- Occas. foxed, otherwise contents fine. Wrappers sl. browned as usual/ w. some sm. dam. spots along extremities.
= Hubert 1; Kleykamp 5; cat. Ned. Boek 46.
AND 1 similar: W.J. TUYN, Oude Hollandsche dorpen aan de Zuiderzee (ibid., 1900, 10 full-p. woodcut ills., woodcut frontisp., borders (1p.) and initials (printed in orange) by J.G. VELDHEER, orig. plain wr. with lithogr. (printed in green) vellum-paper wr. by the same, folio (occas. foxed. Wr. partly dam. Braches 2011).
- Bookblock loose. = Van Laar 21.
WITH: Nypels, C. TYPESCRIPT LETTER SIGNED to "Zeer geachte Heer en Mevrouw", dated "3-12-1927", 1 fold. leaf w. printed letterhead "Charles Nypels Imprimeur Maastricht Hollande", recto only.
= Friendly letter apologizing for not being able to accept an invitation. "Wilt U my toestaan als waardeerend "plaatsvervanger" één myner "kinderen" blyvend onderdak te verleenen in Uw bibliotheek? Het is een van myn thans aller-zeldzaamste uitgaven en kan den fransche gasten tevens toonen, dat ook hier voor hun oude muziek nog een drukker te vinden is. De melodiën moeten zèèr mooi zyn...".
= One of 20 copies in orig. gilt hmor., bound by J. WANSINK, t.e.g. From the library of Albert Kuyle, with his circular ticket ("A.K.") on upper pastedown. Van Laar 23.
= Collection d'art de la connaissance 14; Van Laar 15. SIGNED by the printer and "imprimé pour [rubbed out]" in colophon.
Moréas, J. Les Stances. Ibid., idem, 1927, 184p., bookdec. by B. ESSERS, printed in black and red in 430 copies (380) by C. NYPELS, contemp. hcalf w. mor. letterpiece, orig. wr. pres.
= Collection d'art de la connaissance 17. Van Laar 52.
AND 4 others from the same series, i.a. P. VERLAINE, Odes en son honneur (ibid., 1931, etched frontisp. portr. by P. BERRICHON, orig. wr., 4to).
- Spine-ends sl. worn. Otherwise fine.
= One of 50 numb. copies on Van Gelder signed by the author and one of an unspecified number of clothbound copies. Van Laar 108.
Idem. Tuin van Eros. Amst., C. Nypels, 1932, 1st ed., 64,(3)p., 3 ills. and binding des. by H. WIEGERSMA, printed in 125 copies (100), orig. gilt cl., 4to.
- Bookblock splitting. Spine sl. faded. = Centum Nec Plura I. Van Laar 140.
AND 5 others, i.a. C.F. VAN DAM, Marrakech (Maastr., 1931, ills. and orig. cl. by I. VAN MENS, 4to) and H. MARSMAN, De vijf vingers (Utr., 1929, ills. and orig. hcl. w. dustwr. by H. JONAS).
- Binding trifle rubbed along edges.
= With loosely inserted "Onze beste wenschen voor het jaar 1927" (fold. leaflet printed in black and red by the same, containing an excerpt from the above publication). Van Laar 9. One of 20 numbered copies, bound by JAN WANSINK in giltlettered hleather, t.e.g. Bookplate on upper pastedown with annotation in pencil by S.L. Hartz.
Idem. Stille steden. Ibid., idem, 1931, 46,(2)p., ills. by H. JELINGER, printed in black and blue in 260 numb. copies (250), orig. wr.
= Van Laar 133.
- Traces of removed bookplate on upper pastedown.
= Vondelreeks I. Van Laar 150. One of 100 DELUXE COPIES, printed on Old-Colony-Text; this copy bound in full brown mor. w. green letterpiece by J. BRANDT & ZOON, t.e.g.
Lanz, O. Xenien MCMXXXII. Ibid., C. Nypels, 1934, printed in black and blue in 500 copies by CHARLES NYPELS, orig. giltlettered cl.
- Lettering on spine faded. = With AUTOGRAPH SIGNED DEDICATION by the printer on first blank.
Wells, H.G. La Perle de l'Amour. Paris, La Conaissance, 1926, 21,(3)p., printed in 150 copies, orig. wr., sm. 8vo.
- Sl. foxed. = Copy printed on name of Charles Nypels.
AND 3 others: Van Laar 42, 43 and 122.
- Spine sl. stained/ discoloured.
= Collection d'art de la connaissance 17. Van Laar 52. One of 50 copies hors commerce. This copy printed for A. Plasschaert.
Deyssel, L. van. Schetsen. Maastr., Nypels, 1926, 1st ed., 69,(2)p., portrait by S.H. DE ROOS, printed in black and red in 300 numb. copies, contemp. giltlettered hmor., t.e.g., orig. wr. pres.
= Van Laar 23.
