= SIGNED dedication by the photographer on first free endpaper.
Michiels, T. Next Stop. Nijm., Thieme, 1981, 75p., (col.) ills., orig. cl. - AND 15 others on Dutch photography, i.a. H. VAN DER MEER, Werk (Amst., 1993, ills., orig. wr. SIGNED on htitle); M. THIJSEN, Het bedrijfsfotoboek 1945-1965. Professionalisering van fotografen in Nederland (Rott., 2002, num. ills., orig. cl. w. dustwr., 4to) and P. DEN HOLLANDER, Moments in Time (Amst., 1982, ills., orig. boards).
= With photographs by D. Auerbacher, L. Baltz, Basilico, Depardon, R. Doisneau, P. De Fenöyl, Y. Guillot, J. Koudelka, R. Pare and H. Rabot. Parr / Badger, The Photobook II, p.60/ 61.
- Frontwr. sl. creased. = Rare early work by Uwe Laysiepen, later internationally known as Ulay.
AND 4 others, i.a. E. DORFMAN, Elsa's Housebook A woman's photobook (Boston, 1974, ills., orig. wr.).
- Owner's entry on first free endpaper. = SIGNED by Don McCullin in pen on first free endpaper.
Evans, H. (introd.). Don McCullin. London, Jonathan Cape, 2001, 295p., richly illustrated, orig. cl. w. dustwr., large 4to.
= SIGNED by the photographer on title-page.
AND 2 others by the same: Open Skies (London., 1989) and Homecoming (ibid.,1979)
= Parr/ Badger II, p.62/63.
AND 4 others, i.a. G. WYLIE, Patterns of the Hebrides (London, 1981, ills., orig. wr., 4to) and J. DAVIES, Mist Mountain Water Wind (ibid., 1986, ills., orig. wr., obl. 4to).
- First vol. w. occas. owner's annots. Last 2 vols. binding sl. worn/ dam.
= Contains photographic plates by i.a. H. and W. Berssenbrugge, B.F. Eilers, P. Huf and G. Oom. Comprises 1941, 1942/3, 1943/44 and 1944/46.
AND 4 others, i.a. A. GROENEVELD (ed.), Van Bombay tot Shanghai. From Bombay to Shanghai (Rott./ Amst., 1994, ills., orig. wr.).
= SIGNED in gold felt tip pen on htitle.
- Plastic dustwr. yellowed in top and lower margin with very vague offsetting on covers. Otherwise very fine, but without the originally accompanying signed print by Erwin Olaf.
= SEE ILLUSTRATION PLATE XIX.
= SIGNED by the photographer on title-p.
= Parr/ Badger, The Photobook II, p. 32. Published on the occasion of the 1978 exhibition, Richard Misrach`s second book features fifty-four mysterious images from his "Night Desert Photographs" series. "(...) However, his masterwork in terms of book-making features the last major series that he made in black and white before turning to colour - namely his desert night scapes. Many of Misreach's early negatives were destroyed in a fire in the late 1970's, which makes this book both a valuable reference for the series as well as a compelling work".
AND 1 other: R. MISRACH, Desert Cantos (Tokyo, 1988, 1st Japanese ed., col. plates, orig. cl. w. dustwr., obl. 4to. Parr/ Badger, The Photobook II, p.32).
- Edges some foxing, sl. extending into the lower blank margin of the 2 text lvs. and first 2 plates; all pages sl. yellowed along margins; first plate w. rubbed spots in upper blank margin from formerly sticking together. Wrapper yellowed, foxed and soiled; right lower corner bumped throughout.
= Engbert & Phillpot, B14. The most rare and sought after Ruscha title. Although Octopus published a large edition of 3000 copies, the majority of Dutch Details' print run was mistakenly destroyed in a warehouse, and the remaining copies are now highly sought after. Provenance: the collection of the Dutch artist Gust Romijn (1922-2010).