= With an annotation on ticket on verso by a previous owner (name unread), with the title and stating that the painting was bought directly from the artist shortly before his death. SEE ILLUSTRATION PLATE XXVIII.
= Provenance: the collection of Ton and Dob van Dijk.
= Provenance: the collection of Ton and Dob van Dijk.
- Some brown stains/ foxed spots; blank margins w. defects.
= De Jager 155 and plate III. SEE ILLUSTRATION PLATE XXVIII.
= De Jager 91.
AND 2 others by the same, a woodcut and an etching.
- The right half a diptiych. = Rigo/ Meijer 26.
- Yellowed from former passepartout.
- A few spots nibbled by silverfish. = A meticulous, almost photorealistic drawing.
AND 2 smaller drawings by the same, showing views of Delfshaven, signed/ monogrammed and dated 1923 on verso.
= Perhaps the glazier and art collector J.L. Schouten (1852-1937).
- Upper left corner bumped; some soiling (in white crayon).
AND a watercolour by P. KLAASSE, "Westmuur Jerusalem '72" (34x52 cm.).
- Sl. browned. = Rare.
- Both laid down; both foxed.
= Early work by the Dutch artist/ furniture maker, pupil of i.a. Chris Lebeau, follower of Rudolf Steiner and founder of "Kunsthandwerk Bönigen" in Bönigen [in Switzerland].
- Sl. soiled; w. foxed spots in margin; browned; two tears in upper margin. = Rare.
Idem. (Panoramic view of fields). Woodcut, printed in shades of blue, 30,2x74 cm., signed "houtsnede en druk door Jan Schutter 1914", "no.19" and w. dedication in pencil, on mounted thin Chinese paper. - AND 1 other.