- Some light offsetting from plates/ flimsies. Frontcover trifle rubbed and w. some specks.
= One of 125 copies from the Large Paper Edition, this copy numb. "2".
- Occas. trifle foxed. Covers sl. warped and scratched; large waterstain on backcover; spine-ends sl. dam.
= The story of frog's choir "Brüllaria". Very nicely illustrated, somewhat reminiscent of Grandville. Seebaß I, 138: "Sehr amüsantes, s. Zt. beliebtes Bilderbuch, prächtig ausgestattet, reizendes buntes Vorsatzpapier (Singvögel)." SEE ILLUSTRATION PLATE XXVIII.
- First 6 lvs. w. tiny wormhole in lower blank margin; trifle foxed. Frontcover partly discoloured; backstrip w. dam. spots and sm. wormholes.
= Lasner 59D; Taylor p.96f: "(...) the illustrations for Salomé probably represent the peak of Beardsley's career (...)"; Mason 355. English translation by Alfred Douglas; the first French ed. was published in Paris, 1893. Ray, The illustrator and the book in England 1790-1914, 315: "If Le Morte Darthur made Beardsley known, his designs for the first edition in English of Wilde's Salomé made him notorious, and it remains the book of which most people think when his name is mentioned. (...) When Salomé was published, the critics made their expected protest, though Wilde was their primary target, and relations between writer and artist became strained. But even if Beardsley offers amiable caricatures of Wilde in "Enter Herodias" and two other designs, it is mistaken to think that he was contemptuous of the text he was illustrating. It moved his imagination as did few other subjects." In the first Beardsley illustrated edition of 1894 two drawings and the cover design were cancelled and several plates were bowdlerized. SEE ILLUSTRATION PLATE XXVIII.
- Small bookplate on verso frontwr.
= One of 24 copies for the author and editor. From the colophon: "Elk exemplaar werd voorzien van een valse handtekening van Holda en gesigneerd door Armando".
- Title-p. and final page (partly) browned. Cardboard folder sl. (water)stained and some vertical folds.
= SIGNED in pencil by the artist on cardboard folder.
= One of 10 copies that were for sale.
Idem and Eijkelboom, J. Wijziging Van Uitzicht. Rott., the artist, 1993, 4 lvs. (title, 2 poems by Jan Eijkelboom, colophon) and 2 col. lithographs by HANS KOOPMAN, printed in 50 numb. copies signed by the artist and author (35)., orig. clothbacked board, folio.
= With loosely inserted printed leaf w. an extra poem "Wijziging van Uitzicht III" by Jan Eijkelboom.
ADDED: a large fold. printed leaf w. the poem "To the Stone-cutters" by Robinson Jeffers, w. Dutch transl. by Jan Eijkelboom (n.pl., n.publ., n.d.).
= One of 10 deluxe copies, bound in clothbacked lithogr. boards by Boekbinderij Roest, with loosely inserted drawing (pencil and watercolour) by the artist, titled "Boezemsingel" and monogrammed "JAK '85" in pencil.
AND 3 others similar by and publ. the same: Doezastraat (1984, 70 numb. and signed copies (50), orig. wr., folio), Lieder ohne Worte (1988, 30 numb. and signed copies (25), orig. clothbacked lithogr. boards, folio) and De Straatweg (text R. Vroegindewei, 1985, 250 numb. copies signed by the author and the artist, orig. (partly sunned) boards, narrow large 8vo).
- Bookplate on upper pastedown. Binding sl. dustsoiled; upper outer corner frontcover restored. Internally (very) fine.
= Rodenberg p.446.
- Frontcover trifle foxed. = Schauer II, 44. SEE ILLUSTRATION PLATE XXVIII.
- Bookplate on upper pastedown. Binding trifle rubbed.
Brown, W. Fables. With cuts by Thomas Bewick. London, S. Grosvenor, 1884, (4),68,(1)p., woodcut ills. and vignettes by T. BEWICK, contemp. hcl., sm. 4to.
- Binding worn along edges; lower corners sl. dam.
AND 4 others in 5 vols. by/ on the same, i.a. I. BAIN, The watercolours and drawings of Thomas Bewick and his workshop apprentices (Mickley etc., 1989, new ed., 2 vols., num. (col.) ills., orig. unif. gilt cl., obl. 4to).
- Occas. trifle foxed. Otherwise (very) fine.
AND 3 miscell. others, all in richly gilt dec. bindings.
= SEE ILLUSTRATION PLATE XXIX.
= One of "enige exemplaren" numb. "HC" for "de medewerkers van de uitgeverij en het atelier". With a SIGNED dedication by the binder to "Willem" [Keizer].







































