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78 5912 Nooms R  called Zeeman  ±1623 1667 78 5912 Nooms R called Zeeman ±1623 1667
78 5912 Nooms R  called Zeeman  ±1623 1667 78 5912 Nooms R called Zeeman ±1623 1667
78 5912 Nooms R  called Zeeman  ±1623 1667 78 5912 Nooms R called Zeeman ±1623 1667
78 5912 Nooms R  called Zeeman  ±1623 1667 78 5912 Nooms R called Zeeman ±1623 1667
78/5912 Nooms, R. (called Zeeman) (±1623-1667). "Verscheijden Schepen en Gesichten van Amsterdam. Derde Deel". Set of 11 (of 12) etchings, ±13,5x24,5 cm., w. the address of Clement de Jonghe on the first print.

- All w. ample margins; the first print the words "Derde deel" erased, causing sm. holes in the paper; other prints partly w. sm. tape ghost in outer margins; trifle fingersoiled (first print sl. more). A fine set.

= Without no.12. On laid paper with foolscap watermarks. With the collector's s mark of Vester de Moor (not in Lugt). Hollstein 53 (3rd state of 4), 54-63, all 1st state of 2 (with the numbers). SEE ILLUSTRATION PLATE LXXXVIII.

Idem. "Het nut en Vermakelik Gebruyk van Verscheyde Binne-waters". Set of 4 (of 8) etchings, each ±13,3x20,4 cm., each signed in the plate.

- The 2nd title print foxed and w. repaired corner; H. 108 w. repaired tears and stained; H.109 somewhat browned and upper right corner cut short diagonally; H.111 trimmed just outside the platemark, upper left corner chipped; a few sm. spots.

= The title print supplied in 2 copies. Hollstein 104, 7th state of 8 (w. the address of M. de Broen and an unknown state (9th?) with the address of "Chez Pillot" (not mentioned by Hollstein); 108, 109 and 111, all 2nd state of 2 (w. the double border line). With the same collector's mark as above.

€ (1.500-2.500) 2000
78 5913 Nooms R  called Zeeman  ±1623 1667  after 78 5913 Nooms R called Zeeman ±1623 1667 after
78 5913 Nooms R  called Zeeman  ±1623 1667  after 78 5913 Nooms R called Zeeman ±1623 1667 after
78 5913 Nooms R  called Zeeman  ±1623 1667  after 78 5913 Nooms R called Zeeman ±1623 1667 after
78/5913 Nooms, R. (called Zeeman) (±1623-1667) (after). Four sailing-vessels near a breakwater, left two flute-ships. Large sailing-vessel and rowing-boat, right two smaller ships. Three moored sailing-vessels. Three etchings after the series of 13 Naval Harbours with shipbuilding, by an unidentified artist, each ±19x29,5 cm., w. the address of N. de Poilly, Paris.

- Some sl. yellowing, mainly visible on verso.

= Copies in reverse of New Hollstein 115 (w. engr. caption "Liure de plusieurs Navires de Guerre et Vaisseaux Marchands"), 116 and 119.

€ (250-350) 275
78 5914 Novelli P A  1729 1804 78 5914 Novelli P A 1729 1804
78/5914 Novelli, P.A. (1729-1804). (Saint Marc). Etching after F. NOVELLI, 9x7,8 cm., signed "P.A. Novelli pinx" in the plate.

- Lower blank margin thin sections.

AND 10 other prints, 17th/ 18th cent.

