ticket, bone clasps, 4to.

- Chemise spine sl. discoloured. = SEE ILLUSTRATION PLATE LX.

€ (1.000-1.500) 1000
79 4718 Sadanobu II 1848 1940 79 4718 Sadanobu II 1848 1940
79/4718 Sadanobu II (1848-1940). (The actor Nakamura Shikaku in the roles of Abe Sadato and his wife, Sodehagi). Col. woodcut ôban, signed Sadanobu, publisher Honsei.

- Vertical margins trimmed to the block. Otherwise fine.

€ (80-100) 80
79 4719 Saito Shuho 1768 1859 79 4719 Saito Shuho 1768 1859
79 4719 Saito Shuho 1768 1859 79 4719 Saito Shuho 1768 1859
79 4719 Saito Shuho 1768 1859 79 4719 Saito Shuho 1768 1859
79/4719 Saito Shuho (1768-1859). (Wise men). Lot of 4 woodcuts, each ±23x16,5 cm.

= From the ehon Kishi enpu (Mr Aoi's Chronicle of Charm) (Osaka, ±1803).

€ (50-70)
79 4720 Seiko 1837 1913 79 4720 Seiko 1837 1913
79/4720 Seiko (1837-1913). (Bird perched on a blossoming branch). Col. woodcut shikishiban, signed Seiko, with artist's seal (fine). Idem. (A sparrow on a branch near the red flower of a climbing plant). Col. woodcut shikishiban, signed Seiko, with artist's seal.

- Red colour of the flower trifle bleeding. Otherwise fine.

€ (100-150) 100
79 4721 Seiko 1837 1913 79 4721 Seiko 1837 1913
79/4721 Seiko (1837-1913). (A heron resting on a willow branch). Col. woodcut shikishiban, signed Seiko, with artist's seal (fine).
€ (70-90) 150
79 4722 Seiko 1837 1913 79 4722 Seiko 1837 1913
79/4722 Seiko (1837-1913). (Two birds in the grass). Col. woodcut shikishiban, signed Seiko, with artist's seal. Idem. (Two birds perched on a flowering branch). Col. woodcut shikishiban, signed Seiko, with artist's seal, on stiff paper (possibly doubled or a restrike).
€ (80-100)) 80
79 4723 Seiko 1837 1913 79 4723 Seiko 1837 1913
79/4723 Seiko (1837-1913). (Two moorhens wading among reeds in the twilight). Col. woodcut shikishiban, signed Seiko, with artist's seal.

- Doubled w. Japanese. = SEE ILLUSTRATION PLATE LXI.

€ (80-100) 200
79 4724 Seiko 1837 1913 79 4724 Seiko 1837 1913
79/4724 Seiko (1837-1913). (Woodcock). Col. woodcut shikishiban, signed Seiko, with artist's seal (fine).
€ (70-90) 70
79 4725 Seitei Watanabe 1851 1918  ed  79 4725 Seitei Watanabe 1851 1918 ed
79 4725 Seitei Watanabe 1851 1918  ed  79 4725 Seitei Watanabe 1851 1918 ed
79/4725 Seitei, Watanabe (1851-1918) (ed.). Lot of 9 tinted/ col. woodcuts from Bijutsu Sekai (The World of Arts), all double-p. and on 2 attached leaves, 2x w. mica, Tokyo, Shun'Yodo, n.d. (1891-1894).

- Some lvs. w. sm. wormholes.

= Seitei was one of the first Japanese Nihonga painters to visit Europe, attending the 1878 International Exhibition in Paris and being awarded a medal. Bijutsu Sekai was one of the most influential Japanese art magazines of the Meiji period, published between 1890 and 1894.

€ (60-80) 70
79 4726 Shiro 1898 1991 79 4726 Shiro 1898 1991
79 4726 Shiro 1898 1991 79 4726 Shiro 1898 1991
79/4726 Shiro (1898-1991). Tokyo Eki (Tokyo Station). Col. woodcut ôban, signed Shiro, with artist's seal in red, publisher Unsodo.

= Later edition by Unsodo from the original block.

Shunko (20th cent.). Moon at Miyajima. Col. woodcut chûban, signed Shunko and w. artist's seal in red in the block, without publisher (fine).

