- (Sl.) foxed; partly sl. yellowed. Rebacked.
= Frontwr. reads "Wagnervereeniging. Opéra Russe à Paris".
Opéra privé de Paris. Première Saison. Paris, Publicié Commerciale & Téatrale, 1929, (36)p., tipped-in portrait, 8 tipped-in col. plates by A.K. KOROVINE, adverts., orig. col. wr. by I.Y. BILIBIN, 4to. - AND 1 other similar (sl. dam.).
- Colours partly sl. faded/ worn off.
= Painted vellum bindings were produced during most of the 1890s at the Royal School of Art Needlework, an institution founded for educated women who otherwise would have little to no means to support themselves. It was strongly connected to the Arts & Crafts movement. SEE ILLUSTRATION PLATE XL.
- Binding w. a few rubbed spots. Fine copy.
= Braches 971: "Wapens van Leiden (links), Haarlem (rechts) en Den Haag (onderaan) in kleuren; monogram JS op voorzijde."
= Fine copy of the DELUXE edition, printed in 250 numb. copies, bound in richly gilt full vellum by Elias P. van Bommel, Amst., t.e.g., decoration designed by Theo Nieuwenhuis.
- Trifle foxed. Upper joint weak/ splitting at spine-ends.
= One of 130 copies containing 2 extra states of the etchings. Monod 3690.
Bordeaux, H. Au Pays des Amours de Lamartine. Grenoble, J. Rey, 1921, 143,(2)p., plates, bound in polished aquamarine morocco w. multiple gilt fillet lines around sides, spine w. raised bands and gilt compartments, gilt inside dentelles, marbled endpapers, t.e.g., orig. wr. pres.
- Spine sl. faded. Otherwise fine.
- Bookplate on upper pastedown. = Gay/ Lemonnyer I, p.252.
- Lid chipped/ sl. bumped at upper edge. Otherwise fine.
= Vijfde uitwisselingsproject. Nice project, resulting in very fine typographical contributions, all printed in a different type, by i.a. Hein Elfering, Houtpers, De Veerpers, Statenhofpers, Breukenpers, De Lange Afstand, De Ammoniet, Johan de Zoete, Sub Signo Libelli, Zolderpers, Mikado Pers, Priegelpers, Ser J.L. Prop, Clipeus Pers and De Bloemenpers. Including contributions 5 and 52 that were not ready in time for publication.
- Fine copy.
= One of 100 copies on Vélin pur chiffon de Vidalon, with an uncoloured suite of 114 plates and with 6 unused illustrations in 2 states (coloured and uncoloured), in orig. wr. and with a publisher's specimen brochure containing another 5 col. illustrations. Not in Monod. SEE ILLUSTRATION PLATE XLI.
- Spine wr. dam./ worn away.
= One of 40 copies on Japon de Shidzuoka, but without the extra suite. Monod 8199; Bouvet 90; The Artist and the Book 30; Carteret IV, p.282 ("Edition recherchée et cotée"); Rauch 26. SEE ILLUSTRATION PLATE XLI.
= With an ORIG. DRAWING on htitle: (Don Quixote facing a windmill), pen and black ink, ±13x17 cm., signed "A Born 1978 Prag" and "Dem mijnheer Souverein".
AND 3 others by the same, all w. a small pen and ink/ ballpoint drawing on htitle/ title-p.
= "Born's Life of Animals" was published on occasion of the artist's 60th birthday for his friends. This copy "aut. t." (author's copy?). SEE ILLUSTRATION PLATE XL.
AND a similar publication by the same containing 4 lithographs(?), printed in brown, all signed in pencil.
= SIGNED by the artist on title-p.
AND 34 others (illustrated) by the same, mostly Czech language, i.a. translations of works by A. DUMAS, R. KIPLING and J. DE LA FONTAINE. - AND a small stack of exhibition catalogues and other small publications and documentation concerning the same.
= With an ORIG. DRAWING on htitle: (A frog-like creature in military uniform), pen and black ink, ±11x9 cm., signed "A Born 1983" and "Für J. Souverein".
AND 3 others illustrated by the same, all w. a small pen and ink/ ballpoint drawing by A. BORN on htitle/ title-page.
- Fine copy. = SEE ILLUSTRATION PLATE XL.
= One of an unspecified number of copies bound by M. KRUPKOV and L. KRUPKOVÁ in gilt and blindst. leather.
- Backstrip sl. worn/ rubbed.