€ (70-90) 180
78 5915 Numan H  1744 1820 78 5915 Numan H 1744 1820
78 5915 Numan H  1744 1820 78 5915 Numan H 1744 1820
78/5915 Numan, H. (1744-1820). "Groote coepel op Voorland, aan de Ringdijk." "Voorland in de Watergraafsch-meer." Two contemp. handcol. etchings, both 21,5x23,1 cm., w. engr. caption below, Amst., H. Numan, J. Iver and J.W. Smit, 1797, w. accomp. textleaf and title, from H. NUMAN, Vierentwintig printtekeningen met couleuren, verbeeldende Hollandsche buitenplaatsen, Amst., 1797 (title duststained). - AND 2 others by the same, from the same work: "Gothisch Gebouw en Brug. op Velzer-beek" and "Karssenhof bij ouderkerk aan den Amstel" (both contemp. handcol. etching, 21,5x23,1 cm.,1797, both w. accomp. textleaf). - AND a later sl. reduced copy of the last print (without publisher. Sl. yellowed).
€ (250-350) 550
78 5916 Oosterhoudt G A van  1792 1834 78 5916 Oosterhoudt G A van 1792 1834
78/5916 Oosterhoudt, G.A. van. (1792-1834). (A man and his dog on a path towards a farm). Lithograph, 24,2x19,5 cm., signed "GA van Oosterhoudt inv. et fec:" on the stone. Idem. (A couple and a dog crossing a bridge). Lithograph, 21,5x27,5 cm., signed "GA van Oosterhoudt fecit" and "Steuerwald" on the stone.

- Second print browned and w. a few sm. stains.

= Two of the earliest Dutch lithographs. On the first print: De eerste jaren der lithografische prentkunst in Nederland, p. 66, cat.nr. 88.

€ (50-70) 70
78 5917 Ossenbeeck J van ±1624 1674 78 5917 Ossenbeeck J van ±1624 1674
78 5917 Ossenbeeck J van ±1624 1674 78 5917 Ossenbeeck J van ±1624 1674
78 5917 Ossenbeeck J van ±1624 1674 78 5917 Ossenbeeck J van ±1624 1674
78 5917 Ossenbeeck J van ±1624 1674 78 5917 Ossenbeeck J van ±1624 1674
78/5917 Ossenbeeck, J. van (±1624-1674). Orpheus charming the animals. Etching after N. VAN HOY after L. BASSANO, 21,6x31 cm.

- Ample margins; sl. browned.

= From the work Theatrum Pictorium by David Teniers. Hollstein 74. With the collection stamps of museum Boymans van Beuningen (Lugt 356b (bequest Domela Nieuwenhuis) and 700a (stamp indicating duplicates)) and collector's stamp of Hermann Detmold (1807-1856) (Lugt 760).

AND 3 others by the same, all from the same work: after J. PALMA, L. BASSANO ('Winter' from the 4 seasons) and D. FETTI.

€ (100-150) 190
78 5918 Ostade A van 1610 1685 78 5918 Ostade A van 1610 1685
78 5918 Ostade A van 1610 1685 78 5918 Ostade A van 1610 1685
78/5918 Ostade, A. van (1610-1685). Bust of a peasant. Etching, ±1636, 3,2x2,8 cm. (platemark).

= Hollstein/ Godefroy 2, 5th and final state.

Idem. Peasant in pointed fur cap. Etching, ±1640, 6,8x5,7 cm., "Av.O" in the plate.

- Somewhat grey impression (although the borderline is very dark); ample margins.

= Hollstein/ Godefroy 3, 5th state of 7.

€ (300-500)
78 5919 Ostade A van 1610 1685 78 5919 Ostade A van 1610 1685
78/5919 Ostade, A. van (1610-1685). Peasant with his hand in his cloak. Etching, ±1638, 8,6x6,4 cm., "Av.o" in the plate.

- Strong and fine impression on thin (17th cent?) laid paper, trimmed just outside the platemark.

= Hollstein/ Godefroy 22, the 4th state (of 7), 'rarissime' ("RRRRR") according to Godefroy. With a manuscript annotation/ collector's mark "rh 91267" and "B[artsch].22." in pen and ink on verso. SEE ILLUSTRATION PLATE LXXXVIII.

€ (600-800) 1000
78 5920 Panneels W  1600 after 1632 78 5920 Panneels W 1600 after 1632
78/5920 Panneels, W. (1600-after 1632). Apollo and Daphne. The toilet of Venus. Two etchings after P.P. RUBENS, each 16x9,5 cm., 1631.

