79 4616 Anonymous late 19th/ early 20th cent 
- All drawings doubled w. Japanese.
= Attractive drawings of i.a. a small bird on a branch behind harvested grass and two fighting sparrows beneath flowers.
79 4617 Tsukioka Settei 1726 1786/87 
79 4617 Tsukioka Settei 1726 1786/87 
79 4617 Tsukioka Settei 1726 1786/87 
79 4617 Tsukioka Settei 1726 1786/87 
79 4617 Tsukioka Settei 1726 1786/87 
= Probably part of a larger series of vols. on all sorts subjects: battles, actors, plays, mythical stories, pastimes for women etc.
79 4618 Anonymous early 20th cent 
79 4618 Anonymous early 20th cent 
- Binding holes in right hand margin of each print.
= Two decorative prints for advertising pamphlets for the New and Old calendar year of Meiji 36 (1903). The specific advertisement could be entered in the empty section of the print.
79 4620 Anonymous early 20th cent 
- Closed wormholes in lower right corner and doubled w. Japanese.
79 4621 Anonymous 1st half 20th cent 
- Laid down. = Remarkable combination of watercolour and mother of pearl. Possibly Chinese.
79 4622 Bairei 1844 1895 
79 4622 Bairei 1844 1895 
- Contents fine. Wrappers (sl.) dust-/ fingersoiled and sl. rubbed. = SEE ILLUSTRATION PLATE LIV.
79 4623 Chikanobu 1838 1912 
79 4623 Chikanobu 1838 1912 
- Fine. = Probably part of a diptych or triptych.
Terazaki (1866-1919). (Fresh green leaves). Col. woodcut kuchi-e, signed Kôgyô, with artist's seal, without publisher.
- Two vaguely visible horizontal folds. Otherwise fine.
79 4624 Chikanobu 1838 1912 
- Sl. worn and wrinkled; a few sl. soiled spots.
79 4625 Chikanobu 1838 1912 
- Left margin trimmed to borderline of the block; doubled.
Idem. (Three women gathered around a blossoming cherry tree). Col. woodcut ôban, signed yôshû Chikanobu, from the series Niju-shi Ko Mitate E-awase (Allusion to twenty-four Paragons of Filial Piety), publisher Hasegawa Hisaharu.
- Thin spot stretching into image in upper left corner; some vague traces of ink bleeding in faces and kimonos.
79 4626 Chikanobu 1838 1912 
- Very fine. = A lady being shown pots of morning glories by a florist.
79 4627 Chikanobu 1838 1912 
79 4627 Chikanobu 1838 1912 
- Left blank margins sl. trimmed (not affecting the woodcut).
Idem. (Nii no Naishi visits Hino Suketoshi). Col. woodcut ôban w. gauffrage, signed yôshû Chikanobu hitsu, publisher Tsunashima Kamekichi.
- Doubled.
= From the series Azuma Nishiki Chuya Kurabe (Edo embroidery pictures, Comparison of day and night).
79 4628 Dolls Three hinaningyo dolls 
- All three soiled and in poor condition. = Dolls for the Hinamatsuri festival.
79 4629 Eishi 1756 1829 
- Soiled; closed holes. Strengthened on verso w. thin Japanese.
= Probably a later(?) recarved or variant edition with different decoration in the garments. Cf. Pins, Pillar Prints 853. With annotation in pencil on verso "Kyonaga" (probably a wrong attribution) and " Damman-1925" (sale?).
79 4630 Eisho Chokosai act ±1780 1800 
- Soiled and yellowed; stains of a former passepartout along edges; strengthened on verso with thin Japanese.
= Japanese (collector's?) stamp on verso. With manuscript prices and annotation "Damman 1925" (sale?) in pencil on verso.
79 4632 Gekko 1859 1920 
- Sl. dustsoiled; w. contemp. manuscript annotation in Japanese in upper right corner.
= Gekko fan prints (uchiwa-e) are very rare, because they were probably used and laid down on fans.
79 4633 Harunobu 1724 1770 
- Green circular stamp in lower right corner (possibly covering a seal). = From the series of Five Virtues.
79 4634 Hiratsuka 1895 1997 
79 4634 Hiratsuka 1895 1997 
79 4635 Hiratsuka 1895 1997 