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78 5752 Both J  1610 1652 78 5752 Both J 1610 1652
78 5752 Both J  1610 1652 78 5752 Both J 1610 1652
78 5752 Both J  1610 1652 78 5752 Both J 1610 1652
78 5752 Both J  1610 1652 78 5752 Both J 1610 1652
78 5752 Both J  1610 1652 78 5752 Both J 1610 1652
78 5752 Both J  1610 1652 78 5752 Both J 1610 1652
78/5752 Both, J. (1610-1652). Landscapes of the environs of Rome. Complete series of 6 etchings, ±20x27 cm.

- Hollstein 10 (the wooden bridge at Sulmona) foxed; Hollstein 9 (fishermen) printed from a worn plate; Hollstein 8 (two cows) lower left corner professionally restored; other plates w. a few imperfections (a few sm. spots).

= Hollstein 5-10, the 4th state (of 6), finished but before the numbers and address. The series comprises: Ponte Molle; The hinny-drover, Via Appia; View of the Tiber in the Campagna; The two cows near the river, Tivoli; The fishermen at the Tiber, near the Soracte; The wooden bridge, Sulmona near Tivoli. SEE ILLUSTRATION PLATE LXXX.

€ (400-600) 800
78 5753 Both J  1610 1652 78 5753 Both J 1610 1652
78 5753 Both J  1610 1652 78 5753 Both J 1610 1652
78 5753 Both J  1610 1652 78 5753 Both J 1610 1652
78/5753 Both, J. (1610-1652). The set of the upright Italian landscapes. Three of 4 etchings from the Set of the upright Italian Landscapes, each 25,8x20 cm., "Both fe." engr. in upper right corner, numb. "3","4" and "2".

- All etchings w. sl. foxing.

= Hollstein 1, 3 and 4, the 6th state (of 6), with all addresses erased and the numbers changed. Comprises: 1. The Woman on the hinny. Aqua negro between Bologna and Florence; 3. The large tree. 4. The two hinnies. With the manuscript collector's mark of Ch. Naudet on verso (Lugt 1937).

€ (100-150) 200
78 5754 Bottschild S  1641 1706 78 5754 Bottschild S 1641 1706
78 5754 Bottschild S  1641 1706 78 5754 Bottschild S 1641 1706
78 5754 Bottschild S  1641 1706 78 5754 Bottschild S 1641 1706
78 5754 Bottschild S  1641 1706 78 5754 Bottschild S 1641 1706
78/5754 Bottschild, S. (1641-1706). (Times of the day). Series of 4 etchings, each ±18,5x20 cm., all signed in the plate.

- Fingersoiled; trimmed just outside the borderline.

= Originally part of the larger series Opera varia Historica, poetica & Iconologia (1693). Hollstein 1-48; Le Blanc 9-11 (only mentioning 3 of the 4).

€ (80-100)
78 5755 Boudewijns A F  1644 1719 78 5755 Boudewijns A F 1644 1719
78/5755 Boudewijns. A.F. (1644-1719). (Landscape with three men resting in right foreground). (Landscape with peasant on a horse-drawn cart going to left, beyond three figures and two horses under a tree, and in the background a village gate). Two etchings w. engraving after A.F. VAN DER MEULEN, both 11,5x14,5 cm. (platemark), w. the address of A.F. van der Meulen, printed together on 1 leaf.

- On stiff 18th cent. laid paper w. very ample margins; sl. browned; vertical central fold; narrow waterstain in outer blank margins.

= Le Blanc 50; Hollstein 41-46 (series of 6); on the 2nd print: Le Blanc 51; Hollstein 35-40 (series of 6).

AND 2 others: landscape etchings by P. SCHENK and G. or N. PERELLE.

€ (60-80) 60
78 5756 Boxing  Alken S  1784 ±1825 after 78 5756 Boxing Alken S 1784 ±1825 after
78/5756 [Boxing]. Alken, S. (1784-±1825) after. "A "Set-to" at the Fives-Court for the benefit of "One of the Fancy"." Contemp. handcol. aquatint and etching by SUTHERLAND, w. caption below print, ±12x19 cm., London, Thos. Kelly, 1823.

- Yellowed. = Rare boxing print.

€ (50-70) 50
78 5757 Bracquemond F  1833 1914 78 5757 Bracquemond F 1833 1914
78 5757 Bracquemond F  1833 1914 78 5757 Bracquemond F 1833 1914
78/5757 Bracquemond, F. (1833-1914). Portrait of Jacob Meyer-Heine. Etching, 20,8x24 cm., signed "Bracquemond" in the plate in upper right corner.

= Béraldi 80, the 2nd state (of 3).

