- Tipped onto mount.
= Art nouveau design for the frontcover of the magazine The Poster, March 1899. With the blindstamp of the South Kensington art training school (E(xamined) S(outh) K(ensington) stamp used between 1890-1900) (nowadays the Royal College of Art). Nothing could be found on the artist.
- Sl. foxed; verso worse. = Title supplied in pencil in lower blank margin in a diff. hand.
= Mainly showing (abstracted) female nudes and couples. With accomp. AUTOGRAPH CARD: "16-11-'97 Met dank voor het openen van deze tentoonstelling, van Ed Dukkers + liefs van Bertik Dukkers-Dirkzwager"; and w. the printed invitation card to the opening (by Eric Ebbinge) of the exhibition at Galerij Lieven de Key, Haarlem.
- Both verso w. paper tape along margins from former framing.
ADDED: 3 small watercolours by PETER BLOKHUIS, all signed.
= Dupont 79: "Ontstaan in 1900, ten tijde, dat Dupont werkte in het abattoir te Parijs"; Van Wisselingh 350, 100 impressions, under supervision of W. Witsen.
AND 3 other etchings by the same: Hooiberg met Boerderij (Dupont 20), Bruggetje (Dupont 21) and Schuiten in den winter (Dupont 23), all printed in 50 impressions, all w. atelier stamp.
= Created around 1901. Dupont has made at least one other drawing of the same subject and both are probably preliminary works for the oil painting. Cf. Dupont, plates 136 and 138. SEE ILLUSTRATION PLATE XI.
- (Small) tears in blank argins; sl. foxed.
= Dupont 17; Van Wisselingh 345, 50 impressions under supervision of W. Witsen. Unfinished etching.
AND 3 other etchings, i.a. IDEM, Landelijk weggetje ("No.32" in pencil, w. the artist's atelier stamp, on Japanese. Dupont 14) and M. VAN WANING, (Market in Nijmegen) (signed in pencil. Sl. browned/ foxed).
= Les deux masques; l'Etonnante rencontre; Les vrai amis; Curiosité; l'Heure attendue; Danse folle; Séduction; Prisonnière; Fugitive; Commune Souffrance. With the prospectus. Bréon, p.79ff.
- Mounted along margins under passepartout; sm. waterstain on left cheek; sl. yellowed.
= Title supplied in pencil in different hand.
AND 7 other etchings by the same, various sizes, all signed and numb. (each one of an edition of 14, 50 or 100 copies) in pencil, all w. red monogram stamp, all but two titled in pencil (in different hand): "Cartomancienne" (titled in the plate), Hollande Synthetique, l'Homme qui vient, l'Oiseleur, l'Homme qui part, "Errfoncé le nair! Rien que des art" (titled in the plate) and Mat de Cocagne.
- Verso w. paper along outer margins from former passepartout.
AND 9 etched portraits by H. VAN EFFEREN, various sizes.
= Provenance: the estate of the artist.
= Provenance: the estate of the artist.
= Provenance: the estate of the artist. SEE ILLUSTRATION PLATE XI.
= Provenance: the estate of the artist.
= Provenance: the estate of the artist.