79 1536 Nypels C Bellay J du 
= Van Laar 14. One of 150 numb. copies printed for friends of R.-L. Doyon and C. Nypels. This copy (numb. "2") printed for [manuscript]: "Germaine Nypels-Malherbe", signed "12 fevr. '25, Charles" in red pencil and bound in contemp. overlapping vellum w. gilt central ornament on both covers, orig. wr. pres.
Idem. Les regrets. Ibid., idem, 1925, 122,(3)p., woodengr. portr. by R. STEINER, initials and vignettes by S.H. DE ROOS, printed in black, blue, red and silver in 380 numb. copies by C. NYPELS, contemp. gilt hmor., spine w. raised bands, t.e.g., large 8vo.
= Collection d'art de la connaissance 14; Van Laar 15.
79 1537 Nypels C Rossetti D G 
- Wr. sl. yellowed. = One of 50 copies reserved for the Netherlands. Van Laar 57.
Deyssel, L. van. Schetsen. Ibid., idem, 1926, 1st ed., 69,(2)p., portrait by S.H. DE ROOS, printed in black and red in 300 numb. copies by C. NYPELS, orig. gilt wr.
- Wr. dam. at spine-ends and sl. yellowed. = Van Laar 23.
AND 4 others, i.a. J.R.T. CAMPERT, Verzen (1925, 1st ed., frontisp. portrait by W. MEIJER, printed in 250 numb. copies, orig. gilt wr. Bookblock loose. Van Laar 16) and C. HUYGENS, 't Voor-hout & 't Kostelick mal (1927, printed in black, red and blue in 250 copies, orig. gilt (sl. yellowed) wr. Van Laar 43).
79 1538 Nypels C Verlaine P 
= Van Laar 136.
Moréas, J. Les Stances. Maastr., Leiter-Nypels, 1927, 184,(2)p., bookdec. by B. ESSERS, printed in black and red in 430 copies (50) by C. NYPELS, orig. wr.
- Backstrip sl. dam. at top of spine; spine faded. Otherwise fine.
= One of 50 copies printed on Van Gelder, our copy printed for M. HERTZBERGER, signed and dated in the colophon by C. Nypels. Collection d'art de la connaissance 17. Van Laar 52.
AND 4 others printed by the same, i.a. F. ERENS, Dansen en rhytmen (Maastr., 1924, woodcut frontisp. portrait by H. JONAS, printed in 200 numb. copies, orig. wr.) and A. PLASSCHAERT, Liefde's onrust (Maastr., 1928, printed in 50 numb. copies not for the trade, orig. wr., obl. sm. 8vo). - WITH: Charles Nypels. Meester-Drukker. Maastr., C. Nypels Stichting, 1986, 95p., (col.) ills., orig. wr., sq. 8vo (contains the bibliography by M. and K. van Laar).
79 1539 Nypels C Ronsard P de 
= Fine copy bound (by ?) in full giltlettered vellum, t.e.g., slipcase. Van Laar 11.
79 1540 Officina Bodoni Buonarroti M 
- Letterpiece on spine chipped; backstrip sl. sunned. Otherwise fine. = Mardersteig 2.
79 1541 Officina Bodoni Dante Alighieri 
- Endpapers and binding triflle/ sl. foxed. = Mardersteig 14.
- Some foxing, especially on first blanks and title. Spine of box w. 2 sm. specks. Otherwise fine. = Mardersteig 9.
79 1543 Officina Bodoni Goethe J W von 
= Mardersteig 3.
79 1544 Officina Bodoni Goethe J W von 
- Some sl. occas. foxing (incl. vaguely on binding). = Mardersteig 6.
79 1545 Officina Bodoni Musset A de 
- Fine, partly unopened copy. = Mardersteig 8.
79 1546 Officina Bodoni Plato 
79 1546 Officina Bodoni Plato 
- Trifle yellowed, but fine. = Numb. "No.83" in pen and ink on the colophon. Mardersteig 16.
79 1547 Officina Bodoni Poliziano A 
- Upper hinge sl. split and w. narrow stain at top. Upper left corner of frontcover w. tiny crack and vague stain. Otherwise a fine, unopened copy.
= Marderstein 1. The first publication of the Officina Bodoni.
79 1548 Officina Bodoni Seneca L A 
- First and last blank page sl. yellowed along fore-edge. Wrappers trifle soiled. = Mardersteig 5.
79 1549 Officina Bodoni Shelley P B 
- Fine. = Mardersteig 4.
79 1550 Ostaijen P van Jespers O 
- Yellowed/ sl. browned, especially along margins; some tiny marginals tears in left blank margin.
= PROOF of the full-p. woodcut ill. by OSKAR JESPERS (1887-1970) for PAUL VAN OSTAIJEN, Bezette stad (Antw., Sienjaal, 1921), one of the major publications of the modernist movement. This is the illustration that is placed before the poem "Folies Bar". See at large: J. Boyens, De genesis van Bezette stad (Antw., 1995) and specifically p.102f on the position of the illustration and resp. p.202 for a picture of the illustration.
79 1551 Ostaijen P van Jespers O and Victor R 
- Tiny tear in upper blank margin; sl. foxed along edges.
= PROOF of the full-p. ill. by OSKAR JESPERS (1887-1970) and RENÉ VICTOR for PAUL VAN OSTAIJEN, Bezette stad (Antw., Sienjaal, 1921), one of the major publications of the modernist movement. With the collector's stamp of Emile Maeyens (Lugt 4178).
79 1552 Ouwens K 
= One of 9 DELUXE copies on Japanese, bound by Binderij Phoenix in orig. giltlettered brown hmor w. matching board slipcase and pict. endpapers, with autograph signed annot. by the printer: "Van deze uitgave zijn op verzoek van Meulenhoff negen luxe exemplaren vervaardigd door Philipp Janssen van Boekbinderij Phoenix te Middelburg, waarvan dit exemplaar niet genummerd is", dated "Boekkunstbeurs Leiden 5 oktober 2002".
79 1554 Pagola J Cortázar J 
79/1555 Pandora's Box Ed A Leverence A Niffenegger S Sheehy and S Stern 
79/1555 Pandora's Box Ed A Leverence A Niffenegger S Sheehy and S Stern 
= The first publication by epicenter, the press of the Columbia College Chicago Center for Book and Paper Arts. All artists contributed artworks on the theme Pandora. The contributing artists: Brandy Agerbeck, Sally Alatalo, Pamela Barrie, Ken Botnick, Denise Carbone, Cave Papers, John Center, Martha Chiplis, Beatrice Coron, Mellisa Jay Craig, Elsi Vassdal Ellis, Gordon Fluke, Helen Frederick, Hatch Show Print, Caren Heft, Michael Hernandez de Luna, Dennis Ichiyama, Louise Kames, Amos Paul Kennedy Jr., Mary N. Kennedy, Peter Kruty, Kathy Kuehn, Mary Laird, Thomas Leech, Eric May, Bert Menco, Hugh Merrill, Catherine Michaels, Steve Miller, Audrey Niffenegger, Bonnie O'Connell, Elizabeth Ockwell, Andrea Peterson, Robin Price, John Rininger, Jay Ryan, Kerri Sancomb, Cathie Ruggie-Saunders, Thomas Shirley, Jessica Spring, Marilyn Sward, Barbara Tetenbaum, Michael Thompson, Claire Van Vliet, Eileen Wallace, Marshall Weber, Maggie Weiss, Paul Wong, Yee-Haw Industries and Jennifer Yorke. SEE ILLUSTRATION PLATE XLVIII.