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Page 895 of 1858 Results 17881 - 17900 of 37146
78 5792 Coypel A  1661 1722  after 78 5792 Coypel A 1661 1722 after
78 5792 Coypel A  1661 1722  after 78 5792 Coypel A 1661 1722 after
78 5792 Coypel A  1661 1722  after 78 5792 Coypel A 1661 1722 after
78/5792 Coypel, A. (1661-1722) (after). "Bacchi et Ariadnae. Deserta et multa querenti Amplexusque et opem Liber tulit". Engr. by P. VAN DEN BERGE, 45x56 cm., signed in the plate and w. engr. caption and "Theodorus Danckerts Excudit" below image.

-Trifle dampstained in lower blank corners; sm. brown stain in the centre shining vaguely through from verso.

Perelle, N. (1631-1695). (Four large landscapes with travellers). Four etchings w. engraving, 22,6x30,1 cm., all signed "Perelle invent. et fecit" (1x "Perelle f.") in small cartouche in lower left or right corner of the image.

- Tipped onto 2 mounts at four corners; all prints trimmed to the borderline; one print w. central vertical fold w. closed tear at top end; one print w. vague narrow waterstain in right margin.

€ (100-150)
78 5793 Cunego D  1724/37 1803 78 5793 Cunego D 1724/37 1803
78/5793 Cunego, D. (1724/37-1803). "The origin of Painting". Engraving after D. ALLAN, 45,3x33,2 cm., "Dom. Cunego Sculp.t Romae 1776", w. the address of D. Allan, Rome, 1777.

- Sl. browned.

€ (100-150)
78 5794 Cuyp A  1620 1691 78 5794 Cuyp A 1620 1691
78 5794 Cuyp A  1620 1691 78 5794 Cuyp A 1620 1691
78 5794 Cuyp A  1620 1691 78 5794 Cuyp A 1620 1691
78/5794 Cuyp, A. (1620-1691). The set of cows. Complete set of title leaf and 6 etchings, ±7x7,5 cm.

- Good strong impressions on 18th cent. paper w. ample margins; paper sl. yellowed.

= Complete set of etchings, with the later added title. Hollstein 1-6, all 3rd state (of 3).

€ (400-600)
78 5795 Danckerts D  1634 1666 78 5795 Danckerts D 1634 1666
78 5795 Danckerts D  1634 1666 78 5795 Danckerts D 1634 1666
78 5795 Danckerts D  1634 1666 78 5795 Danckerts D 1634 1666
78/5795 Danckerts, D. (1634-1666). (Landscapes). Three (of 6) etchings after N. BERCHEM, each ±19x28,5 cm., w. the address of the artist.

- Hollstein 13 w. 2 small closed tears in lower margin, otherwise minor/ tiny imperfections. Fine copies.

= Hollstein 12, 13 and 15, all first state of 3. All with wide margins. All with the collection stamp of Boymans van Beuningen (Lugt 288 and Lugt 700a (stamp indicating duplicates)).

€ (200-300)
78 5796 Daubigny C F  1817 1878 78 5796 Daubigny C F 1817 1878
78/5796 Daubigny, C.F. (1817-1878). "Claire de lune à Valmondois". Etching, on chine collé, 13,4x21,7 cm., signed "Daubigny 1877" in the plate below the image.

= Delteil 127, the 1st or 2nd state of 4. Before the letters.

€ (70-90) 90
78 5797 David G  1743 1790 78 5797 David G 1743 1790
78/5797 David, G. (1743-1790). (Daedalus attaches wings to Icarus' arms). Etching, 29x20,8 cm. (borderline), 30,2x21,3 cm. (platemark).

- Cut on the platemark.

= On thick laid paper with monogram watermark "A (on top of) HF" (Italian, 2nd half 18th century).

€ (500-700) 500
78 5798 Debucourt P L  1755 1832 78 5798 Debucourt P L 1755 1832
78 5798 Debucourt P L  1755 1832 78 5798 Debucourt P L 1755 1832
78 5798 Debucourt P L  1755 1832 78 5798 Debucourt P L 1755 1832
78/5798 Debucourt, P.-L. (1755-1832). "La Promenade Publique". Col. etching and aquatint, 36,5x60,5 cm., monogrammed and "92" in the plate, engr. captions below, Paris, Depeuille, 1792.

- Yellowed; doubled. = SEE ILLUSTRATION PLATE LXXXI.

€ (150-250) 300
78 5799 Dente da Ravenna M  1486/1500 1527 78 5799 Dente da Ravenna M 1486/1500 1527
78/5799 Dente da Ravenna, M. (1486/1500-1527). Noah's sacrifice. Engraving after RAPHAEL, 20,5x24 cm.

- Browned; printed just on/ outside the platemark.

= With the collector's mark of J. Fred. Bianchi (Lugt 3761). Bartsch 4.

