79/256 Fluxus Zero etc The Situationist Times no 6 Ed J de Jong 
- Mint. = International Parisian edition.
79/257 Fluxus Zero etc Taal kunst een faset van konseptuele kunst Konseptuele kunst uit twee partikuliere kollekties 
- Second vol. w. "1972" in ballpoint on first leaf.
= Extremely rare early conceptual art exhibition catalogues.
79/258 Fluxus Zero etc Tentoonstelling nul 
- Wr. vaguely discoloured along edges.
= On the European Zero movement with contributions by i.a. Arman, Pol Bury, Lucio Fontana, Piero Dorazio, Henk Peeters, J.J. Schoonhoven, G. Uecker and J. Verheyen. SEE ILLUSTRATION PLATE XVI.
79 259 Fluxus Zero etc Uecker G 
79 259 Fluxus Zero etc Uecker G 
- All formerly folded as issued; no.0 w. sm. waterstain in lower corner.
= A rare complete set in near mint condition. No.1 with the attached manifest "Ein Künstler ist ein Erfinder" and no.8 with the poster (identical to the frontwr.) for the exhibition "Uecker und seine Schüle".
79 260 Fluxus Zero etc Uecker G Koelen D and M van der 
79 261 Fluxus Zero etc Vries H de 
79 262 Fluxus Zero etc Vries H de
Fluxus Zero etc Vries H de
Fluxus Zero etc Vries H de 
79/263 Fluxus Zero etc Zero 0 Text C Doelman Ed H Sonnenberg 
- Owner's entry on frontwrapper. Otherwise fine.
= Rare catalogue of the Rotterdam exhibition on the Dutch avant-garde movement Zero with small biographies of its members: Van Bohemen, Dahmen, Manzoni, Pieters, Romijn, Sanders, Schoonhoven, Schumacher, Tajiri and Wagemakers.
79/264 Fluxus Zero etc ZERO Vol 1 3 Ed H Mack and O Piene 
79/264 Fluxus Zero etc ZERO Vol 1 3 Ed H Mack and O Piene 
- Vol. 1 w. 2 vertical folds; owner's entry in ballpoint in upper outer corner frontwrapper of 2nd vol. All vols. trifle rubbed along extremities. Otherwise fine copies.
= First vol. with red leaf in center "Zur 7. Abendausstellung "Das Rote Bild". Bilder, deren bestimmende Farbe Rot ist." and the third vol. w. the sunflower-pith by Jean Tinguely, the mounted matchstick by Daniel Spoerri. No. 1 with contributions by John Anthony Thwaites (Wohin geht die Farbe?), Yves Klein (Meine Stellung im Kampf zwischen Linie und Farbe), Heinz Mack (Die neue Dynamische Struktur), Otto Piene (Die Farbe in unterschiedlichen Wertbereichen), Hans Platschek (Notiz zur Farbe im informel), Michel Seuphor, Fritz Seitz. No. 2. with contributions by Fritz Seitz (Bewegung), Arnold Gehlen (Wechsel der Identität des Bildes), K.F.Ertel, Holweck, Max Bense, Mavignioer, Zillmann, Mack, Otto Piene, Klaus J. Fischer, John Anthony Thwaites, Hans Platschek. No. 3 with contributions by Yves Klein (a burnt page), Otto Piene (hole in white sheet), photogr. ills. by L. Fontana, Castellani, Arman, Rainer, Mack, Kage, Tinguely, Aubertin, Manzoni and Pol Bury. A very rare complete set of the publication by the ZERO group. SEE ILLUSTRATION PLATE XVI.
79 265 Furniture Bréasson J ed 
79 265 Furniture Bréasson J ed 
79 265 Furniture Bréasson J ed 
79 265 Furniture Bréasson J ed 
- Lacks 1 plate and descr. text of several plates. All vols. (sl.) foxed; 1 vol. partly sl. wormholed; 1 vol. partly sl. waterst. in margin. Bindings sl. worn at backstrips and edges.
= Annual journal on the use of wood in carpentry and furniture (esp. house, school and church), published for (at least) 16 years between 1882 and 1897.
79 266 Furniture Roubo A J 
79 266 Furniture Roubo A J 
79 266 Furniture Roubo A J 
79 266 Furniture Roubo A J 
- Plates occas. (sl.) frayed; title sl. browned. Portfolio covers soiled/ stained/ sl. worn; spine-ends dam.
79/267 Futurism Il Futurismo Ed F T Marinetti 
- Sl. yellowed; backwr. and last leaf some sm. tears in lower blank margin.
= Special issue of Poesia, "Rassegna Internationale, Anno V, N. 3-4-5-6" (April-July 1909). Contains i.a. the futurist manifest in English, French and Italian (the first publication of the manifest after its publication in French in La Figaro, Feb. 20th), "Les premières Victoires du Futurisme. Interview de M. Marinetti", "Adhésions et objections" and "Le Futurisme et la presse internationale".
