= Tuinpers 2. One of 15 Roman numb. copies on Dosabiki Masa-Shi.
Otten, W.J. Tijdens de zwaluwen. Ibid., idem, 1997, (19)p., printed in 95 copies orig. boards, 4to.
= Tuinpers 3.
Toorn, W. van. Les très riches heures. Ibid., idem, 2003, (12)p., 6 calligraphed initials in pen and red/ blue ink by T. LAUDY, printed in 85 numb. copies, orig. wr., 4to.
= Tuinpers 6.
AND 17 (mostly small) publications by SER J.L. PROP, partly signed and/ or w. loosely inserted short manuscript notes/ letters by the printer.
- Title-p. and last blank (partly) yellowed/ browned.
= With the often lacking inserted printed "Toelichting" leaf: "Dit boekje heeft niet dié technische kwaliteiten waar naar werd gestreefd. (...)", with manuscript annotation by Cees van Dijk, the printer.
Haarlem in hout. Eenentwintig houtgravures van Haarlem en omgeving omstreeks het jaar 1909. Ibid., idem, 1971, title-page, introduction-leaf and 21 woodengr. plates, printed in 60 numb. copies, loose as issued in orig. stiff paper portfolio. Rogers, B. Four unpublished Letters to S.H. de Roos. Ibid., idem, 1975, (24)p., orig. wr., 16mo.
= With calligraphed dedication by the printer "Voor BN [= Bob Nijkerk], not a perfect copy, maar wel met de beste wensen. Januari 1978 SH [= Sem Hartz]".
AND 8 others publ./ printed by the same press, i.a. M. ANDRIESSEN a.o., Portret van Thijm (1968, etched ex libris by S.L. HARTZ, printed in 90 numb. copies, orig. wr.); B. RIJDES, [Greek:] Eis to soma (1975, printed in 50 copies, orig. wr.); IDEM, Bitterkoekjes (1968, printed on Japanese in 48 numb. copies, orig. wr., 7,7x5,1 cm.); W.R. TYLER (introd.), The sixth of the 'Cent nouvelles nouvelles' (Boston, 1970, printed on Japanese in 200 copies, orig. gilt vellum, sm. 8vo; unnumb. copy); A. ROLAND HOLST, Een kwatrijn. Alexander Stols ter ere bij zijn zeventigste verjaardag 28 januari 1970 (1970, 1 leaf (folded twice), facs. ill.). - ADDED: Hartz, S.L. Essays. Aartswoud etc., Spectatorpers etc., 1992, 47p., printed by B. DE DOES in 510 copies (35).
= One of 35 numb. copies bound in hvellum by E. SCHOTS. Publ. on occasion of the 80th birthday of Sem Hartz.
AND 1 other on Sem Hartz.
- Lacks title-p.(?); one div. title lower corner restored; occas. sl. foxed/ yellowed.
= Orig. published in 10 installments. Texts by i.a. E. de Goncourt, A. Daudet, G. de Maupassant, J.K. Huÿsmans, S. Mallarmé, O. Mirbeau. Vicaire VII, p.908; Monod 10785.
Willette, A. Feu Pierrot 1857-19 ? Paris, H. Floury, 1919, (1),183p., tipped-in col. frontisp., 28 (tipped-in) (col.) plates, num. ills., contemp. hcl. w. orig. frontwr. laid down, 4to. - AND 3 others, i.a. A. GRÉVIN and A. HUART, Les Parisiennes (Paris, n.d., (col.) ills., contemp. hmor.) and L. MORIN, Le Cabaret du Puits-sans-Vin (Paris, n.d., col. plates, ills. and orig. gilt pict. cl. by L. MORIN, 4to).
- Backcover trifle stained; corners sl. worn. Contents fine. = Taillaert 69; Van Dijk 224.
