78 3152 Duym J 
- Waterstained in upper half almost throughout (partly very vaguely). Vellum sl. (dust)stained.
= From the libraries of Robidé van der Aa (bookplate on upper pastedown), M. Buisman (owner's entry on first free endpaper) and of J. van Dam van Noordeloos (monogram on title-p.). Contains the following 6 parts (Morality plays): De Spieghel der Eerbaerheyt/ Der Liefden/ Der Rechtvoordering/ Der Ghetrouwicheyt/ Der Reynicheyt/ Des Hoochmoets. Scheepers I, 32; Breugelmans, Leiden Imprints p.34. Very rare work by this esteemed poet, still influenced by the Middle-Ages, but already heralding the Renaissance. SEE ILLUSTRATION PLATE LXXX.
78/3153 Economics Koopmans en winkeliers hand boekje Waar in men met een opslag kan zien als men weet tot wat Prys 't Stuk de El het Pond of wat het ook zyn mag gekogt is hoe veel de Somma v
78/3153 Economics Koopmans en winkeliers hand boekje Waar in men met een opslag kan zien als men weet tot wat Prys 't Stuk de El het Pond of wat het ook zyn mag gekogt is hoe veel de Somma v
- Title sl. dustsoiled; (very) vague waterstain in lower inner corner almost throughout. A good copy.
= Warranted by the publisher. Rare, early edition (first published ±1750).
78 3154 Economics La Court P de 
- Vaguely waterst. in upper (blank) margin; owner's entry on title-p. Backstrip partly restored. Otherwise fine.
= The first English edition. Wildenburg no.4112 and p.52f: "De Aanwijsing wekte in de 17e en vooral de 18e eeuw om twee redenen de belangstelling van veel buitenlandse lezers. Het boek gaf ten eerste een beschríjving alsmede een verkláring van de ongekende voorspoed van de Republiek in haar hoogtijdagen. De algemene verwondering die die voorspoed in het buitenland wekte, gaf aan het werk een bijzondere betekenis. Het werd een uiteenzetting over het geheim achter economisch succes. (...) De tweede reden was dat de Aanwijsing in de 18e eeuw, vooral in Engeland en Frankrijk, werd herkend als een vroege oefening in de politieke economie. Behalve een beschríjving ván was het ook een kritíek óp de economische organisatie van de Republiek. De la Court toetste de door hemzelf geschetste werkelijkheid aan een aantal algemene principes, die pas in de 18e eeuw in bredere kringen opgang zouden maken".
78 3155 Economics Raynal G T F 
- Cut out engraving mounted opposite title-p. vol. 1; partly yellowed/ foxed; vol. 7 w. some underlining in col. pencil.
= Very rare early edition (first published in Amsterdam the same year, in four octavo volumes). Higgs 4994; cf. Einaudi 4648; Kress 6750; Sabin 68080; Peignot, Livres condamnés II, p.71; cf. Goldsmiths 12007 and Chadenat 1960 (both ed. Geneva, 1780). Sabin: "A large part of this work is said to have been written by Diderot, and others. The sentiments and criticisms contained in it prevented its publication in France (...). The book was condemned by the French parliament and church dignitaries, and Raynal was obliged to leave France." Borba de Moraes p.700: "Raynal's work had enormous repercussions in his time. It is rightly considered to be one of the books which most influenced the French Revolution. Raynal used extensively the advice and even the collaboration of Diderot, Holbach, and other contemporaries. (...) The work appeared in more than thirty editions in twenty years (...)." Blanqui p.76: "C'est lui qui a porté les premiers et les plus rudes coups à l'esclavage colonial."
78 3156 Economics Raynal G T F 
- Some foxing. Binding sl. rubbed along edges; vol. 8 lacks one ornamental piece.
= Cf. Higgs 4994; cf. Einaudi 4648; cf. Kress 6750; Sabin 68089; Peignot, Livres condamnés II, p.71; cf. Goldsmiths 12007 and Chadenat 1960 (both ed. Geneva, 1780). Sabin: "A large part of this work is said to have been written by Diderot, and others. The sentiments and criticisms contained in it prevented its publication in France (...). The book was condemned by the French parliament and church dignitaries, and Raynal was obliged to leave France." Borba de Moraes p.700: "Raynal's work had enormous repercussions in his time. It is rightly considered to be one of the books which most influenced the French Revolution. Raynal used extensively the advice and even the collaboration of Diderot, Holbach, and other contemporaries. (...) The work appeared in more than thirty editions in twenty years (...)." Blanqui p.76: "C'est lui qui a porté les premiers et les plus rudes coups à l'esclavage colonial."