AND 8 others, i.a. J. VAN LOOY, Op reis (n.pl., 1929, orig. wr.); J.W. VON GOETHE, Sonette (Maastr., 1926, orig. wr.); D.G. ROSSETTI, Sonnets and Songs towards a Work to be called the House of Life (ibid., 1926, woodcut frontisp. portrait by R. STEINER, orig. gilt wr.) and M. KEMP, Stroomversnellingen (ibid., 1924, woodcut portrait, title and orig. clothbacked dec. boards by H. JONAS).
- Sl. worn at top of spine.
= Van Laar 8. With SIGNED DEDICATION in pen and ink by CHARLES NYPELS and signed by the artist on colophon leaf.
- Extremities and (sl. faded) backstrip trifle rubbed. Good copy.
= Monod 9926; Collection d'art de la connaissance 1; Van Laar 11: "Bij een aantal exx is een kleurenets van Malo Renault ingelegd als frontisp." Copy printed on name for J. Gregoire.
- Fine copy.
= Mardersteig 121: "Italienischer Originaltext aus dem Codex Vaticanus Lat. 6852 von Felicianos Traktat der geometrischen Konstruktion eines römischen Alphabetes (ca. 1460), mit den farbigen Kapitalbuchstaben in Faksimile, handkoloriert von Amelio Trivella." SEE ILLUSTRATION PLATE XXX.
- Binding trifle darkened/ fingersoiled. = Beautifully handcoloured, vellum bound DE LUXE edition.
AND 2 other editions of the Rubaiyát, illustrated by/ after W. POGÁNY and J. BUCKLAND WRIGHT.
- Yellowed and occasionally sl. thumbed (htitle worse); upper corner trifle dogeared/ bumped. Frontwr. loose, stained and dam. (tears; lacks sm. portions); backwr. stained and scribblings in red pencil; three corners lack portion; lacks most part of the backstrip.
= From the library of Albert Kuyle, with his circular ticket ("A.K.") on upper pastedown and his owner's entry ("L. Kuitenbrouwer '24") in pencil on htitle. With the often lacking errata leaflet and the very rare (sl. dam.) orig. wrap-around slip. A major publication of the modernist movement. Remarkable typography, expressing the complexity of the big city. Andel p.120. SEE ILLUSTRATION PLATE XXX.
- Wr. trifle foxed.
= Illustrated edition of the marriage instruction manual by friar Luis of León, first published in 1583. Russian born artist and designer Miguel Ourvantzoff emigrated to South America in 1928 and later to Spain.
- Wr. sl. frayed and creased.
= Van Dijk, Palladium 6. With a loosely inserted extra copy of the woodcut printed on thin Chinese.
Luyken, J. Duytse Lier. Ibid., idem, 1921, 121,(1)p., printed in black and red in 200 copies, typography by J. VAN KRIMPEN, contemp. gilt hcalf, orig wr. pres., 4to.
- Endpapers browned/ stained; dedication in pen on first free endpaper. = Van Dijk, Palladium 9.
= I.a. C. ONVLEE, En een eeuwig leven (n.d., woodcut ills. by H. Blokhuis, printed in 100 numb. copies (unnumb. copy)); H. BLOKHUIS, Lait frais (n.d., full-p. col. silkscreens, letterpress colophon, printed in 20 numb. copies, orig. cl. w. dustwr.); G. ACHTERBERG, Ballade van de winkelbediende (1986, loosely inserted numb. and SIGNED col. etching by A. Steenvoorden); C. ONVLEE, Ontvoering van de winkelbediende (1993, SIGNED etching by L. Strik); J.C. BLOEM, Weer keert het najaar... (n.d., orig. numbered and SIGNED col. etching by H. Pauwels); H. FINKERS, Ut leed (2003, SIGNED col. etching by H. Pauwels); R. DELHEZ, Kleinbeeld (2x, 2004, SIGNED etching by W. Zwiers, orig. wr./ blue giltlettered mor.); MULTATULI, Gebed van den onwetende (n.d., SIGNED engr. by P. Wetselaar) and W. WILMINK, 't Is drommels mooi geweest (2006, SIGNED col. etching by H. Pauwels, giltlettered brown mor.).
WITH: H. SIEKMAN, Exlibris van Henk Blokhuis (1993, 14 loosely inserted col. linocut plates by H. BLOKHUIS, orig. chemise); 8 col. prints (various techniques) by HENK BLOKHUIS and an exlibris for the same by ROMAN SUSTOV ("Babylon Ark", SIGNED).
- Sl. foxed/ fingersoiled; occas. sl. offsetting from col. ills. on opposite pages. Covers sl. soiled; spine-ends and corners sl. worn.
Pascin, J. (= J. Pincas). Ein Sommer. Skizzenbuch von Pascin. Ibid., B. Cassirer, n.d. (±1920), no pagination, num. (col). plates, orig. dec. clothbacked boards, folio.
- Bookplate on upper pastedown. Covers sl. rubbed/ stained.
= Facs. plates of watercolours and drawings, made by the artist during a holiday at Ostende.
ADDED: C. WITT, Die tapferen Zehntausend (ibid., 1921, lithogr. title-p., num. ills. and orig. cl. by M. SLEVOGT).
- Slipcase sl. worn along extremities. Otherwise a fine copy. = Monod 5856.