= Aetas Aurea Monographs on Dutch and Flemish Painting vol. XXIV.
Sadkov, V. The Pushkin State Museum of Fine Arts. Netherlandish, Flemish and Dutch Drawings of the XVI-XVIII Centuries. Belgian and Dutch Drawings of the XIX-XX Centuries. Amst./ Moscow, Foundation for Cultural Inventory and The Pushkin State Museum of Fine Arts, 2010, 432p., 672 (col.) ills., orig. pict. boards, 4to.
- Lacks one plate; title (incl. tipped-in plate) of the 2nd vol. affected by silverfish. Portfolios sl. worn and stained; vol. 1 frontcover loose.
- Upper corner frontwr. w. fold. = No.10 of Le Petit Jésus, journal intime.
Idem. Mirobolus Macadam & Cie. Hautespates. (Paris), Galerie Rene Drouin, n.d. (1946), (12)p., 2 full-p. ills., orig. wr.
= Also contains a text by Ernst Jünger.
Idem. Prospectus aux amateurs de tout genre. Paris, Gallimard, 1946, 1st ed., 154,(5)p., printed in 2000 copies (550).
= Collection Métamorphoses. One of 550 copies (510) bound in gilt dec. boards des. by P. Bonet.
AND 2 others on the same: L. PARROT, Jean Dubuffet (Paris, 1944, ills., printed in 620 numb. copies, orig. wr., 4to. Fine) and J. PAULHAN, Lettre à Jean Dubuffet (Paris, 1944, 1 tipped-in plate, orig. wr.).
= SEE ILLUSTRATION PLATE VIII.
= SEE ILLUSTRATION PLATE VIII.
- Without the slipcase. Fine.
= Monod 7280; The Artist and the Book 140: "Dubuffet's illustrations here are in the manner he developed after 1962 in the HOURLOUPE series which began, according to Loreau, when the artist was drawing distractedly during a telephone call in July 1962 and which was shown in the Jeanne Bucher Gallery in 1967."
= Reduced version in phototypie of the ed. published by Alexander Loewy in the same year. This copy with an extra leaf bound in w. an AUTOGRAPH POEM "Mar", signed "André Martel, dit le Martélandre Papapafol du Paralloidre", with a mounted photogr. portrait of the author on the halftitle, w. autogr. annotation "Cecic`e ma phototatête quand jassuis dans les nouages", signed (like the above) and with autogr. monogrammed annotation on the colophon: "cet exemplair est marcuté au timbre à mouille paralloïdre du secrépép Auréloé".
- Owner's entry and dedication on first free endpaper.
- All fine.
- Fine.
= Rare complete set of this Belgian avant-garde periodical. Contains contributions by i.a. Pierre Alechinsky, Marcel Broodthaers, Camille Bryan, Raoul Hausmann, Paul Joostens, Francis Ponge and Michel Seuphor.
- Sm. dam. spot at upper edge frontwr.
= Nice publication. The introduction (in Dutch, German, French and English) dealing with colour in painting and (mainly) architecture.
AND 1 other by the same: Vorm en Tegenvorm. Poging tot portret van een ontwerper. Introd. W. Crouwel (Amst., 1976, (col.) ills., orig. wr.).
= Listing 857 paintings, each w. illustration (almost all in colour).
- Owner's entry on first free endpaper. Boards sl. soiled, stain on spine.
= Flemish Painters in the Circle of the Great Masters, vol. 1.
Bertier de Sauvigny, R. de. Jacob et Abel Grimmer. Catalogue Raisonné. N.pl., La Renaissance du Livre, 1991, 259 (col.) ills., orig. cl. w. dustwr., folio.
- Owner's entry on first free endpaper.
AND 6 others, i.a. H. DEVISSCHER (ed.), De uitvinding van het landschap. Van Patinir tot Rubens 1520-1650 (Antw., 2004, num. (col.) ills, orig. cl. w. dustwr., 4to) and A. KOOPSTRA, Lucas Gassel van Helmond. Meester van het Landschap (Zwolle, 2020, richly illustrated, orig. pict. wr., 4to).
= Aetas Aurea Monographs on Dutch & Flemish Painting vol. XV.
AND 1 other on the same artist: C.M. KLINKERT and Y. BLEYERVELD (ed.), Allard van Everdingen. Meester van het ruige landschap (Alkm., 2021, col. ills., orig. wr., 4to).