€ (100-150) 130
79 4727 Shitao 1642 1707 79 4727 Shitao 1642 1707
79/4727 Shitao (1642-1707). Qing Shi Tao huahui ce (An album with flowers by Shi Tao of the Qing). Shanghai, Yuan Mianshe, ±1926, 8 mounted col. woodcut plates, bound as a leporello, orig. silk brocade covered boards w. mounted ticket, orig. lidded board box w. mounted ticket, folio.
€ (500-700) 500
79 4728 Shodo 1868 ? 79 4728 Shodo 1868 ?
79/4728 Shodo (1868-?). (A lady dancing Bon-odori at a Bon festival). Col. woodcut ôban w. gauffrage, signed Shodo, w. artist's seal, publ. Wakita Ainosuke.

- Fine copy.

= Bon festivals are held during the summer when the spirits of the deceased visit their relatives in this world and are entertained by them.

€ (80-100) 80
79 4729 Shunga  Eisen 1790 1848 79 4729 Shunga Eisen 1790 1848
79/4729 [Shunga]. Eisen (1790-1848). (Lady pleasuring herself, one hand resting on an opened book). Col. woodcut w. gauffrage, on 2 attached lvs., 23x32,5 cm.

- Foxed spot in the middle of upper margin; traces of former mounting on verso.

= From the series Yakumo no chigiri.

€ (70-90) 90
79 4730 Shunga  Kunisada 1786 1865 79 4730 Shunga Kunisada 1786 1865
79 4730 Shunga  Kunisada 1786 1865 79 4730 Shunga Kunisada 1786 1865
79 4730 Shunga  Kunisada 1786 1865 79 4730 Shunga Kunisada 1786 1865
79 4730 Shunga  Kunisada 1786 1865 79 4730 Shunga Kunisada 1786 1865
79/4730 [Shunga]. Kunisada (1786-1865). (Couples in erotic embraces). Three col. woodcut ills., each ±15x21 cm.

- One on attached lvs. as issued and 2 w. vertical fold in centre; partly cut on the border line; a few wormholes mainly along margins.

€ (80-100) 170
79 4731 Shuntei 1873 1914 79 4731 Shuntei 1873 1914
79 4731 Shuntei 1873 1914 79 4731 Shuntei 1873 1914
79/4731 Shuntei (1873-1914). (Beauty and autumn garden). Col. woodcut ôban triptych printed w. silver, from the series of Tosei Furyu Tsu (Today's elegant manners and customs), unsigned (caption in left margin), publ. unread.

- Fine.

€ (120-150) 120
79 4732 Shuntei 1873 1914 79 4732 Shuntei 1873 1914
79 4732 Shuntei 1873 1914 79 4732 Shuntei 1873 1914
79/4732 Shuntei (1873-1914). (Four ladies strolling in an iris garden). Col. woodcut ôban triptych from the series of Bijin Junikagetsu (Beauties in the Twelve Months), signed Shuntei, publ. unread.

- Very fine copy. = SEE ILLUSTRATION PLATE LXII.

€ (120-150) 120
79 4733 Shuntei 1873 1914 79 4733 Shuntei 1873 1914
79 4733 Shuntei 1873 1914 79 4733 Shuntei 1873 1914
79/4733 Shuntei (1873-1914). "Koyo" (Autumn colours). Col. woodcut ôban triptych from the series of Bijin Junikagetsu (Beauties in the Twelve Months), signed Shuntei Gyoshi, publ. Matsuki Heikichi.

- Righthand panel trimmed in left margin. Otherwise very fine.

€ (80-100) 110
79 4734 Shuntei 1873 1914 79 4734 Shuntei 1873 1914
79 4734 Shuntei 1873 1914 79 4734 Shuntei 1873 1914
79/4734 Shuntei (1873-1914). (Three ladies and a young girl enjoying a picnic below a blossoming cherry tree). Col. woodcut ôban triptych w. subtle use of silver pigment (mostly on the black kimono), from the series of Tosei Furyu Tsu (Today's elegant manners and customs), signed Shuntei Gyoshi w. artist's seal, publ. Fukuda Hatsujiro, 1897.

- Lefthand panel has a very vague waterstain in lower (mainly blank) margin and a (printing?) crease in left (extending into image). Otherwise fine.

= Attractive print.

€ (80-100) 100
79 4735 Shuntei 1873 1914 79 4735 Shuntei 1873 1914
79 4735 Shuntei 1873 1914 79 4735 Shuntei 1873 1914
79/4735 Shuntei (1873-1914). (Two ladies admiring a flowering peony, two other ladies walking away). Col. woodcut ôban triptych from the series of Bijin Junikagetsu (Beauties in the Twelve Months), signed Shuntei Gyoshi, publ. unread.

- All three woodcuts w. album backing and sl. trimmed. Fine copy.

€ (100-150) 100