78 3157 Egmond Leyden J van 
- Owner's entry on first blank; library stamps on title-p.; (sl.) foxed throughout. Covers w. shelftickets; sl. worn.
78 3158 Egypt Béchard É 
78 3158 Egypt Béchard É 
78 3158 Egypt Béchard É 
78 3158 Egypt Béchard É 
- Text lvs. sl. frayed; occas. trifle foxed and fingersoiled.
= Impressive series, considered the magnum opus of Cairo-based orientalist and official photographer of the Egyptian Museum Émile Béchard (1844-?). SEE ILLUSTRATION PLATE LXXX.
78 3159 Egypt Binion S A 
78 3159 Egypt Binion S A 
- First text leaf w. closed tear. Both vols. rebacked w. use of orig. letterpiece; bindings w. some restorations at corners. A fine set.
= Blackmer 143. The fine plates partly after the works of i.a. Prisse d'Avennes and Roberts, as well as including new plates. SEE ILLUSTRATION PLATE LXXX.
78 3160 Egypt Koningh L de 
78 3160 Egypt Koningh L de 
78 3160 Egypt Koningh L de 
- Without the orig. wr. containing title and imprint; a few plates reattached and w. restored dam. spots; final plate w. large closed tear. Binding worn along extremities.
= Extremely rare set of plates by Lt. C. de Howen, active in the first half of the 19th cent., employed by King Louis Bonaparte of Holland. For L. de Koningh (active 1777-1849), see Thieme-Becker XXI, p.270-271, stating that the work was published in 4 instalments between 1827-1830. For De Howen, see Thieme-Becker XVII, p.587 (not listing this work). No copy in worldcat.
78 3161 Egypt Leemans C 
- Occas. sl. foxed. Frontcover partly faded.
= "Uitgegeven in de 28 aflevering, de 5e van de IIIe Afd. van de Aegyptische Monumenten van het Museum". With impressive plates, faithfully reproducing the ancient papyrus. Cf. Hilmy I, p.363. SEE ILLUSTRATION PLATE LXXXI.
78 3162 Egypt Leemans C 
- Sl. frayed; wrappers partly sl. dam. = Hilmy I, p.363; Gay 2102. SEE ILLUSTRATION PLATE LXXXI.
78 3163 Egypt Mayer L 
78 3163 Egypt Mayer L 
78 3163 Egypt Mayer L 
78 3163 Egypt Mayer L 
78 3163 Egypt Mayer L 
78 3163 Egypt Mayer L 
- Two heraldic bookplates on upper pastedown. Binding trifle scratched and rubbed. A fine copy in an attractive binding.
= Gay 2145; Hilmy II, p.26; Blackmer 1097; cf. Abbey, Travel 469; Colas 2019; Lipperheide Ma 8. French language edition of the 1st vol. of Views in Egypt, Palestine and other parts of the Ottoman Empire and the only French translation of that work published as a separate edition (vols. 2 and 3 are usually found with English and French text together). Beautiful, brightly coloured plates. SEE ILLUSTRATION PLATE LXXXI.
78 3164 Egypt Roberts D 
78 3164 Egypt Roberts D 
78 3164 Egypt Roberts D 
78 3164 Egypt Roberts D 
78 3164 Egypt Roberts D 
78 3164 Egypt Roberts D 
- Some occas. foxing. A few vols. spine splitting (vol. 1 entirely split).
= Gay 2216; Hilmy II, p.176; Blackmer 1432 (note); Abbey, Travel 272; Europe and the Arab World 66. Rare complete set of the Egytian and Nubian section of Roberts' main work usually referred to as The Holy Land, though published separately and to be considered a work in itself. It is arguably one of the most impressive 19th century illustrated works on Egypt. "David Roberts remains the best known British artist to have drawn views of the Near East in the nineteenth century (...). After travelling through France in 1825 he visited Spain in 1832 (...). Six years later he set off for the Near East. He first toured Egypt. After sailing down the Nile, making drawings as he went, he arrived in Cairo in December 1838. There he was one of the first Europeans after Pascal Coste to be given permission to draw the interiors of mosques - a favour he undoubtedly owed to the indulgende of Muhammad Ali, whom he met in Alexandria (...). From 1842 onwards Roberts' views of the Near East, lithographed by the Belgian Louis Haghe, began to appear in a series of editions with historical and descriptive texts by the Irish divine George Croly and the English inventor, painter and author William Brockedon." (Europe and the Arab World). SEE ILLUSTRATION PLATE LXXXII.