AND 3 other etchings by the same: Le Canard (Beraldi 116, 4th state (of 4)); Lantara (etching after J. VERNET. Foxed; Beraldi 71, 2nd state (of 2)) and Frontispiece for l'Illustration Nouvelle (Beraldi 181, 3rd state (of 3)).

€ (60-80) 60
78 5758 Breenbergh B  1599 1659 78 5758 Breenbergh B 1599 1659
78/5758 Breenbergh, B. (1599-1659). Corsica seated before satyrs. Etching, 8,4x11,9 cm., monogrammed "BB f. an. 1640" in the plate.

- Sl. foxed. = One of two plates intended for B. GUARINI, Pastor Fido.

AND 1 other etching/ engraving after the same by C. VISSCHER, showing Aeneas carrying Anchises out of burning Troy.

€ (300-500) 1600
78 5759 Brun F I  1535 1610/1620 78 5759 Brun F I 1535 1610/1620
78/5759 Brun, F.I. (1535-1610/1620). (Two officers on horseback and three foot soldiers). Engraving, 7,1x12 cm., monogrammed "FB" and "1559" in the plate.

- Cut on/ just within the platemark. = Hollstein 69.

€ (100-150)
78 5760 Brussel H van 1763 1815 78 5760 Brussel H van 1763 1815
78/5760 Brussel, H. van (1763-1815). (Landscape with on the right a fence and trees, on the left a churchtower in the background). Etching, 16x24 cm. - AND 5 other 19th cent. Dutch landscape etchings, i.a. by J.W. VAN BORSELEN (foxed) and a printdrawing after L. BAKHUIZEN.
€ (100-150) 100
78 5761 Brustolon G B  1712 1796 78 5761 Brustolon G B 1712 1796
78/5761 Brustolon, G.B. (1712-1796). "A publica Bibliotheca ad majoris Canalis initium prospectus". Engraving after A. CANALETTO, 28,5x43,5 cm., engr. "Antonius Canal pinxit" and "Jo. Bap. Brustolon sculp." and titled below the image.

- A few foxed spots; closed scratch in centre.

€ (120-150)
78 5762 Bruyn A de 1540 1587 78 5762 Bruyn A de 1540 1587
78/5762 Bruyn, A. de (1540-1587). Boar hunt. Engraving, 4x22,5 cm., monogrammed "ADB" in the plate.

- Laid down; sl. yellowed; brown stain near left edge.

= Perhaps part of the series of Small Friezes with hunting scenes (with slightly different measurements). Cf. Hollstein 61-66 and Würzbach 34. Rare. SEE ILLUSTRATION PLATE LXXVII.

€ (200-300) 200
78 5763 Bry J Th de 1561 1623 78 5763 Bry J Th de 1561 1623
78 5763 Bry J Th de 1561 1623 78 5763 Bry J Th de 1561 1623
78/5763 Bry, J.Th. de (1561-1623). Marching soldiers, in the centre a standard-bearer. Engraving after J. AMMAN, 4,6x28,5 cm., "Ioa Theo. de Bry" and monogrammed "IA" in the plate.

- Waterstain in upper right corner; somewhat foxed/ browned; left edge cut short, ±2 mm within the image, margin reattached; cut a few mm. outside the platemark.

= Hollstein 27. With the collector's mark of J.H. Jurriaanse (1866-1940) (Lugt 1403b).

Idem. (The same print).

- Darker and stronger impression, but on later paper; trifle soiled; trimmed on the platemark.

Idem. (The same print, but shorthened). Engraving, 4,6x22,3 cm.

= An 18th century restrike, with the original plate shortened on the right side, w. loss of the 5 men and the artist's name. This state not mentioned in Hollstein. With the collector's mark of J.H. Jurriaanse (1866-1940) on verso (Lugt 1403b).

€ (250-350) 250
78 5764 Bry J Th de 1561 1623 78 5764 Bry J Th de 1561 1623
78/5764 Bry, J.Th. de (1561-1623). Triumph of Death (Military convoy accompanied by Death). Engraving after H.S. BEHAM, 6,5x27,8 cm. (incl. caption).

- Doubled.

= Rare. Hollstein 15, 1st state (of 3?). With the collector's marks of J.H. Jurriaanse (1866-1940) (Lugt 1403b) and P.W. van Doorne (1896-1971) (Lugt 4731) and an older annotation/ name (?) in brown pen and ink.

Idem. Marching soldiers, in the centre an armoury car. Engraving, 5,4x24,2 cm.

- Tiny repaired hole in image.

= Very rare. This is very probably Wurzbach 21/ Hollstein 28, the title correctly only mentions one armoury car; Hollstein mentions that Wurzbach 15 and 21 are identical, which is almost correct. It is the same print as Hollstein 15, but shortened on the right side, without the three figures of Death and the second wagon. The Augsburg publisher Jeremias Wollf (1663-1724) printed the longer version and added his address. This shortened version was perhaps also published by him or by another 18th century printer. With the same collector's marks as above. SEE ILLUSTRATION PLATE LXXVII.

