- Somewhat foxed; cut ±1 mm outside the platemark.
= Hollstein 20. First print from the series of 5 Landscapes. Rare.
= Rare. On greenish (18th century?) laid paper.
AND 22 others, all on the same paper, partly w. coat of arms with fleur de lis watermark, all showing biblical scenes, mostly by ABRAHAM DE BRUYN and/ or PIETER HUYS, but also by HIERONYMUS and JOHANNES WIERIX, perhaps after C. VAN DEN BROECK.
= From an 18th(?) century edition of "Biblia Sacra". Cf. Hollstein 455-468.
= Both from J. VON SANDRART, L'Academia Todesca della Architectura, Scultura & Pittura: Oder Teutsche Academie der Edlen Bau-Bild- und Mahlerey-Künste (1675).
- Title-print somewhat soiled and lower part weakly printed; H.77 ('I. Propdarm') w. a few sm. stains; last print heavily stained; all others w. minor imperfections. All cut a few mm. outside the platemark.
= Hollstein (Saverij) 72-77, 79-83, all 1st state of 2.
- Both sl. foxed. = Hollstein 144-e and f, both final 3rd state, with the number added.
- Both cut to the borderline; first print foxed; 2nd print sl. browned and 2 sm. stains.
= Hollstein 713 and 725, two of 29 woodcuts in "Ulrich Pinder, Speculum Passionis domini nostri ihesu christi. In quo relucet hec omnia ... manifestissime coprobat ..., Nuremberg: [Friedrich Peypus for Ulrich Pinder], 1507 (4)." Ecce homo with a large watermark showing an elongated crown topped by a cross.
- Ample margins. Sl. browned. = Vomm, D1845:2, 1st state (of 2).
Adam, A. (1786-1862). (A man on horseback leading another horse away from a stream). Etching, heigthened w. white gouache (by the artist?), 22,5x32 cm., printed on blue laid paper.
- Margins sl. brownedl; waterstain in lower right corner margins.
- Good margins; foxed. From the collection of William Karrmann, w. his pencil annotations on verso and "Aetzdruck" below image.
= Vomm, D 1839:2, unrecorded proof before (?) 1st state (of 4). Our copy before the white parts of the cabbage leaves in the foreground left etched-in; before the white portions of the landscape around the doe and to the left of the stag mostly etched-in; before the two white spots in the lower right corner were filled in and the corner squared. Vomm mentions a copy in Karlsruhe, Staatl. Kunsthalle, Kupferstichtkabinett (Inv.1950-197) w. same pencil addition "Aetzdruck" below image.
Idem. (The same print).
- Ample margins; trifle foxed. From the collection of William Karrmann, w. his pencil annotations on verso.
= Vomm, D 1839:2, 1st recorded state (of 4).
- Tiny piece of upper left corner repaired and redrawn; trifle foxed (more on verso).
= Rare. Bartsch 14, considers this print as a pendant to Schongauer's 'Foolish Virgin, half-length' (Hollstein 86). Bassenge auctioned another copy with the engraved address "Sk.exc." in 2021, not present on our copy, so this is perhaps an earlier state. With unread annotation in pencil on verso (collector's mark?). SEE ILLUSTRATION PLATE XCVI.
= Hollstein 85. With the collector's mark of J.F. Bianchi.
Huys, P. (1519-1584). The Flagellation. Engraving after P. VAN DER BORCHT, 11,5x7 cm., monogrammed "PH" and "PB" in the plate.
= Hollstein 7.
AND 2 other prints with Christian themes, i.a. the Pieta di Caprarola after A. CARRACCI (copy in reverse).
= Rare, not traced. Perhaps by Jonas Umbach. With the collector's mark of J.F. Bianchi (Lugt 3761).
- Oblique yellowish scratch; greyish impression; sm. ruststain.
= With cancel stamps on verso of i.a. Rijks prenten kabinet. Hollstein 26, only state, but numb. "6".
AND 2 other hunting scenes. - ADDED: 2 others (View of Alckmaer and View of Ruermonde, both from GUICCIARDINI, both laid down on board. Yellowed).
- Tear in lower blank and right blank margin.
= With the collector's stamp of Stanley C. Hauxhurst on verso (not in Lugt)
- Sl. dam. and w. tear in upper left blank corner.
- Some foxing; narrow margins.
= De Groot/ Vorstman 191-202, 2nd state (of 3). 1. "een Poon met een Paveljoen". 2. "een Kraak". 3. "een Keulenaar of Sammereurs." 4. "een Boeyer." 5. "een Heijnst." 6. "een Snik". 7. "een Turfschuit met een Emmerzeijl." 8. "een Schokker." 9. "een Beurtschip." 10. "een Friese praam." 11. "een Jacht met een bezaanzeijl." 12. "een Veerpont."
- Some foxing; narrow margins.
= 1. "Kraak aan de grond." 2. "Visschers Pinkje op 't strand." 3. "Garnaal of botvissertje aan de grond bezig met schoon maken." 4. "Zeeuws Beurtman zittende te banke of schoon te maken." 5. "Fregat aan de grond zijn stengen neer." 6. "Fregat dat leijt te kielen." 7. "Kof die leijt te Kielen." 8. "Kanonneer boot zeijlende bij de wind." 9. "Oorlogs-brik ten anker hangende zijn zeijlen te droogen." 10. "Oorlog schip met ligters of kameelen op zij." 11. "Oorlogs Fregat ten anker zijn groote steng neer." 12. "Brabandsch beurt-schip met een Paviljoen zeylende bij de wind."
= Part of a series of probably six naval views, from shipbuilding to wreckage.
"View of the Race Horse & Carcass (...) inclosed in the Ice (...) when prosecuting their Celebrated Expedition to the North Pole". Handcol. engraving by EASTGATE, 20,1x35,7cm., publ. A. Hogg, London, ±1780.
- Sl. duststained in the margins.
= Showing an episode of the 1773 Phipps expedition towards the North Pole. Amongst the crew of the Race Horse was Olaudah Equiano, a former slave and later famous abolitionist. The expedition resulted i.a. in the first scientific description of the polar bear.
AND 7 others, all views with ships, i.a. by S. VAN DER MEULEN, D. STOOPENDAAL and J. LUIKEN.