= Published on occasion of the 18th anniversary of the October Revolution. Rare.
- Several lvs. repaired/ strengthened w. tape; sl. soiled.
= Rare, nicely illustrated publication by the French illustrator Georges Delaw (1871-1938).
- Good/ fine copy.
AND 5 other editions of Tijl Uilenspiegel, mostly publ. before 1950, i.a. Snakerijen van Tijl Uilenspiegel (Breda, n.d. (±1910), ills., modern giltlettered cl. w. orig. frontwr. laid down) and G. PAIJSEN PETERSEN (ed.), Tijl Uilenspiegel's Jongensjaren (bij de schildburgers). Dutch transl. Bakker Korff-Hoogeboom (Bussum, 1908, ills. by H. GROBET, orig. pict. cl.).
- Frontwr. loose; library stamp on title-p. = Vlaamsche Volkstooneel-uitgaven, no. 1. Rare.
Bruylants, J. under pseud. Auctor. Tijl Uilenspiegel in Vlaanderen. Antw., L. Opdebeek, n.d. (1904), 1st ed., (2),603,(2)p., textills. by E. WALRAVENS, orig. frontwr. by E. VAN OFFEL pres., modern private leather w. mor. letterpiece (occas. trifle foxed). Roelandt, L. Tijl Uilenspiegel. Ghent, De Vlam, n.d. (1965), 282p., comic strip w. ills. by G. VAN RAEMDONCK, modern private leather w. mor. letterpiece, obl. 8vo (fine). - AND a copy of the 3rd ed. of the second work (in 3 vols.).
= Comprises i.a. J.H. RAMBERG, Tijl Uilenspiegel. Zijn kluchtig leven en bedrijf in Knittelverzen naverteld (Arnhem/ Nijm., n.d. (1919), num. ills., orig. wr., obl. 8vo); C. DE COSTER, De legende van Uilenspiegel en van Lamme Goedzak. Transl. A. van Boeckxsel (Brussels, 1943, textills. by C. DEVAUX, orig. frontwr. by M. PEETERMANS pres., modern private leather) and B. PELEMAN (ed.), In het spoor van Uilenspiegel (Hasselt, 1968, num. (photogr.) plates/ ills., orig. cl., large 4vo).
= I.a. T. MOORE, Storm (1992); D. RONNER, Geveld verleden (1992); T. VAN BAAREN, Laatste gedichten (1999); M. VAN HEYNINGEN BOSCH, Rode heren (2014); K. PIETERMAN, Laid veur Bliedschop (2015); W. BIERMAN, Plaatsbepaling op Vlieland (2015); R. NAUTA, Vereffenen (2016, linocut by F. DE JONG); J.L. PISUISSE and M. BLOKZIJL, Mundus vult decipi (2016); PLUTARCHUS, Het schip van Theseus (2017) and D. RONNER, De eerste/ tweede / derde/ vierde vijfentwintig (1997-2009, 4 vols.).
ADDED: 10 others (incl. 3 duplicates) by Verzameld Werk/ M. Frijns, 1991-1993, various sizes, i.a. J.B. CHARLES, Een goed teken (1991); H.H. TER BALKT, Nijmegen (1992) and I. SCHRETLEN, De aarde te voet (1992, col. crayon ill. by I. SCHRETLEN).
= F. MONTENS, Mijn kok een draak (printed in black, blue and red, leporello w. 10 col. ills. by B. SÖLL in front pocket, CD in orig. envelope in rear pocket); IDEM, Dragline (col. ills. by LONNEKE N., printed in various colours, frontisp. and orig. wr. by P. KIEWIT DE JONGE, obl. 8vo); IDEM and W. VAN DEN BERG, De gaten in je sokken (double-p. photogr. frontisp. portr. by F. MONTENS, vignettes printed in silver by P. DE VROOMEN); E. VAN DE PUTTE and P. DE VROOMEN, Men moet de dingen kaal denken (frontisp. portr., vignettes by P. DE VROOMEN, orig. photogr. wr. by L. LUYTEN).