€ (800-1.000) 800
78 5765 Buhot F H  1847 1898 78 5765 Buhot F H 1847 1898
78 5765 Buhot F H  1847 1898 78 5765 Buhot F H 1847 1898
78/5765 Buhot, F.-H. (1847-1898). Cacoletière assise. Etching, 11,5x16,4 cm., signed "Felix Buhot" in the plate. - AND an impression from the cancelled plate of the same etching.

= Bourcard/ Goodfriend 58.

€ (60-80) 120
78 5766 Buhot F H  1847 1898 78 5766 Buhot F H 1847 1898
78 5766 Buhot F H  1847 1898 78 5766 Buhot F H 1847 1898
78 5766 Buhot F H  1847 1898 78 5766 Buhot F H 1847 1898
78/5766 Buhot, F.-H. (1847-1898). "La dilligence de Beaucaire". Etching, 17,2x11,4 cm., from A. DAUDET, Lettres de mon moulin (Paris, 1880).

= Bourcard/ Goodfriend 110, the third state (of 4).

AND 2 other etchings by the same from the same work: Le Curé de Cucugnan and Les Vieux (Bourcard/ Goodfriend 112/ 113).

€ (150-250) 500
78 5767 Burgkmair I H  1473 1531 78 5767 Burgkmair I H 1473 1531
78 5767 Burgkmair I H  1473 1531 78 5767 Burgkmair I H 1473 1531
78/5767 Burgkmair I, H. (1473-1531). (The triumph of Maximilian I). Six woodcuts from the series, each ±38x38 cm.

- Yellowed/ sl. browned; one leaf foxed; sl. creased. = Later impressions (18th cent.?).

€ (200-300) 250
78 5768 Bye M de 1638/39 1688 78 5768 Bye M de 1638/39 1688
78 5768 Bye M de 1638/39 1688 78 5768 Bye M de 1638/39 1688
78 5768 Bye M de 1638/39 1688 78 5768 Bye M de 1638/39 1688
78/5768 Bye, M. de (1638/39-1688). Sheep. Set of 9 (of 16) etchings after P. POTTER, 1664, all 10,6x13,2 cm., first etching w. "M: De: Bij: fecit: 1664" in the plate, all w. number in lower right corner, with the address of Nic. Visscher and "N.8" and "1664" in the title, tipped into modern hmor. album w. giltlettered spine, obl. 8vo.

- Occas. some foxed spots; no. 8 w. sm. waterstain; some remnants of former mounting on verso.

= Comprises: no. 1, 2, 7, 8, 9, 11-13 and 16. Hollstein 79-94, 3rd or (most probably) 4th state (of 4).

€ (60-80) 140
78 5769 Calame A  1810 1864 78 5769 Calame A 1810 1864
78 5769 Calame A  1810 1864 78 5769 Calame A 1810 1864
78 5769 Calame A  1810 1864 78 5769 Calame A 1810 1864
78/5769 Calame, A. (1810-1864). (Essais de gravure a l'eau forte). Lot of 41 etchings, 8,5x10 to 26x20,5 cm., 1838-1845, for the greater part on chine collé.

- Occas. w. a fews spots in margins. = Mostly (Swiss) landscape or alpine views.

AND a small photogravure after a painting by the artist.

€ (250-350) 550
78 5770 Caricature  De Actiewereld op haar einde 78 5770 Caricature De Actiewereld op haar einde
78/5770 [Caricature]. "De Actiewereld op haar einde". Engraving, 28,5x37,8 cm., engr. captions below, from Het groote Tafereel der Dwaasheid, 1720.

- Formerly folded; sl. yellowed.

€ (50-70) 50
78 5771 Caricature  Anonymous early 19th cent  78 5771 Caricature Anonymous early 19th cent
78/5771 [Caricature]. Anonymous (early 19th cent.). "The Old Arms newly Emblazoned and adapted for 1820." Contemp. handcol. etching w. etched caption below, 23,7x33,3 cm., London, J. Fairburn, 1820.

- Sm. tear in lower blank margin (in caption); sl. soiled.

= Very rare, only one other copy traced. One of the various contemporary caricatures on the 'Queen Caroline affair' in which king George IV of Great Britain tried to divorce from his wife Caroline of Brunswick by putting her on trial (August 1820) in the House of Lords for adultery. This trial coincided with the social unrest in the UK which culminated in the Peterloo Massacre (1819). In the aftermath the government tried to quel the unrest by introducing six acts to prevent any radical reform or revolutionary movements. This made the king and government very unpopular, which is why many favoured the queen in her case against the king as a way of protest, as shown in this caricature.

€ (50-70) 50