- Sl./ trifle duststained in margins.

= Hollstein 22 and 23, 2nd state of 2. Both with the stamp for duplicates of the Museum Boymans van Beuningen (Lugt 700a).

€ (150-250) 150
78 5921 Passe I C de ±1564 1637 78 5921 Passe I C de ±1564 1637
78 5921 Passe I C de ±1564 1637 78 5921 Passe I C de ±1564 1637
78 5921 Passe I C de ±1564 1637 78 5921 Passe I C de ±1564 1637
78/5921 Passe I, C. de (±1564-1637). Liber Genesis. Engr. title and 59 half-p. ills. w. 4-line Latin caption by CRISPIJN DE PASSE, text in Latin and German, Cleves, J.A. Biesen, 1629, 3rd(?) ed., contemp. vellum, 4to.

- First ±30 leaves (incl. title-p.) waterstained in lower half (diminishing towards p.XXXII); a few leaves loose. Vellum wrinkled.

= Rare. Veldman, Profit and Pleasure, VI and p.61-72; Hollstein 855, cf. the second edition of 1616; the engravings in first state (without the number in lower right).

€ (400-600) 400
78 5922 Passe I C de 1564 1637 78 5922 Passe I C de 1564 1637
78/5922 Passe I, C. de (1564-1637). (Metamorphoseon Ovidianarum). Lot of 36 engravings, 1607, each 8,5x13,5 cm., each tipped onto mount.

- All sl. yellowed. = Hollstein 852b (listing the complete series w. 103 engravings).

€ (150-250) 375
78 5923 Passe II C de ±1597 ±1670  attrib  78 5923 Passe II C de ±1597 ±1670 attrib
78 5923 Passe II C de ±1597 ±1670  attrib  78 5923 Passe II C de ±1597 ±1670 attrib
78/5923 Passe II, C. de (±1597-±1670) (attrib.). (Month of June showing a couple from Spain). Engraving from the series of 12 Months, 13,5x8.6 cm.

- Laid down and foxed.

= Rare. Franken 359; not in Hollstein. The series show couples from all over the world in local dresses, combined with astrological signs. These engravings are attributed to Crispijn de Passe II, probably because the plates of the series appear in the inventories of the De Passe firm from 1639 (Veldman, p. 453, nr. 199: 'Twaelf maenden in drachten in 12 plaetgen') and 1653 (Veldman, p. 456, nr. 32). Franken was the first to ascribe the engravings (on the basis of only six plates: described as those 'très belles gravures') to Crispijn II.

Backer, J. de (1540/45-1590/91). (Allegory of Taste). Etching, 15x19,6 cm., "Iacob de Backer invenit" in the plate.

- Sl. fingersoiled; trimmed a few mm outside the borderline.

= Hollstein 4, 2nd state of 2. From the series of the Five Senses. According to annotation on the mount from the collection of Fred. J. Bianchi (but withoout his usual stamp).

€ (400-600)
78 5924 Pencz G  ±1500 1550 78 5924 Pencz G ±1500 1550
78/5924 Pencz, G. (±1500-1550). Delilah cutting Simson's hair. Engraving, 4,6x7,6 cm., monogrammed in the plate.

- Upper and lower edge cut short, ±1 mm within the image. = Rare. Hollstein 21; Bartsch 28.

€ (200-300) 230
78 5925 Perelle G  1604 1677 78 5925 Perelle G 1604 1677
78/5925 Perelle, G. (1604-1677). (Shepherds leapfrogging with a ruinous classical building in the background). Engraving and etching, 25,2x34,5 cm., "Perelle Inve et fecit" and "Mariette excudit", numb. "3" in the plate.

= Probably part of the series described by Le Blanc as Paysages ornés de ruines d'architecture (Le Blanc 121-126).

