- Occas. sl. foxed. = Lowndes I, 325; MGG I,495.
- Good/ fine copy.
= Rare and important work of cinema criticism in 1920s Poland, with fine expressionist frontcover design. See at large K. KUC, Visions of Avant-Garde Film. Polish cinematic experiments from expressionism to constructivism (Bloomington, Indiana Univ. Press, 2016, p.55ff).
- Spine dam.; frontwr. loose(ning) and sl. frayed/ foxed; backwr. and fore-edge sl. waterst.
= Bilderwelt 2655 (later ed.).
AND a (poor) duplicate of the same work in contemp. clothbacked boards.
- Sm. portion of upper outer corner of first free endpaper cut off; later owner's entry on first free endpaper; a few scattered vague pencil marks in blank margin; sm. receding brown stain in outer margin of preliminary leaves. Binding trifle rubbed along extremities.
= Dittersdorf's autobiography as dictated to his son.
= From the library of Wouter Hutschenruijter (owner's entry on first blank).
AND 1 other by the same.
- A few quires in vol.4 sl. bumped in outer upper blank corner. All vols. w. traces of cut out former library tag on frontcover.
WITH the often lacking bibliographical appendix to the work by F. FABER, Documents authentiques et inédits tirés des Archives Generales du Royaume et Biliographie concernant le Théâtre Français en Belgique (ibid., 1880, bound in unif. gilt burgundy hmor.).
- Partly foxed. Spines parlty sl. stained. = Nicely bound set.
- Upper joint sl. rubbed. = Lists 7325 works.
- Repaired tear in first free endpaper. = Rare.
- Lower outer corner sl. fingersoiled throughout; owner's entry on both title-p. of the first work. Frontcovers loose(ning). Good copy.
- Sm. foxed spot in lower blank margin of frontisp.; 2 leaves w. sm. closed tear. Backcover sl. waterstained.
= Attractive binding by ? SEE ILLUSTRATION PLATE LXXIII.
- Fine copy. = Scarce.
- Closed tear in title-p.; contents otherwise good/ fine. Binding worn/ rubbed along extremities.
= RISM G 2642 (5th edition). SEE ILLUSTRATION PLATE LXXIII.
- Final free endpaper and pastedown w. sm. wormhole in inner margin. Otherwise fine.
= Olivier 2549 identifies the coat of arms on the binding as that of M.-J.-L-B. Comtesse de Savoie. The opera Echo et Narcisse was one of the less succesfull operas by Glück. At its première in Paris, the response was so lacklustre that Glück never went back to Paris. SEE ILLUSTRATION PLATE LXXV.
- Contents very fine. Binding worn/ rubbed along extremities. = RISM H 740.
- Publisher's address partly illegible due to removal of later added publisher's ticket (leaving only the Lyon address legible); contemp. manuscript index bound in at front; publisher's stamp in lower blank margin of portrait. A few unobtrusive small and slightly rubbed spots on binding. Very fine copy.
= Rare early edition of the full score, publ. in the same year as the first edition. Hoboken II, XXI, 2a (pointing out that the date "le 3. Nivose an 9e" on the title-p. should be read as 1800 in the Vienna Style of dating and not as 1801) and noting that this edition does not contain the final choral. These final 83 bars are supplied in contemp. fair manuscript in our copy. The final engraved leaves are the scores for the trombone (3p.) and the bassoon (4p.) to several parts of the oratorio. SEE ILLUSTRATION PLATE LXXIII.
- Rebacked w. cloth and w. later backcover. = RISM H 4692; Hoboken II, p.59f.