€ (100-150) 160
78 5800 Dente da Ravenna M  1486/1500 1527  circle of 78 5800 Dente da Ravenna M 1486/1500 1527 circle of
78/5800 Dente da Ravenna, M. (1486/1500-1527) (circle of). (Academy of sciences). Engraving after GIUSEPPE PORTA called SALVIATI (?), 23,5x19,4 cm., monogrammed "SR" in the plate.

- Closed chip and sm. tear in left blank margin (tear just within the image) and sm. tear in upper margin; trimmed just outside the platemark.

= Strong dark impression. On laid paper with watermark showing Gothic letter "P" (prob. 1st half 16th cent.). Bartsch (Dente da Ravenna) 479. With the collector's marks of duc d'Arenberg (Lugt 567) and J. Fred. Bianchi (Lugt 3761). The monogram in the print seems to point to a Salviati, but the attribution is inconclusive. The British Museum, curator comment: "Bartsch erroneously attributed this work to Marco da Ravenna and suggested that it was engraved after Francesco Salviati. The engraving however was made after a woodcut by Giuseppe Porta Salviati (...) as a frontispiece to "Le Sorti di Francesco Marcolini da Forlì intitolate Giardino di Pensieri" which appeared in 1540 and again in 1550. (No impression of the woodcut is in the BM.) As Marco died in 1527 the work must have been executed in his manner by a younger artist". However, the curator comment of the New York Metropolitan Museum on the woodcut by Salviati: "The evocative woodcut that adorns the frontispiece of this fortune-telling book is prominently signed by the artist Giuseppe Porta (ca. 1520-ca. 1575) (...), who later took the name Salviati (...). However, the composition is not original to Porta but closely copies an engraving by Marco Dente, a student of Marcantonio Raimondi who died in the Sack of Rome of 1527 (...)". SEE ILLUSTRATION PLATE LXXXII.

€ (400-600) 400
78 5801 Deyster L de ±1656 1711 78 5801 Deyster L de ±1656 1711
78/5801 Deyster, L. de (±1656-1711). Hagar in the desert. Etching, 17,2x14,9 cm. (platemark), signed "L.d.deijster f. et Inventor" in the plate. Idem. The angel inviting Hagar to return. Etching, 17,1x13,1 cm. (platemark), signed "L. de Deijster Invtor et Sculp:" in the plate. Idem. St. Mary Magdalen before the crucifix in a grotto. Etching, 16,4x12,8 cm. (platemark), signed "L. de Deijster In: et Sculp:" in the plate. Idem. Two Cupids. Etching, 17,4x13 cm. (platemark), signed "L: de Deijster Inventor et Sculp: Anno 1693" in the plate.

- All fine w. ample margins.

= Hollstein 5; Hollstein 6 (with the collector's mark of Paul Davidson (Lugt 654)); Hollstein 9 (with the collector/ collection marks of Dr. C. von Guérard († 1904) (Lugt 1109), Städel Museum Frankfurt, legate of J.K. Brönner (1738-1812) (Lugt 306 and 307, 2396)) and Hollstein 13 (w. collector's marks of W.E. Drugulin (1825-1879) (Lugt 2612) and E. Fabricius (± † 1920)(Lugt 847a and 919bis)).

€ (300-500) 300
78 5802 Dufour N  1725 1818 78 5802 Dufour N 1725 1818
78 5802 Dufour N  1725 1818 78 5802 Dufour N 1725 1818
78/5802 Dufour, N. (1725-1818). "Vue des environs de régio en Calabre". Engraving after J. VERNET, 31x45 cm., title engr. below the image, Paris, Mondhare, ±1760 (vague waterstain in upper right corner). - AND 1 similar by T. SANDERS after J. VERNET: "The Italian Fishermen".
€ (60-80) 70
78 5803 Dujardin K  1622 1678 78 5803 Dujardin K 1622 1678
78/5803 Dujardin, K. (1622-1678). The man with the dog. Etching, 14x17,5 cm.

= Hollstein 21, 2nd state (of 2), with the number. With counter watermark "IV". With the collector's mark of Eduard Schultze (Lugt 906).

Idem. The ruins of a temple. Etching, 12x15,3 cm.

- Sl. browned; two weak spots in upper corners, from former tipping-on.

= Hollstein 12, the 2nd state (of 2), with the number added. One of his finest.

AND 3 other small etchings by the same, i.a. Hollstein 43 (3rd state).

€ (100-150) 110
78 5804 Dujardin K  1622 1678 78 5804 Dujardin K 1622 1678
78 5804 Dujardin K  1622 1678 78 5804 Dujardin K 1622 1678
78/5804 Dujardin, K. (1622-1678). The packer and the two asses. The two muleteers. Two etchings, both ±13,9x17,6 cm., signed "K. du Jardin" and "1658" and "1660" in the plate.

= Hollstein 19 and 20, 2nd state of 2 (w. the numbers).

€ (100-150) 100
78 5805 Dürer A  1471 1528 78 5805 Dürer A 1471 1528
78/5805 Dürer, A. (1471-1528). Adoration of the Magi. Woodcut from the series of 20 The Life of the Virgin, 29,9x21 cm., monogrammed in the block.

