- Sl. yellowed. = SEE ILLUSTRATION PLATE XII.
= Wagner, p.42. With the collector's mark of Richard Gutekunst (Lugt 2213a).
Idem. Mestschuit. Etching, 1905, 19,8x29,5 cm., signed "A. Derkzen van Angeren" in pencil.
= Wagner, p.42. With the collector's mark of Richard Gutekunst (Lugt 2213a).
AND 4 others by the same: a larger etching (rural view, ±1905), 2 small etchings (Rotterdam river view and a view of Delft) and a rare lithograph "Zuylenveld Herstellingsoord voor Nederlandsche oorlogsgewonden 12 januari 1942", all signed in pencil.
= Cf. Wagner, p.56. Derkzen used the same composition but without the river view. With the blindstamp collector's mark of "Dorens" (probably A.A.G. van Erven Dorens (1872-1960), not in Lugt) and the collector's mark of Richard Gutekunst (Lugt 2213a). With an English title "Barque" and "E15" in pencil on passepartout.
AND 3 other Rotterdam river views by the same, all etchings, all signed in pencil, all w. the collector's marks of Gutekunst and 1x with the "Dorens" blindstamp, prob. all 1908.
- All fine.
- Foxed; mounted on board.
Marin, John (1870-1953) (after). Region of Brooklyn Bridge Fantasy. Watercolour, 18,5x28 cm., mounted under passepartout.
= A nice reduced-size copy after the orginal watercolour from 1932 in the Whitney Museum of American Art.
- Formerly rolled w. some creases.
= Provenance: the collection of Ton and Dobs van Dijk, Galerie Petit (Amst.).
= SEE ILLUSTRATION PLATE XIII.
= De Vries 475
- Colours faded; sl. yellowed and some vague foxing; board mount waterstained.
= Probably a preparatory study for the new interior design of "la grande salle de fêtes" in the café-restaurant "l'Aubette" at Strassburg. With an accompanying letter (in photostat) by Mr Jean Leering, in which he authenticates the drawing. SEE ILLUSTRATION PLATE XII.
- Some unobtrusive creases.
= SEE ILLUSTRATION PLATE XVI.
- Spine w. some tears/ waterstains. First 2 lvs (incl. frontisp.) sl. waterst. in lower blank margin. Otherwise a fine copy.
= Juffermans JB19 .Contains: frontisp. ("Portrait de l'Artiste"), 3 ¾-p. ills. ("Maison Close à Rotterdam", "Espagnole", "La Pêcheuse de Crevettes"), 2 full-p. plates ("La Goulue", "Élégante 1900") and 2 double-p. plates ("Le Polo", "Odalisque"). SEE ILLUSTRATION PLATE XIII.
= CD RKD 77-27, the fourth and final state.