= Boeiende Statistiek. Serie 1: Nederland streeft naar welvaart, No.6.
Een half jaar vrijheid. 180 dagen opbouw na 1800 dagen afbraak. Amst., H.J.W. Becht, (1945), 52p., col. isotype diagrams by G. ARNTZ, orig. wr.
- First lvs. (incl. frontwr.) w. sm. dent and sl. ruststains from paperclip; sl. yellowed.
AND 2 others w. (col.) isotype diagrams by the same, i.a. STATISTISCH ZAKBOEK 1941 (The Hague, 1941, orig. wr.).
- Yellowed/ sl. browned, especially along margins; right upper blank corner lacking portion.
= Probably a proof printed in red, before publishing in MERZ 6, Oct. 1923 and before the captions "Diese Zeitschrift heisst von hinten Merz. a.d. Inhalt: Arp. Tzara. Aufruf. Hirschel-Protsch. Mondrian. Neo Plasticisme. Arab. Sprüche" in upper margin. SEE ILLUSTRATION PLATE I.
= With contibutions by i.a. Berlage, Dudok, Lauweriks, Lion Cachet, Sluyters and Wichman.
Heij, J.J. Vernieuwing bezinning. Nederlandse beeldende kunst en kunstnijverheid ca. 1885-1935 uit de collectie van het Drents Museum. Zwolle/ Assen, Waanders/ Drents Mus., 2004, 248p., richly illustrated, orig. boards, 4to (fine). - AND 3 others similar, i.a. ROND 1900, KUNST OP PAPIER IN NEDERLAND (Zwolle/ Amst, 2000, num. (col.) ills., orig. wr., 4to).
- All fine.
- Wrappers loose and sl. chipped.
Goupil, F. Practische handleiding bij het pastelteekenen, bevattende: De bizondre methode en beginselen van het pastelteekenen, de onmisbare voorwerpen daartoe nodig, en waarnemingen over het koloriet (...). Amst., A. van Klaveren, n.d. (±1900), 79p., orig. wr., sm. 8vo (wr. loosening and sl. chipped). - AND 4 others, i.a. VERFSTOFFEN KLEURENLEER, SCHUURMIDDELEN, GLAS, BRONS ENZ. VOOR SCHILDERS (Koog aan de Zaan, P. Out, n.d. (±1941), 30 tipped-in col. samples, num. ills., orig. wr., 4to. Spine sl. worn) and DER LITHOGRAPHEN- UND STEINDRUCKER-LEHRLING (...). Ed. J.B. Sägelken (Leipsic, 1920, ills., orig. (sl. soiled) wr., sm. 8vo).
- Contents parlty loose, but still very fine. Corners trifle worn.
= Very fine and delicate art nouveau plates. SEE ILLUSTRATION PLATE II.
- Spine-ends sl. worn.
= Striking illustrations by i.a. E. AUFSEESER, HEINO HEYERMANN and OTTO UHL. SEE ILLUSTRATION PLATE II.
= Contains a catalogue raisonné.
AND 9 others, i.a. A. KRAMER and D. WIND, All about drawing. 100 Dutch artists (Schiedam, 2012, num. (col.) ills., orig. boards, 4to); M. WINZEN, Thomas Schütte. Zeichnungen/ Drawings (Cologne, 2006, num. (col.) ills., orig. boards) and V. BAAR a.o., Piet Ouborg. Solist. Zicht op een eigenzinnig oeuvre (Zwolle, 2009, (col.) ills., orig. cl. w. dustwr., 4to).
- Tear in cardboard envelope. Otherwise fine.
- Fore-edge sl. stained.
= One of 400 numb. copies signed by the artist. SEE ILLUSTRATION PLATE III.
- Ex library copy w. the usual defects.
- Sl. foxed. Hinges weak. Upper joint partly split; covers rubbed/ dustsoiled; corners bumped.
= Derra de Moroda 1656: "A most beautiful ed."
- Covers partly faded and worn along extremities (incl. spine-ends). Contents fine.
= German edition. SEE ILLUSTRATION PLATE III.
- Sl. foxed/ yellowed; first free endpaper and first blank loose. Owner's entry on first free endpaper. Joints worn/ splitting; covers rubbed.
= Johannes Vares was a prominent Estonian avant-garde poet and politician. With modernist wrapper design by Aleksander Mülber.
- Good/ fine set.
- Owner's entry on first free endpaper.
AND 3 others i.a. F.J. DUPARC. Carel Fabritius 1622-1654 (Zwolle, 2004, num. col. ills., orig. cl. w. dustwr., 4to).
- All (near) fine.
= One of 200 signed and numb. copies bound in silverlettered cloth by Katinka Keus and containing a loosely inserted orig. etching signed and numb. in pencil and a signed col. lithograph.