= Published on occasion of the 50th anniversary of Kees Thomassen (De Uitvreter). With contributions by i.a. Godlofpers, Hugin & Mugin, Mikado Pers, Hester Verkruissen, de Vier Seizoenen and Pim Witteveen.
- All w. owner's stamp; top edge foxed. Otherwise fine.
- Wr. browned/ foxed; box partly dam. along extremities.
= Copy enriched w. an original drawing and autograph signed dedication by Serge Lifar to Jeanne Brulé (sl. browned/ foxed).
- A fine copy.
= One of 45 copies on Hahnemühle paper with an extra, specially made signed etching on Gampi vellum paper loosely inserted, bound in gilt hvellum, with board slipcase.
- Margins of title-p. browned; (sl.) foxed. Covers foxed; sl. worn along edges. = Gouda Quint 26.
- Owner's stamp on verso of final blank. Slipcase sl. sunned at edges. Otherwise fine.
= One of 50 Roman numb. copies bound in hleather.
Idem. Blauwbaard en Reus. Vier verhalen. Ibid., idem, 1982, 1st ed., 57,(4)p., printed in 175 numb. copies (125), orig. hcl. w. marbled boards and board slipcase by G. VAN DAAL.
- Owner's stamp/ entry on upper pastedown/ htitle. Slipcase trifle sunned at edges. Otherwise fine.
Idem. Kermisorgels & Smetteloze Helden. N.pl., Uitgeverij Innocente, 1986, 1st ed., (27)p., printed in black and blue in 55 copies (20) by P. WITTEVEEN, orig. cl., 4to.
- First endpaper w. bookplate and sm. ruststain; a few pencil corrections.
= One of 20 numb. copies bound in cloth.
AND 5 others by the same, incl. De verdwenen horlogemaker (Utr., Stichting De Roos, 1984, ills. by J. PRINCE, printed in 175 numb. copies, orig. cl.).
= I.a. E. DICKINSON, Selected Poems (1940, bookplate on inside frontwr.); (G. MILCHSACK), Quem Queritis. Ludus Paschalis Rheno-Trajectensis saeculi duodecimi (1943); J. VAN BOENDALE, Hoe dichters dichten sullen. Adapt. B. Aafjes (1945); E. DICKINSON, Ten Poems. Ed. and German transl. R.E. Pool (1944); Eenige romantische gedichten. Dutch transl. M. Nijhoff (1944); A. MORRIËN, Afscheid van Lida (1944); W. BLAKE, Selected Poems. Ed. J.C. Bloem (1945); J. DONNE, Poems. Ed. C. Eggink (1946, title and portrait by S.L. Hartz) and S. MORISON, First Principles of Typography (1946, owner's entry of G. SÖTEMANN on first blank, orig. cl.).
WITH: Balkema, A.A. Catalogus van vijftig boeken en boekjes zonder toestemming uitgegeven in de jaren 1942-1945. Amst., the author, 1945, 15p. (incl. wr.), orig. wr.
= One of 150 signed copies (issued in 2 different versions of 75 copies each) from the DELUXE edition, with a col. lithogr. poem and an original col. lithograph, both numb. and signed by the author/artist. This copy also with AUTOGRAPH SIGNED DEDICATION to "Peter [ten Hoopen]" on title-p.
- Owner's stamp on verso first free endpaper.
= Monod 5257. One of 40 numb. copies with an extra suite of the lithographs on vélin de Rives and an extra suite of the woodengravings on Chine. SEE ILLUSTRATION PLATE LI.
- Occas. sl. foxed. Bindings sl. foxed and stained.
= Perhaps the most monumental Dutch Art Nouveau bookproduction, reflecting the development of the "Nieuwe Kunst", a Dutch variant of the international Art Nouveau. It contains a large number of full- and halfpage illustrations, vignettes, borders, all lithographed in delicate colours. The book was issued in parts from 1893 up to 1901. See at length Braches 335 ff, 153ff; cat. Ned. Boek, no.14; B. Polak, Het Fin-de-siècle in de Nederlandse schilderkunst (1955), p.226.