= Martens 89, II or IV, without the text below. With the blindstamp collector's mark of Johann Friedrich Frauenholz (Lugt 994). SEE ILLUSTRATION PLATE LXXXV.
- Ample margins, w. sm. repaired tears along edges and larger tear in left margin. Fine dark impression.
= Martens 298, 2nd state of 3, before letters but with the clouds.
= Proof before letters. Martens 300, 2nd state (of 3). Part of the series Collection des tableaux en gouache et des dessins de Salomon Gessner. Gravés à l'eau forte par Guil. Kolbe.
- Two sm. closed tears just affecting the image; sm. folds in blank margins of corners.
AND 1 similar etching by the same: "Die Badenden" (waterst. near upper/ lower edge; a few sm. tears in right/ left edge touching the image, sl. frayed).
- Trimmed on the platemark.
= Hollstein 25; Roy G. 105. On thick laid paper with watermark of coat of arms with fleur-de-lis.
- A few very sm. tears in left margin, repaired w. paper strip on verso.
= One of a series of Amsterdam street figures around 1770.
- Without the letterpress explanatory booklet called for by Muller; folded once and foxed.
= F.M. 4361: "Een folio blad waarop in 5 rijen onder elkaar, de 15 verkleinde copien staan, in verschillende groote (...) van 15 zeer lelijke en flauwe zinneprenten in 1778 en 1780 hier verschenen over onze politieke verhouding en betrekking tot Engeland en America, doch vooral over de Gewapende Neutraliteit. (...) Zoowel de plaat als de uitlegging komen zelden voor." The plate showing 15 reduced caricatures plates on the League of Armed Neutrality and the Dutch position with regard to the American Revolution and Great Britain.
- Slightly yellowed. = Printed from the original plate (1670) in 1923 for the art revue "Byblis."
- All sl. foxed.
- Sl. fingersoiled in margins; sm. waterstain in lower left corner of lower margin.
- Somewhat soiled.
= Rare, not found in any reference works. Copy in reverse of Hollstein (Sadeler) 198. Part of a series of (6?) allegorical prints representing the Five Senses. Thomas de Leu copied various other prints of Sadeler after Vos. The spelling of the copy was crudely copied. It should read: "(...)perspectat acute".
- Closed tear (±2,5 cm.) near the left edge and in the lower right corner (±1 cm., w. loss of image); repair near the lower left corner; upper margin trimmed short (±1 mm within the image), otherwise cut on the borderline; sl. yellowed; verso soiled.
= New Hollstein 40, prob. 1st state (of 2), but printed from a slightly worn plate. On 16th century laid paper with a watermark showing a crowned "L" flanked by two fleur-de-lis, all within a crowned shield. Cf. Briquet 8287 (this type of watermark is commonly found in paper from the first half of the 16th century). SEE ILLUSTRATION PLATE LXXXV.
- Cut to the image; laid down on mount; sm. closed hole in the mantle of the figure to the left; sl. soiled.
= New Hollstein 50, 2nd state of 3.
- A few tiny foxed spots; thin spot in left margin. = New Hollstein 97b.
- Cut to/ just outside the borderline; professionally detached from former mount. = New Hollstein 90b.
- Professionally detached from former mount; some soiling; lower edge sl. worn/ trifle dam. (occas. just touching the borderline).
= New Hollstein 87b.
- Fine, trimmed just outside the platemark. = Hollstein 53, 3rd state of 3. SEE ILLUSTRATION PLATE LXXXVI.
- Trimmed on the platemark; a few spots strengthened on verso w. very thin paper. Fine copy.
= On 17th century laid paper. Hollstein 77. Rare. With the partial collector's mark of Friedrich August II of Saxony (Lugt 972) on recto and part of an unidentified stamp on verso. SEE ILLUSTRATION PLATE LXXXVI.
- Fine, dark impression. = Rare. Hollstein 8, 6th state (of 6), w. the initials. SEE ILLUSTRATION PLATE LXXXVI.