= I.a. A.H. DEN BOEF, Het museum van boze kunsten (1989, printed in 70 numb. copies (40)); G.C. VAN 'T HOOG, Stemmingen (1991, printed in 85 numb. copies (25), orig. cl., bound by 't Kaft); Dichtmatige regelen om drukkers proeven te corrigeren (1992, printed in 90 numb. copies (10)); T. VAN DOESBURG, Kunst (1993, orig. cordbound wr. w. pencil attached); J.F. VAN ROOYEN, Driewerf leelijk (1994, printed in 170 copies (50), orig. grey wr.); K. THOMASSEN, Jenevertypografie (1995, 4 loosely inserted textlvs., orig. wr.); E. DU PERRON, Chère Mademoiselle (1996, printed in 140 numb. copies, this copy H.C.); H. DE VRIES, Veeltintig bij tovergloed (1996, printed in 120 numb. copies (20)); J. BROUWERS, De zondvloed (1997, col. SIGNED silkscreen frontisp. and loosely inserted copy by B. Ruijgrok, SIGNED by the author and artist, orig. giltlettered cl., bound by the Van Waarden Bindery); A Day at the Races (1998); E. DICKINSON, Wetter, wurdt jin leard troch toarst (1999, printed in 85 numb. copies (50), orig. cl., bound by H. van der Kruijk); W. GERBENS HELLINGA, Vingt-trois - trente-deux (2000, printed in 90 numb. copies (50), orig. cl., bound by H. van der Kruijk); M. VAN DER JAGT, De dood van den uitvreter (2000); G. REVE, Broer wolf zijn kamer (2001, printed in 100 numb. copies, SIGNED by the author); G. KOMRIJ, Ik, het boek (2003, SIGNED by the author and the chairman of Boekverkooperscollegie Eendragt); Plop! (2004, printed in 55 copies); A. KORTEWEG (ed.), Daar wil je als Rudi wel bij zijn (2004, 14 textlvs., loose as issued in orig. portfolio, printed in 100 copies (30)); Elise van Mansfeld (2006, printed in 105 numb. copies (30)); I. HEYTZE, Heden geen gedicht (2007, printed in 85 numb. copies (45), SIGNED by the author, gilt hvellum, slipcase, bound by F. den Breejen); A. KORTEWEG, Bomen (2009, printed in 65 numb. copies, autograph SIGNED dedication); L. COUPERUS, Drie kattenbelletjes (2009, printed in 45 numb. copies); A.H. DEN BOEF, Dromende katten (2012, printed in 40 numb. copies, autograph SIGNED dedication); W. KLOOS, Van de zee (2013, printed in 33 copies); M. NIJHOFF, De grot (2013, orig. wr. after H.N. Werkman, printed in 35 numb. copies); H.K. POOT, Mei (2014, printed in 50 copies) and A. PRUDHOMME, Summertime/ Zomertijd (2015). With extensive documentation and bibliographic information on De Uitvreter.
- Spine sunned.
= Monod 719. Söderberg p.94: "(...) Félix Vallotton (1865-1925) represented a genuine new departure. His magnum opus "Badauderies p.(...)" can be compared with Lepère's as a work of reportage illustrated with woodcuts. Whereas Lepère is a nostalgic local patriot, Vallotton is a blasphemous ironist. The exciting thing about Vallotton's pictures is that he so elegantly flouts the laws of perspective and old established ideas of pictorial balance. Instead of xylographs he makes surface woodcuts - the technique which survived into the new century. Black, white and patterned surfaces are linked together with naiveté and impudence, providing scope for the absurd and the satirical. The book was inspired by Octave Uzanne, who managed to assemble for the writing of the text a remarkable team of authors comprising Felix Fénéon, Thadée Nathanson, Jules Renard, Tristan Bernard and Léon Blum. We are now close to the group of artists known as Les Nabis, and to the editors of the magazine La Revue blanche. This circle embraced a wide range of opinions. Vallotton, for example, managed by dint of his blasphemy and irony to make an enemy of the devout Sérusier." SEE ILLUSTRATION PLATE XXXI.
