- Portfolio sl. yellowed along margins.
= One of 200 numb and signed copies in board silkscreen portfolio, together w. 12 loose (col.) silkscreens, each 44x31 (leaf), each signed "Marius van Beek" and "114/200" in pen and ink.
- Inkstains on frontcover.
= One of 150 numb. copies printed for friends of R.-L. Doyon and C. Nypels, signed by René-Louis Doyon (this copy printed for [manuscript]: "Bernard Warnier"). With a very nice original drawing of a withered courtesan in pen and brown ink and brush and colours (by ?) with signed dedication to Mr Warnier by the artist.
= Published by Dutch-born American author Edward Bok as a New Year's gift to his friends, in a stunning binding.
- Spine sl. faded. Otherwise fine.
- Trifle foxed. Upper joint weak/ splitting at spine-ends.
= One of 130 copies containing 2 extra states of the etchings. Monod 3690.
= Bound by the British master binder Bernard Kiernan (1922-1967).
- Some offsetting from gold on opposite leaf; endpapers sl. foxed. Backstrip sunned.
- Plates and portfolio (sl.) foxed and vaguely scratched. Foot of spine sl. worn and top of spine sl. dam.
= Braches 1054.
- Bookplate on first free endpaper.
AND 1 other: E. RENAN, Souvenirs d'enfance et de jeunesse (ibid., 1923, printed in 1800 numb. copies, contemp. gilt hcalf by "LP", orig. wr. pres., t.e.g.).
- Very fine copy.
= Annot. in pen and ink on verso of first free endpaper stating that J.C.M. MENSING (1869-1952) bound the work as a young man in 1889. One of 70 copies printed on Chine. Vicaire IV, p.495f. SEE ILLUSTRATION PLATE XXVIII.
= Fine DE LUXE binding combining a traditional 17th cent. composition with a more Jugendstil inspired approach in the execution of details. Possibly by J.B. Heukelom.
- Bookplate on upper pastedown. = Gay/ Lemonnyer I, p.252.
- Trifle creased; backwr. dogeared.
= VI. Programmheft, containing the essay "Blaue Vogel" -Perspektiven by R. Elchinger and the Repertoire des Theaters "Der Blaue Vogel", listing 71 plays. With loosely inserted: Der Blaue Vogel, Liedertexte ((4)p., printed in blue, 4to).
- Some offsetting on free endpapers. Spine dustwr. sl. yellowed/ stained. Otherwise fine.
= One of 50 DE LUXE copies on Ossekop, SIGNED by the author on the colophon.
- Very fine copy.
= One of 20 Roman numb. copies printed on Japon nacré and with the suite of the colour decompositions of the 15 full-p. plates in a separate volume. Monod 1755; Carteret V, p.34; Cappiello / Rennert p.12. Monod states that there are two different sets of 20 Roman numbered copies on Japon nacré, those with and those without the suite, and only 20 copies contain the autograph leaves (see below).
WITH loosely inserted: Idem. Two AUTOGRAPH LEAVES from the orig. manuscript of Miroir à deux faces, both in pen and green ink, both recto only.
- Both leaves w. sm. page(?) number in pen and red ink in top right corner.
= With annot. in pencil on first leaf identifying the source of the autograph and the page number in the printed text (p.44 and 45).
- Wr. trifle creased and frayed; spine discoloured.
= One of 15 copies marked "A" to "P" on tinted Hollandsch Pannekoek. Van Dijk 65.
- Without the orig. illustrated wrappers. = Monod 1818.
Idem. Ces Dames!.. Ibid., idem, 1912, 108,(4)p., 50 col. lithogr. ills. and orig. col. lithogr. wr. by H. BOUTET, printed in 300 numb. and signed copies (this copy not numb. and not signed).
= Monod 1817.
AND 2 others by the same: Autour d'Elles. Le lever, le coucher (Paris, 1899, 6th ed., tinted lithogr. ills. and orig. wr. by H. BOUTET) and Les Curiosités de Paris (ibid., n.d., (handcol.) plates, contemp. hmor., orig. wr. pres., sm. 8vo).