- Box upper outer corners sl. bumped.
= Published on occasion of Jan Keijser's 60th birthday. Contains contributions by i.a. Alex Barbaix (Pastei), Hans van Eijck (In de Bonnefant), Piet Jacobs (Priegelpers), Jan de Jong (De Buitenkant), Ger Kleis (Sub Signo Libelli), Rob Over de Linden (Ovira Linda), Kees Thomassen (De Uitvreter), Ser J.L. Prop and Jaap Schipper (Statenhofpers).
- Occas. trifle foxed (endpapers worse).
= One of 250 copies (numb. 1-250) bound in full gilt red mor., t.e.g., w. title and each full-p. ill. signed by the artist.
= Contains 14 printed contributions by various Dutch and Belgian private presses, i.a. Avalon Pers, Mercator Pers, Marlies Louwes, Grafisch Atelier 'de Prent' and Rootvoet pers.
- Covers and final 5 lvs. dampstained. Contents/ plates fine.
- Spine sunned; decoration on backstrip faded; upper joint splitting.
= WITH SIGNED DEDICATION by the translator and a signature stamp by the editor. With the address "St.-Petersbourg. Société Golicke et A. Willborg. 1912." on verso htitle.
- Dedication on first p.; some offsetting from final plate; upper hinge weak.
Burkhardt, H. Bestiarium. Lateinische Tiersprichwörter. Reicheneck, Aldus-Presse, 1995, (27)p., 20 woodengr. plates by H. BURKHARDT, 2 plates loosely inserted in front pocket, numb. and signed in pencil by the artist, printed in 111 numb. copies, signed by the printer, bound as a blockbook, orig. hcalf w. pict. boards, 4to. Cesaro, I. Auf der Rückseite der Schatten. Kronach, Missis Sippi Bootshaus, 1989, (2),37,(3)p., signed by the author on the colophon, printed on linen in 7 numb. copies, orig. cl. - AND 18 others, all German language.
= Nice erotic Pop-Art production.
= I.a. G.C. PFEFFEL, Der Fuchs und der Bär (1988, woodengr. plate by K.-G. HIRSCH, signed by the artist); S. ROSA, Reisegeschenke (1991, engr. plate by H. JÜRGENS, signed by the artist) and Q. KUHLMANN, Der Wechsel menschlicher Sachen (1993, engr. plate by H. JÜRGENS, signed by the artist).
WITH ±25 other small publications by the same press, mostly prospectuses and some New Year's wishes.
- Owner's stamp and entry on upper pastedown. Otherwise fine.
= One of the 26 deluxe copies in perspex box with "een grafisch werk van Vaandrager en een handgeschreven tekst" (colophon) incl. a cork plaque.
Idem. WIEL ACHT niet die den Mensch beziet. Ibid., idem, (1986), (16) lvs., printed in 360 numb. and signed copies (110), loose as issued in orig. perspex box.
- Box w. crack in top edge. Otherwise fine.
= One of 110 copies for friends and relations of Uitgeverij Bébert, signed "Cor Vaan" and w. stamp in the colophon.
AND 5 others by the same.
= One of an unspecified number of copies bound by L. HODNÝ JR. in gilt overlapping vellum, top edge gilt and gauffered, orig. frontwr. pres.
Šajner, D. Pro vůni Heřmánku. Ibid., idem, 1979, 45,(1)p., 4 col. etchings and aquatint by EVA BEDNÁŘOVÁ, printed in 200 numb. copies.
= One of an unspecified number of copies bound by L. HODNÝ JR. in giltlettered maroon leather w. gilt carved leather onlay piece on frontcover, t.e.g., slipcase. SEE ILLUSTRATION PLATE XL.
- Lower edge trifle browned, otherwise fine.