= Facsimile reprint of the ed. Bad Kissingen, 1965. "Diese Ausgabe unterscheidet sich jedoch von der Original-Ausgabe durch die beiden Illustrationen der unpaginierten Seiten 23 und 33. Diese beiden Illustrationen wurden vom Künstler für diese Ausgabe neu geschaffen und von ihm selbst vom Stein gedruckt und handsigniert." (colophon).
- Our copy is unnumbered.
= Monod 7552. With an ORIGINAL drawing and SIGNED dedication ("a l'ange gardien dr. Brille son ami Vertes") in pen and ink by M. VERTÈS on htitle. From the library of G. Komrij, w. his bookplate on upper pastedown.
= I.a. K.W. SWAAK, De diepte van het oppervlak (1987); E. LANDGERIEF, Onbedoeld inzicht (1988); BELCAMPO, Reisje naar Mecklenburg (1990); H.N. WERKMAN, Amigo (1993, numb. "HDC"); K.W. SWAAK, Heeft het nog zin van toen te weten? (1995, numb. "hdc"); Geboortebericht van Lucia (1998); K.W. SWAAK, Een kleine odyssee (1998; SIGNED by the author and numb. "HDC"); Drie zonen (2006); Bericht aan mijn derde kleinkind (2012); J. GLAS, Jonge eilanden (2013, numb. "hdc"); 19 Koppermaandag publications (1989-2015) and various sm. publications, i.a. New Year's wishes and bookmarkers (incl. 10 duplicates).
WITH: DE E IS MIJN LETTER! CATALOGUS NA VIJFTIEN KEER DE VIER SEIZOENEN 1987-2002. Gron., G. Walter, 2002, 15,(1)p., orig. wr. (and 1 duplicate).
= I.a. E. DICKINSON, Selected Poems (1940, bookplate of ERNST LAMPE on inside frontwr.); (G. MILCHSACK), Quem Queritis. Ludus Paschalis Rheno-Trajectensis saeculi duodecimi (1943); J. VAN BOENDALE, Hoe dichters dichten sullen, adapt. B. Aafjes (1945); E. DICKINSON, Ten Poems. Ed. and German transl. R.E. Pool (1944); Eenige romantische gedichten. Dutch transl. M. NIJHOFF (1944); A. MORRIËN, Afscheid van Lida (1944); W. BLAKE, Selected Poems. Ed. J.C. Bloem (1945); J. DONNE, Poems. Ed. C. Eggink (1946, title and portrait by S.L. Hartz) and S. MORISON, First Principles of Typography (1946, owner's entry of G. SÖTEMANN on first blank, orig. cl.).
WITH: Balkema, A.A. Catalogus van vijftig boeken en boekjes zonder toestemming uitgegeven in de jaren 1942-1945. Amst., the author, 1945, 15p. (incl. wr.), orig. wr.
- Endpapers sl. yellowed. = Van Dijk 589; De Jong 871.
Vondel, J. van den. Verzen. Ibid., Nederlandsche Vereeniging voor Druk- en Boekkunst, 1946, 49,(5)p., printed in numb. lim. ed., orig. gilt hvellum, sm. 4to. - AND 6 others, i.a. G. GOSSAERT Experimenten (Bussum, 1916, 2nd ed., orig. gilt cl., 4to) and A. VERWEY, De Kristaltwijg (Amst., 1903, orig. gilt. cl.).
- A few sm. foxed spots in blank fore-edge margin. Fine copy.
= Monod 5115; cat. Rijksmus. 109 (referring to G&P app. 11-18).
= Not in Von Walterskirchen.
- Spine-ends trifle worn/ rubbed. Otherwise fine.
= Von Walterskirchen XII and for the lithographs 202ff; Monod 4024.
- Binding sl. scratched and chafed; backstrip sunned.
= The 11th book of the Ernst Ludwig Presse. Sarkowski 1864.
= I.a. T.J. VAN DER WAL, De achtervolger (1973. Sl. yellowed); L. BESCH, Schneeglöckchen Sagen (1980); H.-J. SINGER, Ans Dunkel genäht (1984); Fondslijst (1986) and Schreiben Bücher Büchermachen (1991).
WITH: extensive documentation and several prospectuses.