€ (60-80) 60
78 5926 Perret P  1555 ±1625 78 5926 Perret P 1555 ±1625
78/5926 Perret, P. (1555-±1625). The Statue of Laocoon. Engraving, 42,7x31,4 cm., w. engr. "Pierre Perret f.1581" and "Henricus van Schoel excudit" in lower margin.

- Trimmed to the borderline; partly mounted.

= Hollstein 36, 2nd state (of 2). SEE ILLUSTRATION PLATE LXXXVIII.

€ (500-700)
78 5927 Piranesi G B  1720 1778 78 5927 Piranesi G B 1720 1778
78/5927 Piranesi, G.B. (1720-1778). "A Iscrizioni de' Liberti, e Servi della Famiglia di Augusto. B Urna di marmo, nella cui parte dinanzi vedesi uno scudo con mezza figura, o sia ritratto, in basso rilievo, la faccia del quale apparisce accennata solamente dallo scalpello (...). Etching from Le Antichità Romane, printed from two plates, total 43x48 cm., titled and signed "Piranesi Architetto dis. et inc." below image, "Tom. III" and "III" in upper corners.

- A few thin spots; restored w. paper on verso along central fold; two sharp folds and 1 sm. tear in outer blanks; sl. foxed/ duststained, mostly along edges.

= Wilton-Ely 445; Focillon 312.

€ (50-70) 90
78 5928 Piranesi G B  1720 1778 78 5928 Piranesi G B 1720 1778
78/5928 Piranesi, G.B. (1720-1778). "Avanzi del Tempio detto di Apollo nella Villa Adriani vicino a Tivoli". Etching, 47x62 cm.

- (Sl.) unevenly browned/ offsetting, mostly in margins; waterstains in margins along edges; sl. frayed.

= From the series Vedute di Roma. Focillon 771; Hind 85, 1st state of 4 (rare). With an unidentified collector's mark on verso, not found in Lugt. SEE ILLUSTRATION PLATE LXXXIX.

€ (400-600) 400
78 5929 Piranesi G B  1720 1778 78 5929 Piranesi G B 1720 1778
78/5929 Piranesi, G.B. (1720-1778). "Avanzi della Villa di Mecenate a Tivoli, costruita di travertini a opera incerta". Etching, 45,7x68 cm.

- Margins frayed and w. uneven brown offsetting; leaf sl. browned; waterstain in left margin.

= The so-called villa of Maecenas, Tivoli (Sanctuary of Hercules Victor (Tivoli)). From the series Vedute di Roma. Hind 65, 1st state of 3; Focillon 768.

€ (150-250) 240
78 5930 Piranesi G B  1720 1778 78 5930 Piranesi G B 1720 1778
78/5930 Piranesi, G.B. (1720-1778). "Camera Sepolcrale pochi passi distante da quella gia descritta della Famiglia di L. Arrunzio nella stessa vigna, scoperto l'anno 1736 (...)". Etching from Le Antichità Romane, 39,5x59 cm., titled and signed "Piranesi Architetto dis. et scolp." below image, "Tom. II." and "XVI" in upper corners, framed.

- A few sm. closed (?) tears along central fold and one in upper margin, just touching image.

= Wilton-Ely 373; Focillon 238. On Le Antichità Romane: "After over eight years of careful study and excavation Piranesi produced this four-volume work which swiftly established his reputation in Europe as the leading protagonist of Roman archeology. (...) His aim, as with all his archeological publications, was two-flold - to record the vanishing past for scholars and to inspire contemporary designers to emulate the achievements of the past." (Wilton-Ely, p.327).

€ (200-300) 200
78 5931 Piranesi G B  1720 1778 78 5931 Piranesi G B 1720 1778
78/5931 Piranesi, G.B. (1720-1778). "Colonna Antonina". Etching, 54,5x40,5 cm., "Piranesi fecit".

- Sl. foxed; central horizontal fold, as often.

= From the series Vedute di Roma. Depicts the column of Marcus Aurelius on the Piazza Colonna. Focillon 799; Hind 52, 3rd state of 7.

€ (500-700) 550