= Braches 254; Braches 971231: "Het Huldigingslied is geheel in hout gesneden. Het zijn bladzijden in een vercierde omslag: waarschijnlijk wel het enige moderne muziekstuk dat ooit in blokdruk is uitgevoerd. De decoratie van dit middeleeuwse gewrocht aarzelt tussen Art Nouveau en Nieuwe Kunst."
Groote Societeit Amicitia November 1813-1913. Menu. Entirely col. lithogr. menu, col. ills. and wr. by J.B. HEUKELOM, sm. 8vo.
- Wr. sl. browned. = Braches 519.
Programma van het Concertgebouw te Amsterdam. Five programs, Amst., Concertgebouw 1901-1917, orig. wr. by THEO NEUHUYS (4x diff). and R. ROLAND HOLST (1x).
= i.a. Braches 1454 and Braches 1706.
AND 8 others w. Dutch art nouveau designs, i.a. W.G. VAN NOUHUYS, Egidius en de Vreemdeling (printed in 200 copies, orig. wr. by JAN TOOROP, 4to. Wr. dam. near foot of spine. Braches 2134) and 3 issues of DE BEDRIJFSREKLAME (wr. by G.P.L. HILHORST, R.W.P. DE VRIES and J.G. VELDHEER).
- Contents fine. Chemise joints splitting; slipcase worn along extremities.
= One of 20 copies with a suite of all the woodcuts and 3 extra woodcuts (incl. one not called for in colophon) which were rejected, printed in sanguine. Monod 2187.
= "Jaaruitgave '96 van Het Beschreven Blad". "Deze gedichtenbundel (...) telt de mooiste of treffendste gedichten van de 29 leden van Het Beschreven Blad plus een gedicht dat Leo Vroman maakte over de relatie tussen de dichter en het blad, dat van onbeschreven beschreven wordt. Vroman componeerde het gedicht speciaal voor het genootschap. Mèt de uiteindelijke tekst zond hij uit de USA de handgeschreven kladblaadjes mee, waaruit de groei van het gedicht 'Onder de Punt' gelezen kan worden. Deze blaadjes zijn in deze bundel opgenomen" (introd.).
Het Beschreven Blad en Profil. Silhouettenalbum Het Beschreven Blad. Ibid., idem, 1995, 30 silhouettes of the members of HBB by PIETER WETSELAAR, each w. accomp. poem, printed in 40 numb. copies, SIGNED by the artist, orig. marbled wr. Tien jaar Het Beschreven Blad. Ibid., idem, 1993, (44)p., printed in blue and red in 90 numb. copies, orig. hcl. w. calligr. title on frontcover, obl. 8vo, w. 7 col. facs. postcards, loosely inserted in unif. hcl. portfolio bound dos-a-dos w. the book, stiff paper slipcase. Pieter Wetselaar & Het Beschreven Blad. Ibid., idem, 1998, (31)p, 9 vignettes/ printer's marks by P. WETSELAAR, printed in 100 numb. copies (32), orig. wr., sq. 8vo. Kuyper, F.W. Tineke de Hoop. N.pl., n.publ., 1984, bifolium, printed in red, green and black, 4to. - AND 11 wrappers for issues of Beschreven Bladen (1992-2012), printed by Jan Keijser (7x) and Avalon Pers (4x).
- Spines and leather corner pieces rubbed/ worn.
= Memorial edition. Comprises: History of Birds; History of Quadrepeds, Aesop's Fables and Memoir.
- Owner's blindstamp on title-p.; hinges repaired; portrait foxed.
= Roscoe p.117-180; Hugo 428; Ray 52: "Bewick deplored this well-produced volume, which to his mind could only serve "to feed the whimsies of bibliomanists", but he tolerated its publication. Though some of the engravings hardly rise above the chapbook level (...) the book is useful as a record of his work before he achieved his mature style."
- A few lvs. sl. foxed in upper part; bookplates on upper endpapers, i.a. of Matthew White, Viscount Ridley. Spine heavily rubbed.
= One of the SIGNED and numbered LARGE PAPER copies.