78 3165 Egypt and the Levant Mayr H von 
78 3165 Egypt and the Levant Mayr H von 
78 3165 Egypt and the Levant Mayr H von 
78 3165 Egypt and the Levant Mayr H von 
- Originally published in 10 installments, each with an index leaf (not present in our copy). Title creased, fingersoiled, sl. foxed and some rubbed/ dam. spots; plates occas. sl. foxed/ fingersoiled and w. some closed tears and restorations.
= Blackmer 1101 (note); Hilmy II, p.26; Gay 90; Lipperheide Ma22. Heinrich von Mayr accompanied Archduke Maximilian of Bavaria on his travels throught the Orient. Contains fine, attractive views. SEE ILLUSTRATION PLATE LXXXII.
78 3166 Elzevier and annexes Heinsius D 
- Sm. portion of upper outer corner of first blank torn off. Very fine copy.
= Owner's entry on verso of first blank endpaper reading "Joannes Fabrici[us?] Anō DD.D.L"; contemp. annotation in pen and ink on recto first free endpaper. Willems 187; Rahir 158; Simoni H45.
78 3167 Elzevier and annexes Plautus M A 
- Tiny dam. spot in upper left corner of title and first textleaf (with loss of one letter); portion of top margin of first free endpaper cut out. Top of spine dam.; backstrip and covers worn/ rubbed.
= Rahir 1175; Schweiger II, p.765.
ADDED: HORTULUS ANIME, Dat is Der Sielen Boomgaert (...) (Antw., 1631, printed in red and black, woodcut ills., contemp. blindst. calf w. brass clasps and catches). Several leaves in second half dam.; new endpapers; lower outer corner of title-p. repaired).
78 3168 Emblemata Abraham van St Clara = U Megerle 
78 3168 Emblemata Abraham van St Clara = U Megerle 
78 3168 Emblemata Abraham van St Clara = U Megerle 
78 3168 Emblemata Abraham van St Clara = U Megerle 
- A few plates cut inside the platemark (1 in the image); occas. sl./ trifle dogeared. Vellum sl. warped.
= Landwehr, Emblem Books 5; Klaversma/ Hannema 25; Van Eeghen/ van der Kellen 675; Waller 1554.
78 3169 Emblemata Alciatus A 
- Lacks one leaf (M1); ills. occas. sl. weak; cat. clipping mounted on first free endpaper; two heraldic bookplates on upper pastedown. Spine dam.; corners worn.
= Landwehr 20; Voet 26 (both calling for 169 illustrations to the 213 explanations of emblems, but apparently erroneously, for in our copy the explanatory text skips emblem 212, and ends w. emblem no. "213", and in addition, the number of not illustrated emblems is 47 in our copy (incl. the emblem on the lacking leaf M1)); the final 30p. (not always present) contain the index as well as an errata leaf.
78 3170 Emblemata Alciatus A 
- Lacks B1 (with 1 emblem) and P8 (impressum); a few illustrations w. old additions in pen and (brown) ink; partly waterstained; a few lvs. smudged; final 50p. sm. inkstain in outer blank margin; owner's entry on title-p. and verso final leaf.
= Emblem no.90 not illustrated (as always in this ed.); Voet 22; Landwehr 12 ("The first Plantin-edition of Alciati's emblem book"); Praz p.250. Very rare. Last copy seen at auction was the Beckford copy sold at Christie's in 2014. SEE ILLUSTRATION PLATE LXXXIII.
78 3171 Emblemata Beza T 
78 3171 Emblemata Beza T 
- Fine copy, occas. cut trifle short in top margin.
= Two near contemp. owner's entries on title-p.: "Sum Samuelis Gessinij" and "10 Parijs Franc. Nund.[?] Vernalis Anno 1615". Adams/ Rawles/ Saunders F.106 (state 2); Landwehr 156a; Renouard 1598, no.4; cf. Praz p.270 note. The first edition of Beza's collected poetry. SEE ILLUSTRATION PLATE LXXXIV.
BOUND WITH: Lipsius, J. De Constantia libri duo. Antw., Ex Officina Plantiniana, J. Mortus, 1605, (16),86,(10)p., engr. printer's mark.
- Occas. unobtrusive contemp. underlining and annots. (partly in red pencil); final quire yellowed; cut sl. short (affecting the glosses). Otherwise fine.