- Edges and frontwr. trifle foxed. First and last page partly discol.
= Exhibition catalogue bound as a leporello, w. punched out lettering on front- and backwr. (resp. "Marcel Duchamp" and "Rrose Sélavy", w. tipped-in leaf w. a concordance of the catalogue nos. and the catalogue raisonné.
- Fine. = SEE ILLUSTRATION PLATE V.
- Fine, unopened copy.
= One of 50 numb. copies of the first edition; this being one of 49 copies on Roto-Creme paper, with a loosely inserted ORIGINAL GOUACHE by the author (19x16 cm., signed "R. Hausmann 58" in pen and ink). The rare limited edition of Hausmann's personal review of the Dada period. SEE ILLUSTRATION PLATE VII.
= One of 40 copies printed on 'Hayle' paper of Barcham Green, SIGNED by the author, with 2 numb. and signed silkscreen prints by JEF GOLYSCHEFF in separate wr., together in orig. slipcase.
= Fine monograph with catalogue raisonné. Aetas Aurea Monographs on Dutch & Flemish Painting, vol. X.
Cornelis, B. a.o., Adriaen van de Velde. Dutch Master of Landscape. Amst./ London, Paul Holberton, 2016, 224p., richly illustrated, orig. boards w. dustwr., 4to. - AND 6 others on Dutch 17th cent. landscape painters, i.a. C.J. WELCKER, Hendrick Avercamp 1585-1634 bijgenaamd 'de stomme van Campen' en Barent Avercamp 1612-1679. Schilders tot Campen (Doornspijk, 1979, num. plates and ills., orig. boards w. dustwr., large 4to).
- Some sl. occas. foxing; otherwise fine.
= Complete set of auction catalogues. (1). Catalogue des Estampes Anciennes et Modernes (...) Composant la Collection Edgar Degas (...) (cat. no.358, 6-7 Nov. 1918, 60p. With results in pen and ink); (2). Catalogue des Tableaux Modernes, Pastels, Aquarelles, Dessins Anciens et Modernes (...) Faisant partie de la Collection Edgar Degas (...) (cat. no.(359), 15-16 Nov. 1918, (4),40p.); (3). Catalogue des Eaux-Fortes, Vernis-Mous, Aqua-tintes, Lithographies et Monotypes par Edgar Degas et provenant de son atelier (...) (cat. no.360, 22-23 Nov. 1918, (4),58,(2)p.); (4). Catalogue des Tableaux, Pastels et Dessins par Edgar Degas et provenant de son atelier (...) (cat. without no., 7-9 April 1919, 290,(1)p.).
WITH a duplicate copy of the 3rd vol. and a fine copy of EXPOSITION DEGAS (...) (Paris, Galerie Georges Petit, 1924, plates, ills., orig. wr. w. mounted plate). - ADDED: CATALOGUE DE L'OEUVRE GRAVÉ ET LITHOGRAPHIÉ DE CAMILLE PISSARRO (deuxième partie) (Drouot, 12-13 April 1929, plates, orig. wr. Fine).
= With catalogue raisonné. Maîtres de la Peinture contemporaine en Belgique, vol. IV.
Goyens de Heusch, S. Het impressionisme en het fauvisme in België. Antw., Mercatorfonds, 1988, 475,(2)p., richly illustrated, orig. cl. w. dustwr., folio. - AND 7 others on Belgian artists, i.a. R. VAN DEN ABEELE, Albijn van den Abeele. De stamvader van de Latemse kunstenaars (Ghent, 1993, num. ills., orig. cl. w. dustwr., large 4to. Contains a catalogue raisonnée) and J.F. BUYCK and G. SCHOETERS, Floris Jespers 1889-1965 (Antw., 1990, num. (col.) ills., orig. wr., 4to).
- Owner's entry on halftitle.
Bol, L.J. Die Holländische Marinemalerei des 17. Jahrhunderts, Braunschweig, Klinkhardt & Biermann, 1973, 327 (col.) ills., orig. cl. w. dustwr., folio.
- Owner's entry on first free endpaper.
AND 5 others i.a. R. BAER, Class Distinctions. Dutch Painting in the Age of Rembrandt and Vermeer (Boston, 2015, num. col. ills., orig. cl. w. dustwr., 4to) and H. ROODENBURG, The Eloquence of the Body. Perspectives on gesture in the Dutch Republic (Zwolle, 2004, num. (col.) ills., orig. boards w. dustwr.).
- No. 112 lacks a few leaves. Otherwise all fine.
AND 4 reprinted issues of Derrière le Miroir, w. col. plates and wrappers by i.a. B. VAN VELDE, H. HOFMANN and A. MARCHAND.
- Fine. = SEE ILLUSTRATION PLATE VII.
= Monograph on walking canes.
- Fine.
= Rare publisher's brochure for the issue of l'Architecture Vivante devoted to the De Stijl.
- Sl. yellowed as usual. = Hoek 659b3; Purvis/ De Jong p.79.
- Lacks 3 tipped-in plates (to no.5, 9 and 11); sl. yellowed/ browned and some occas. foxing/ soiling; first page of each no. w. sm. stamp in corner. All parts as usual w. vertical middle fold; loose in lvs., all without wr. (only 1 frontwr. present, yellowed, w. 2 sm. stamps).
= Complete fourth year of one of the most important and influential modernist periodicals of the 20th cent., the first year with the typography by Van Doesburg (see Hoek 659). Contains i.a. contributions by I.K. Bonset (pseud. of Theo van Doesburg) (incl. the special issue no.11, "Anthologie-Bonset"), Aldo Camini, Theo van Doesburg, Raoul Hausmann, Vilmos Huszár, Piet Mondriaan and Hans Richter. Hoek 659; Schwarz 149; cf. Bolliger III, 222, IV, 395 and VI, 817.
- Without no.1-4 and 12. Lacks 4 plates (to no.6/7) and 2 tipped-in plates (to no.6/7 and 8); no.5 lacks backwr. (newly sewn w. plain backwr.); sl. yellowed/ browned and some occas. foxing. All parts as usual w. vertical middle fold; wrappers trifle dustsoiled; all frontwr. w. sm. stamp.
= Hoek 659; Schwarz 149; cf. Bolliger III, 222, IV, 395 and VI, 817.
- Paper inner flaps of portfolio loose.
= Very nice and rare publication, the photographs showing interior views of the rooms of a doll's house. The author is well known for his important study on Dutch doll's houses Holländische Patrizierhäuser published in 1909.
= One of 100 DELUXE copies w. a loosely inserted col. lithograph by Domela: 23x17 cm., signed "Domela, 43" and numb. "45 [identical to the no. of the book]/100" in pencil (partly sl. yellowed, only visible in left blank margin, from ofsetting of inside frontwr.). SEE ILLUSTRATION PLATE V.
- Sl. rubbed along extremities.