= I.a. L.C. MICHELS, Vertere seria ludo (1973, wr. sl. stained); C. SWINKELS, De prins der posterijen (1976, ill. by F. Swinkels); J. DU BELLAY, Veertien sonnetten. Dutch transl. F. Valkenier (1984); J. NAAIJKENS, De man die niet sterven kon (1991); Vijftien Brabantse dichters van deze eeuw (1993, orig. portfolio); L. TOORIANS (transl.), Cétamon (1997); J. VAN DE VEN, Bezijden de Noordstraat (1999, 10 col. lvs., loose in orig. portfolio) and T. SMULDERS (ed.), 50 Sporen van een vlieg 1971-2001 (2001).
- Lacks the suite of lithographs called for in the colophon for the edition of 38 numb. copies. Occas. sl. foxed; htitle sl. creased in lower margin. Slipcase dampstained.
= Monod 333.
= I.a. A. HOGEVEEN, Daar (1977); W. SANDBERG, Over verzamelen (1977); P.C. BOUTENS, Bezit is als een bloem zoo broos... (1978, numb. "H.S."); H.K. POOT, Snelheit en woede des tyts (1979); P.N. VAN EYCK, Broeder Bernard (1982); Van mijn kant geen bezwaar (1989); E. TER HARKEL, Het evenement (n.d.); J. HAMELEERS, Over de kunsten (1992); J.I. DE HAAN, Engelsch aardewerk (n.d.); M. HEIDEN, Zeekasteel (1997, SIGNED by the author); Over zetkunst (1999); J.B. CHARLES, De groene zee (2001) and various Copper Monday prints and New Years' wishes.
AND: Breugelmans, R. De Breukenpers 1975-1998. Een voorlopige bibliografie bij de vijftigste verjaardag van de drukker. Leiden/ Woubrugge, n.publ., 1999, (15)p. orig. wr.
= Cock-a-Hoop 187; Reid A64a.
- Spine trifle faded. Otherwise fine. = Buckland-Wright A54; Cock-a-Hoop 183; Franklin p.332.
- Fine copy on handmade Barcham Green, from the library of J.F. VAN ROYEN. = Reid A8; Van Dijk 290. Rare.
WITH: Borch van Verwolde, W.H.E. Baron van der. AUTOGRAPH LETTER SIGNED to "Hoogedelgestrengen Heer" [J.F. van Royen], dated "25.VII.32", pen and black ink, 1 fold. leaf (2p.), w. printed letterhead of the author, in orig. addressed envelope.
= Friendly letter, i.a. apologizing for the delay of his answer and thanking Van Royen for sending him the brochure of Oostersch, published by the Kunera Pers. "(...) Mag ik U hierbij een boekje toezenden wat ik eenigen tijd geleden bij Stols liet drukken, met houtsneden van John Buckland Wright? Ongetwijfeld zult U vele defecten kunnen opmerken; o.a. leent zich het papier niet zoo goed voor het effen zwart der illustraties en is te doorschijnend. De exx. op oud Japansch - waarvan ik er echter helaas geen meer over heb - vormen, vind ik, een zeker charmante plaquette (...). Daar ik het niet de moeite waard vond voor deze kleine, niet in de handel zijnde oplage copyright aan te vragen, verzoek ik de naam van de drukker, illustrator & uitgever geheim te houden (...)".
- Upper joint splitting at spine-ends; backwr. trifle foxed.
= Halcyon Press 5. SIGNED by the author, illustrator and publisher. Van Dijk 291; Buckland Wright A10; The Ideal Book p.109f.
- Sl. yellowed throughout; frontisp. 2 sm. tears in inner margin; 1 ill. w. tear (repaired w. tape). Spine pasted over w. cloth strip; covers sl. stained/ worn.
= Freimann p.309.
- Lower hinge weak. Binding sl. rubbed/ worn along extremities.
= In 1979 another series was printed but not published because of the artist's demise. It was posthumously published in 1994.
- Vague stain in upper part of backstrip. = One of 50 copies on Covenant. Arents 31.
ADDED: Het land van El Cid. Delft, De Klaproos, 1991, (24)p., 20 woodcut ills. by R. VAN LIMBURG STIRUM, printed in 10 numb. and signed copies, orig. limp boards w. woodcut on frontcover w. Chinese paper dustwr., 4to.
- Covers trifle soiled.
- Backstrip dam. at top and foot of spine w. loss of sm. portions; wr. sl. yellowed/ discol., otherwise fine.
ADDED: De legende van Sint Christoffel. Maastr., Leiter-Nypels, 1931, XLVIIp., 16 woodcut plates by P. REINALD RATS, printed in black and blue in 100 numb. copies, orig. wr. w. dustwr., folio.
- Lower hinge broken; a few lvs. unopened; occas. sl. foxed. Binding sl. rubbed along extremities.
= Van Laar 130.
AND 1 other illustrated by J. CANTRÉ.
- Dedication in pen on htitle. Spine sl. faded. Otherwise fine.
- Endpapers sl. waterst. in lower inner margin. Covers vaguely discoloured along upper edges. Otherwise a very fine copy.
= One of 100 copies on paper of "Steinbach te Malmedy".
= I.a. J. DE PRAETERE, Latemse dageraad, eerste-vijfde aflevering (1989-1991, 5 parts in 3 vols.); B. ROUSSEEUW, De boekbanden van Laurent Peeters (1990); W. WATERSCHOOT, De Seven Sinjoren (1993); Vijf jaar de Carbolineum Pers (1994); B. BARNARD, Sulamiet (2004, orig. wr., slipcase); P. THIERS, De Eikelaar (1997); J. HALSBERGHE, Santiago de Compostela, 1950 (1999); P. SIMOENS, Bibliografie van de van de bibliofiele uitgaven van Renaat Bosschaert (2015); H. CLAUS, We moeten bij Streuvels zijn (2018, orig. slipcase) and S. STREUVELS, Bertken (2019, prospectus).
- Partly foxed; occas. stained; a few plates dam. Bindings worn/ dam., 1 vol. backstrip loose.
= An interrupted but nevertheless large series of issues and plates. Vicaire II, p.260f; Sander 166.
- All issues w. stamp; occas. sl. foxed/ frayed; vol. 2 w. one leaf partly torn out.
= Vol. 1: 10e année, no. 1-120 (continuous, January-April 1841); vol. 2: 14e année, no. 6-187 (interrupted/ incomplete, January-July 1845).
AND 4 other vols. (not collated), incl. JOURNAL AMUSANT (1857, no. 53-104, a few plates pochoir coloured), JOURNAL POPULAIRE (1860-1861, no. 1-126) and GIL BLAS (1895, no. 1-52, most plates pochoir coloured).
- Two text lvs. w. brown offsetting; bookplate on upper pastedown; traces of ticket on first free endpaper.
= Houfe p.273.
- Both spines sl. sunned. Otherwise a fine copy.
= Vicaire III, p.241; Carteret III, p.203; Sander 232; Brivois 124; Ray 236: "The most impressive are the 208 wood-engraved plates after Gavarni (...). The major attraction of Le diable à Paris resides in Gavarni's plates, which are of even greater interest than the 320 woodengravings of his Oeuvres choisies (...). The engraving is superior for the most part, and they are new conceptions, not versions of his lithographs. He limits himself almost entirely to single figures or pairs, evoked with his usual concentration and psychological subtlety."