- Frontcover w. sm. dam. spot. = Facs. ed. of the original typescript.
- All (near) fine.
- Frontcover sl. browned along extremities and sl. dampstained in upper outer corner; backstrip rubbed.
= With AUTOGRAPH SIGNED DEDICATION on first free endpaper to "Leslie Aaronberg" (and with Aaronberg's owner's entry on upper pastedown).
Idem. A Notebook on Shakespeare. Ibid., Macmillan & Co., 1948, 1st ed., XII,233p., orig. giltlettered cl.
= With AUTOGRAPH SIGNED DEDICATION on first free endpaper to "Leslie Aaronberg" (and with Aaronberg's owner's entry on upper pastedown).
AND 3 others.
- Lacks vols. 5 and 6. Four vols. dustwr. trifle sunned; final vol. dustwr. dam.
= 1. Die Erzählungen 1; 2. Die Erzählungen 2; 3. Ein Leben; 4. Ein Mann wird älter; 7. Zeno Cosini.
Polgar, A. Kleine Schriften. Ed. M. Reich-Ranicki and U. Weinzierl. Ibid., idem, 1983-1986, 2nd (vol.1)/ 1st ed., 6 vols., orig. cl. w. dustwr.
= 1. Musterung; 2. Kreislauf; 3. Irrlicht; 4. Literatur; 5. Theater; 6. Theater.
- Top of spine sl. dam. on joints; joints otherwise some rubbed spots; covers sl. dustsoiled. = Rare.
Hausmann, R. and Schwitters, K. Pin. Introd. J Reichardt. Ibid., idem, 1962, 1st ed., ills., orig. wr. (fine). Russell, B. The Good Citizen's Alphabet & History of the World in Epitome. Ibid., idem, 1970, 1st collected ed., without pagination, ills. by F. THEMERSON, orig. stiff paper wr., sm. 8vo (fine). - AND 3 others published by the same.
- Alle (very) fine.
- Erased owner's entry on first free endpaper; hinges sl. weak. Corners and spine-ends rubbed.
= "Voyages extraordinaires". Bottin, p.229-231, w. the printer's address on verso halftitle: "5267 B.- Paris, imprimerie Gauthiers-Villars (...)". Cartonnage polychrome "A la mappemonde", dos Type "F", 2e plat type "q".
- Owner's entry on first free endpaper. Lacks dustwr.
- Owner's entry on first free endpaper. Frontwr. trifle rubbed along top margin, otherwise fine.
Hemingway, E. For Whom the Bell Tolls. New York, Scribner's Sons, 1940, 1st ed., (10),471,(1)p., orig. cl.
- Bookplate on upper pastedown; sm. owner's entry on first free endpaper. Title section on backstrip trifle rubbed. Good/ fine copy.
Potok, C. My Name Is Asher Lev. New York, Knopf, 1972, 1st ed., (6),373p., orig. cl. w. dustwr.
- Dustwr. price-clipped and trifle rubbed at spine-ends. Otherwise fine.
AND 16 others, almost all first (Am./ Engl.) editions, 7x in orig. cl. w. dustwr., i.a. T. CAPOTE, In Cold Blood (London, 1966, 1st Engl. ed., orig. boards w. dustwr. Bookplate on dedic. leaf and clipping on htitle; dustwr. sl. frayed) and A. KOESTLER, The Age of Longing (London, 1951, 1st Engl. ed., orig. cl. w. (frayed and chipped) dustwr.).
= Monod 12. One of 140 copies on Papier du Japon. With loosely inserted orig. prospectus.