79/268 Futurism Lacerba Year 1 3 Ed P Papini and A Soffici 
79/268 Futurism Lacerba Year 1 3 Ed P Papini and A Soffici 
79/268 Futurism Lacerba Year 1 3 Ed P Papini and A Soffici 
79/268 Futurism Lacerba Year 1 3 Ed P Papini and A Soffici 
- Five issues w. some underlining in pen and red ink; some sl. occas. foxing (mainly in issues of year 3). Title written on backstrips. A fine set.
= Rare, complete set of this Italian literary periodical, associated with the futurist movement. Contains texts by i.a. Agnoletti, Apollinaire, Boccioni, Campigli, Carrà, Cesari, Folgore, Gerebzova, R. de Gourmont, Max Jacob, Laforgue, Lichtenberg, Mallarmé, Marinetti, Papini, Pucci, Soffici, Tavolato and Ungaretti, and illustrations by i.a. Archipenko, Férat, Gerebzova, Larionow, Picasso, Severini, Soffici and Zannini.
The decorated papers on the bindings, with a pattern of daisies (vol. 1) and a pattern of coloured circles (vol. 2), were most probably designed and produced by ARGENDO SOFFICI, making this the only copy of Lacerba known to exist with these bindings. A report by the art-historian Maurizio Fagiolo dell'Arco (1939-2002) is included in the lot, in which he lists the rare copies of futuristic books featuring stencilled papers created by Soffici, who had the project of creating sober bindings with papers with often "orphic" motifs. SEE ILLUSTRATION PLATE XVII.
79 269 Futurism Marinetti F T 
79 269 Futurism Marinetti F T 
- Sl. yellowed; first few lvs. (water)stained in upper blank margin. Wrappers soiled/ stained; frontwr. loosening; backwr. sm. tear in upper margin; backstrip dam. and w. ms. title in pen and ink.
= Salaris, Bibliografia del Futurismo p.48; Hulten, Futurism & Futurisms p.514: "With his "explosive novel" 8 Anime in una bomba (8 Souls in a Bomb, 1919), Marinetti used his own free-word theory for a more complex literary composition. He was now able to accept what he had earlier rejected: sentimental and narrative contents, psychology, and a swift, springy syntax that allows for metaphors, analogies, colours - here Marinetti's poetic inspiration reaches its highest peak." With AUTOGRAPH SIGNED DEDICATION on first blank: "a Decima[?] De Angelis/ con viva/ simpatia/ F.T. Marinetti/ Corso Venezia 61/ Milano".
79 270 Geest J van 
= Contains a catalogue raisonné.
Abadie, D. (ed.). Salvador Dalí. Rétrospective 1929-1980. Paris, Centre Georges Pompidou, 1979, 414,(2)p., num. (full-p.) (col.) ills., orig. dec. limp cl., 4to. - AND 6 others, i.a. R. VAN DE VELDE, René Magritte - Peintures et Gouaches (Antw., 1994, tipped-in (col.) plates, orig. boards, obl. 4to) and P. ELUARD, Anthologie des écrits sur l'art (Paris, 1972, (col.) plates, ills., orig. cl., sm. 4to. Foot of spine dam.).
79 271 Gerdts W H 
= Copy of the Collector's Edition, w. bookplate on first free endpaper SIGNED by the author.
Harvey, E.J. The Painted Sketch. American Impressions from Nature 1830-1880. New York, Dallas Museum of Art/ Harry N. Abrams, (1998), 299,(5)p., num. (col.) ills., orig. giltlettered cl. w. dustwr., large 4to (corners sl. bumped). Gunnarsson, T. Nordic Landscape Painting in the Nineteenth Century. English transl. N. Adler. New Haven/ London, Y.U.P., IX,(1),293p., num. col. ills., orig. giltlettered cl., 4to. - AND 4 others, incl. J.K. HOWAT (introd.), American Paradise. The World of the Hudson River School (New York, 1987, num. (col.) ills., orig. giltlettered cl. w. dustwr., 4to).
79 272 Giltaij J and Kelch J 
79 272 Giltaij J and Kelch J 
79 273 Glass Mergl J and Pánková L 
= SIGNED by the artist on title-p.
Straus, C. a.o. Willem Heesen. Glas. Ibid., idem, 2000, 72p., (col.) ills., orig. boards, obl. 4to.
= SIGNED by the artist on htitle.
AND 7 others, i.a. SYBREN VALKEMA (Baarn, 1994, (col.) ills., printed in 1000 num. and signed copies, orig. boards w. dustwr., 4to) and K.-W. WARTHORST, Die Glasfabrik Theresienthal (Freiburg, 1996, (col.) ills., orig. cl. w. dustwr., 4to).
79 274 Glass Mergl J Ploil E and Ricke H 
79 275 Glass Ricke H and Thor L 