- Upper left corner repaired (w. loss of borderline and blank portion) and w. tear; lower right corner w. vague oblique fold.

= Meder/ Hollstein 199; Bartsch 87. Later impression of state F. SEE ILLUSTRATION PLATE LXXXII.

€ (1.200-1.500)
78 5806 Dürer A  1471 1528 78 5806 Dürer A 1471 1528
78/5806 Dürer, A. (1471-1528). Christ nailed to the cross. Woodcut, 1511, 12,1,x8,6 cm., monogrammed in the block in lower right corner, on laid paper w. Latin letterpress text on verso.

- Trimmed ±6 mm within the borderline (with little loss of image). Good strong impression.

= Part of the Passion series. Meder 148; Bartsch 39; Schoch I, 209. SEE ILLUSTRATION PLATE LXXXII.

€ (1.600-1.800)
78 5807 Dürer A  1471 1528 78 5807 Dürer A 1471 1528
78/5807 Dürer, A. (1471-1528). The Last Supper (Small Passion). Woodcut, ±1508/ 1509, 13,7x9,8 cm., monogrammed in the block.

- Left blank margin laid down on mount; some soiling mainly in blank margins.

= Meder/ Hollstein 133, before the text; Bartsch 125. Rare. SEE ILLUSTRATION PLATE LXXXII.

€ (2.500-3.000)
78 5808 Dürer A  1471 1528 78 5808 Dürer A 1471 1528
78/5808 Dürer, A. (1471-1528). The Virgin Surrounded by Angels. Woodcut within black borders, 30,2x21,3 cm., monogrammed and "1518" in the block.

- Doubled, closing the split ends of an old horizontal fold; black border in upper left corner trifle dam. (chip of 5x2 mm., not affecting the print); tipped onto mount at centre of top margin.

= Schoch etc. 248f (with the watermark of an eagle with a flower and the splitting of the crack in the lower margin); Meder 211f. SEE ILLUSTRATION PLATE LXXXIII.

€ (1.000-1.500) 1000
78 5809 Duvivier I  1758 1832 78 5809 Duvivier I 1758 1832
78 5809 Duvivier I  1758 1832 78 5809 Duvivier I 1758 1832
78 5809 Duvivier I  1758 1832 78 5809 Duvivier I 1758 1832
78/5809 Duvivier, I. (1758-1832). (Rocky landscape with in the foreground two people climbing a rock). Etching, 16x21 cm., on thick wove paper.

- Some foxing. = Le Blanc II, p.173.

AND 2 others, i.a. a copy in reverse after F. BAROCCI, Madonna in the Clouds (trimmed on/ just within the platemark; foxed. Cf. Pillsbury/ Richards 74).

€ (100-150) 100
78 5810 Ellmer P  1793 1872 78 5810 Ellmer P 1793 1872
78 5810 Ellmer P  1793 1872 78 5810 Ellmer P 1793 1872
78 5810 Ellmer P  1793 1872 78 5810 Ellmer P 1793 1872
78/5810 Ellmer, P. (1793-1872). (An allegorial classical triumphal procession with the victor in chariot pulled by two elephants). Lithograph, ±1820, 17,7x40 cm.

- Sl. foxed.

= An early and rare lithograph. On paper with the watermark of Michael Brandmiller (Austrian, act. 1810-1863).

Bemme, J.A. (1775-1841). (Tools of various professions). Five lithographs, each ±15,5x13,2 cm., 1x signed "Joh. Bemme Az. Lithogr." in pencil, numb. "1" and "3" to "6" on the stone.

- Lacks plate 2.

= Tools of a gardener, carpenter, cook, butcher and wash woman. Plates for an unknown work.

Daumier, H. (1808-1879). "Masques de 1831". Lithograph, 22,5x29,5 cm.

= With the collector's mark of Suzanne Vouay (Lugt 2373). From Le Caricature.

AND 6 others, i.a. (early) lithographs by W.H. FRANQUINET, A. STUTTGÉ and F. PILOTY. - ADDED: 7 letterpress Austrian ordinances, regarding lithography and engraved art, 1802-1839.

€ (80-100) 130
78 5811 Everdingen A van 1621 1675 78 5811 Everdingen A van 1621 1675
78 5811 Everdingen A van 1621 1675 78 5811 Everdingen A van 1621 1675
78 5811 Everdingen A van 1621 1675 78 5811 Everdingen A van 1621 1675
78 5811 Everdingen A van 1621 1675 78 5811 Everdingen A van 1621 1675
78/5811 Everdingen, A. van (1621-1675). The three cottages. Etching, 12,3x15,8 cm., monogrammed "AVE" in the plate.

= Hollstein 92, 2nd state of 2. With an unidentified collector's mark on verso (not in Lugt?).

AND 3 others by the same: The church in the valley (H. 84, 2nd state), The boat at the river bank (H.88, 4th state), The man between the two fir trees (H.93, 2nd state).

€ (150-250) 190