= Including the series Dichters in Drente vol.5-13 (1986-1989, 9 vols.) and Lettergrepen vol.1 and 3 (1989). I.a. F. HOPMAN, Autobiografische schets (1985); E. BRACHES, Wapenstilstand en Moederkoorn (1985); J.H. DE BOIS, Een Haarlemse kunstenaar: S.H. de Roos (1985); Een 'Haagse Uitgeverij'. De Zilverdistel in het geding (1985); A. VAN DER VOSSEN, Een vergeten kunstenaar (1985, orig. woodcut (no. 6) SIGNED by the artist); IDEM, the same work (1985, orig. etching (no. 8) SIGNED by the artist); E. BRACHES, Kentering (1986); H. HEYTING, Dubbelfocus (1986, SIGNED by the author); G. NIJENHUIS, De ouders (1986, loosely inserted AUTOGRAPH verse); A. ROLAND HOLST, Hij bestond op zichzelf. Over Arthur van Schendel (1986); J. SLAUERHOFF, Ik werd niet geboren om te sterven gelaten (1986); C. BELLAERT, De Heuvelpers. Enkele kanttekeningen (1989); J. BUCKLAND WRIGHT, A Letter on Ink (1989, engr. plate); V. VAN GOGH, Een tochtje naar Zweeloo (1989, 2 tipped-in col. photographs); J.H. RÖSSING, Hij wou, maar kon er niet uit (1989) and 'Verzorgd door de uitgevers'. Een kleine correspondentie tussen Joh.C. Brusse en A.A.M. Stols (1989).
- Mint.
= Although the colophon calls for 5 DELUXE leather-bound copies, one more deluxe copy was made by Susan Allix at the request of a collector and numbered "7/ 25". It has a different wheel on the frontcover than the other deluxe copies (information supplied by the binder). With loosely inserted publisher's brochure. SEE ILLUSTRATION PLATE XXVII.
- Mint copy.
= "This is a wry look at some nonsensical words, verses and extracts. It uses different sizes and colours of paper, odd punctuation, settings and visual disturbances." (the artist's website: http://www.susanallix.com/). SEE ILLUSTRATION PLATE XXVIII.
= A beautiful, pristine copy, numb. "1". The second book published by Susan Alix. SEE ILLUSTRATION PLATE XXVIII.
= I.a. T. VAN 'T ZAND, Overgave (1979, ills. by J. van der Zee); D. POST VAN DER MOLEN, Mette Beer Wandeld (1988); Aankondiging onzer Hollandsche Mediaeval (1990, reprint of the Lettergieterij Amsterdam, 1912 ed.); A.E.C. SIMONI, Printing as Resistance (1990); G. POST VAN DER MOLEN, Dat is wat wonders (1990); P.J. VERKRUIJSSE, Ik, het boek (1995); A. MOERDIJK, WNT (1998, w. booklet "Academische zitting"); F.A. JANSSEN, De nieuwe corrector (1999); A. IBN SUDUN, Het Gestolen Bidkleedje. Transl. A. Vrolijk (1999); M. VAN WIJK-SLUYTERMAN, Er was eens... (2000, 5 loosely inserted picture postcards and bookmarker, orig. envelope); G. POST VAN DER MOLEN and R. RIJKSE, 't Geluck waeit niemand in den mond (2000, ills., orig. gilt cl.); J. LANDWEHR, Wie zou niet gaarne een koning wezen? (2002); J. VAN DER WEG and T. DUIJX, Suja, suze, eia & nane (2003, linocuts by S. Zwaaneveldt); R. HONINGS, Het topje van de leesberg (2011, tipped-in plates); G. POST VAN DER MOLEN, De magie van margedrukken (2015) and other (small) publications, newsletters and correspondence.
- Occas. fingersoiled in lower outer corner. Corners and spine-ends of wr. rubbed and sm. patch grazed by silverfish; corners and spine-ends trifle rubbed.
= With an extensive AUTOGRAPH SIGNED inscription in pen and black ink on first blank. One of only 5 copies printed on special French Japan paper.
= "Eldorica. Zicht op een andere en nieuwe wereld. Reisverslag werd opgetekend tussen 1969 en 1979. Dit boek is door de kunstenaar gemaakt in een oplage van 90 exemplarem. Dit is daaruit nr. 29. 3-3-1989. [signed]".
- Fine. = Not in Monod.
Idem. Histoire de Madame la Comtesse de Barres. Ibid., idem, 1945, 124,(1)p., 9 pochoir col. plates by G. ANNENKOFF, printed in 650 numb. copies on papier vergé pur chiffon, orig. wr., chemise and orig. pochoir col. slipcase, sm. 8vo.
- Without the extra suite of lithographs; (sl.) foxed. = Monod 2776.