- Leather title-piece pasted over worn/ dam. backstrip.
= One of 100 copies w. all etchings signed by the artist.
AND 14 others by/ on the same, i.a. Sonnets (Maastr., 1924, portrait after CH. EYCK, printed in black and red in 150 numb. copies, (browned) orig. wr.) and Oeuvres complètes. Ed. P.C. Boutens. Introd. J.-J. Salverda de Grave (Ibid., 1928, printed in black and red in 650 numb. copies, orig. (sl. worn) wr.).
= With three translations of the text (orig. unif. wr.).
- Free endpapers browned as usual; bookplate (C.J. Asselbergs of the Eenhoorn Pers) on upper pastedown. Cloth sl. foxed/ browned along margins; lower corners sl. worn. Fine copy.
= This copy numb. in pencil. Beautiful bookproduction, entirely lithographed in ochre (decoration) and olive-green (text). Cat. Ned. Boek 242.
= Orig. published in 2 vols. in 500 numb. copies, this is prob. the 2nd (trade) edition.
- Box corners bumped.
AND an advertising brochure w. 15 printing samples by the same press, orig. paper portfolio, 4to.
= One of an unspecified number of copies bound by L. HODNÝ JR. in full gilt leather w. leather onlay piece on frontcover, top edge gilt and gauffered, 4to.
Liesler, J. Také jedno Faunovo odpoledne. Ibid., idem, 1987, 32,(2)p., 6 col. etchings and aquatint (incl. vignettes on frontcover, title-p. and colophon) by JOSEF LIESLER, 3x signed in pencil, printed in 200 numb. copies, orig. wr., 4to. - AND 1 other illustrated by the same.
- Vague stain on frontwr. Otherwise fine.
= One of 200 DELUXE copies bound in cloth and signed by the artist.
Bordewijk, F. Huissens. Een climacterium. The Hague, Nijgh & Van Ditmar, 1982, 57,(6)p., ills. by K. LÖB, printed in 200 numb. copies, signed by the artist, orig. slipcase. Schnitzler, A. Reidans. Zedenkomedie in tien dialogen. Amst., n.publ., 1982, 142,(5)p., ills. by K. LÖB, printed in 750 copies (185), orig. boards w. dustwr.
= This copy numb. "10 / X". With SIGNED DEDICATION and loosely inserted manuscript note by the artist.
AND 13 others, i.a. N. GOGOL, De mantel. Transl. A.G. Schot (Meppel, 1984, ills. and orig. boards by K. LÖB, printed in 400 copies (300). With 2 loosely inserted wishing cards signed by the artist); A. POESJKIN, De verhalen van wijlen Ivan Petrovitsj Bjelkin II. Transl. A.G. Schot (Meppel, 1987, ills. by K. LÖB, signed by the artist, orig. boards) and S. ZWEIG, De onzichtbare verzameling. Transl. T. Duquesnoy (n.pl., 1989, ills., orig. boards w. dustwr. by K. LÖB, signed by the artist, sm. 8vo).
- Wrappers duststained and sl. foxed.
= Monod 10924; not in Carteret. Rare work, "publié avec l'autorisation de Séverine", describing the world of the Mazas prison, where both Jules Vallès, in 1853, and Maximilien Luce, in 1894, were detained and the images of which became famous in the history of French anarchism. SEE ILLUSTRATION PLATE XLVI.
- Bookplate on verso frontwr. = With the prospectus loosely inserted.
AND 2 others.
- Very fine copy.
= Unnumb. copy, as most copies we traced (Slagter 67 describing the edition as being numb. and signed).
= One of 45 Roman numb. copies w. an extra suite of the etchings printed in black.
= With SIGNED DEDICATION by the artist in pen and ink on 2nd blank.
AND ±30 others, all publications illustrated by Czech artists, ±1910-1990 (mostly pre-1940), i.a. by J. PILECEK, C. BOUDA, O. STAFL, F. KOBLIHA, F. BILEK, P. SIMON and J. HODEK.
= One of 100 copies publ. by In de Roozetak. With an extra suite of the lithogr., all "aut. tisk" and signed by the artist, and 8 loose (proof) lithogr.
AND 22 other (sm.) publications by Dutch (private) presses, i.a. KAARTENBAK (Leyden, 1994-2000, 12 parts, each inserted in orig. printed envelope, together in cl. dropback box by J. VAN DER LOO, w. letterpiece on spine and frontcover reading "Kaartenbak") and WINDSTREKEN. Op reis met Corps 8 (Ruurlo, 2009, ills., printed in various colours in 100 numb. copies, orig. hcl.).
- Occas. sl. foxed; covers chemise sl. dustsoiled/ foxed.
= With extra suites of the woodcuts on diff. kinds of paper: 24 woodcuts printed in sanguine and 35 woodcuts printed in black. This copy signed in pencil by Maillol on the colophon and numb. "CCVII". Carteret IV, p.243 ("Belle édition très cotée"). Cf. Monod 7238 (identical ed. with English text, London, 1937). SEE ILLUSTRATION PLATE XLVI.
- Cover chemise and slipcase foxed. Otherwise fine.
= One of 225 numbered copies of a total limited edition of 275 on hand-made "papier spécial pur chanvre" from the Canson et Montgolfier paper mill. Text printed by Pierre Bricage, lithographs printed under the supervision of Fernand Mourlot. All stones were erased after printing. Monod 7468. SEE ILLUSTRATION PLATE XLVI.
- Occas. trifle foxed, occas. worse (text vols.). Lacks 4 lvs. of the extra suite (but w. 11 woodcuts in sanguine on chine extra).
= DELUXE copy with (in the plate vol.) two extra sets of the woodcuts, one in black and one in sanguine on 69/ 71 (of 144) leaves, but w. EXTRA 11"premieres états sur chine" (all w. the monogram stamp), each loosely inserted in orig. pict. wr., all woodcuts stamped with Maillol's monogram "M" in circle and numb. "XII/XX" in pencil. This was the last book that Maillol illustrated. The woodcuts were conceived over a period of approximately 35 years (between ±1910-1944). Monod 11339; The Artist & The Book 1860-1960, no.175. SEE ILLUSTRATION PLATE XLVII.
= With ORIGINAL CARTOON on htitle, "voor Theo" and signed "Malsen 13/12/80" in black felt tip pen.
Bandirah (= R. Schuit). Stout, stout fruit. Amst., Xtra, 2006, 151,(4)p., cartoons by BANDIRAH, orig. wr.
= With AUTOGRAPH DEDICATION on title: "Beste Theo, veel plezier gewenst met deze voor zeventig procent geslaagde prachtbundel".
AND 6 others, i.a. by Bandirah (w. loosely inserted leaflet w. autogr. signed dedic.), W. Diesveld, G. Kousbroek, H. Schiffmacher (w. orig. drawing and autogr. signed dedic. on htitle) and Willem (2x).
= All from the collection of Theo Sontrop.