- All fine.
= Comprises i.a. In Holland staat een huis (without no., 1941), Stad en land (without no., 1942), Campigli (without no., 1947), Paul Klee (no.41), Hodler (no.42), Figuren uit de Italiaanse kunst (no.69), 19 schilders uit Haïti (no.75), Honderd meesterwerken (no.89), Kunst uit Oostenrijk (no.155), Chagall (no.156), Jacques Lipchitz (no.184), Jong Amerika schildert (no.194), Alechinsky+Reinoud (no.273) and Henri Moore (no.275). Inlcuding duplicates.
= I.a. Georges Rouault (no.27), Jan Sluijters (no.48), Floris Verster (no.91), August Macke (no.114), John Raedeker (no.148), Isaac Israëls (no.196a), Fayga Ostrower (no.202); Robert Jacobsen (no.228), Chr. J. van Geel (no.284), Maillol (no.294), "Design for Industry" (no.321), Antonio Saura (no.358), Jan van Munster (no.470), Carel Visser (no.523), Markus Raetz (no.654b), Antoni Tàpies (no.679) and Gilbert & George (no.795).
- All (but a few) fine.
= Comprises i.a. Rondom Rodin (without no., 1939), Moderne primitieven (without no., 1941), In Holland staat een huis (without no., 1941), Picasso/ Matisse (without no., 1946), Agoes Djaya en Otto Djaya (without no., 1947), Kandinsky (without no., 1947), Voor jonge mensen. Wikor (no.7), Zadkine (no.40), Paul Klee (no.41), Hodler (no.42), Twaalf Britse schilders (no.56), 19 schilders uit Haïti (no.75), Alexander Calder (no.76), Rembrandt, Hokusai, Van Gogh (no.83), Edgar Degas (no.87), Honderd meesterwerken (no.89), Elf tijdgenoten uit Parijs (no.101), Pablo Picasso (no.103), Saul Steinberg (no.106), Acht Argentijnse Abstracten (no.108), August Macke (no.114), Collectie Philippe Dotremont (no.116), M.C. Escher (no.118), Ben Nicholson (no.122), Lyonel Feininger (no.123), Franz Marc (no.128), Campigli (no.130), Adam (no.132), Liliy Benz (no.139), Hoe laat was het? (no.145), John Raedecker 1885-1956 (no.148), Kurt Schwitters (no.152), Chagall (no.156), Léger. De wegbereider (no.158), Johannes Itten (no.169), Jacques Lipchitz (no.184), Jackson Pollock (no.189), Jean Lurçat (no.201), Bart van der Leck (no.204), Alexander Calder Stabilen Mobilen (no.208), Zweedse vormgeving (no.215), Henri Matisse (no.237), Arp (no.238), Corneille (no.246), Arikha Panter (no.248), Arden (no.251), Hans Richter (no.262), Alechinsky+Reinoud (no.273), Umberto Boccioni (no.304), Francis Bacon (no.326), Que d'encre (no.327), Design for Industry (no.321) and Paul Klee (no.341).
= With typography reproduced from the original Polish ed. of 1929. Also contains photographs from the film "Europa" made in 1930 by Stefan and Franciszka Themerson.
AND facsimile editons of the periodicals Die Pleite 1919-1923 (n.d., loose as issued in orig. stiff paper portfolio, folio), De Driehoek 1925-1926 (1978, loose as issued in orig. stiff paper portfolio, 4to) and Cercl et Carré 1930 (1977, bound in orig. wr., folio).
= Hoek 659b3; Purvis/ De Jong p.79.
- Sm. owner's stamps on title and fore-edge. Covers trifle rubbed/ soiled; slipcase stained and discol.
= Facsimile reprint of one of the most important and influential modernist periodicals of the 20th century. Contributions by i.a. Th. van Doesburg (I.K. Bonset, A. Camini), J.J.P. Oud, P. Mondriaan, G. Vantongerloo, Anthony Kok, T. Brugman, H. Arp, and reproductions of works by i.a. P. Mondriaan, A. Archipenko, J.J.P. Oud, G. Rietveld, Man Ray, Th. van Doesburg, C. Domela.
Jaffé, H.L.C. De Stijl. 1917-1931. The Dutch Contribution to Modern Art. Amst., J.M. Meulenhoff, 1956, VIII,293,(2)p., 48 plates, orig. cl., large 8vo.
= Complete run of this bi-annual magazine (vol. 1 annual), focusing on the "New Art", an outgrowth of earlier movements such as Cubism, De Stijl, and Constructivism, and with contributions by i.a. the editors, Charles Biederman, Anthony Hill, Georges Vantongerloo, Kenneth Martin and Dick van Woerkom.
= "Tecno Forum wil functioneren als platform voor een dialoog tussen mensen uit de verschillende vormgevingsdisciplines, die zich op hoog niveau bezighouden met identiteitsvorming van ondernemingen" (colophon no.1). No.2 contains a numb. and signed red, white and blue banner by BONIES.
- The orig. frontwrapper (bound at the end) cut sl. short. Otherwise fine.
= Edice Odeon 37. Vloemans 114; Primus, Tchechische Avantgarde 1922-1940, no.84, ill.24; Bollinger VI, no.691. The second, but first illustrated, edition of Biebl's poems from the years 1926-1927, containing 5 full-p. (incl. title) and 6 smaller typographical compositions by Teige. Together with Biebl's Zlom, an outstanding item of Teige's concept of constructivist typography.
- Fine.
= Edice Odeon 46. Vloemans 115; Primus, Tchechische Avantgarde 1922-1940, no.80, ill.76; Bollinger VI, no.692. Second, enlarged edition of Biebl's surrealistic poems from the years 1923-1928 (1st ed. 1925), the first with Teige's typographical compositions in red and black on yellow paper.
= With tipped-in booklet ((16)p.), with German translation of the text, printed for the exhibition at the Albertina.
Kaleya, T. Hommes. Paris, R. Laffont, 1974, (6)p., 1 tipped-in col. plate, num. photogr. plates, orig. cl. w. mounted col. plate on frontcover, obl. folio. - AND 2 others by Dutch artists.
- Covers some scratches/ sl. worn along extremities.
= Fine, almost complete run (lacks the 2 final years 1913 and 1914) in the original art nouvau bindings. With important contributions on i.a. the Ballets Russes of Diaghilev, Chaliapine and Sarah Bernardt. With i.a. the special issue dedicated to the Ballets Russes No. 249 (1909) (w. illustrated frontwr. of Nijisky and Anna Pavlova) and No. 298 (1911) (w. frontwr. of Tamara Karsavina). SEE ILLUSTRATION PLATE XIV.
- Owner's entry on first free endpaper erased w. tipp-ex.
= Complete copy incl. all the extra items: 2 tipped-in cards by Ben Vauthier and a leaf from a dictionary; the pamphlet Chance Imagery by George Brecht; 3 serigraphs by G. von Graevenitz; a signed multiple and fold. leaf by F. Morellet; 2 small red dice. This copy also w. some additions in ballpoint (i.a. "corner piece") on inside ringbinder by Ben Vauthier.
- Lacks (as often) the extra items: 2 dice, cards by B. Vautier and a signed sheet by F. Morellet. Binder w. sm. dam. spots on frontcover; otherwise fine.
= Publication accomp. a five-day workshop on the topic of coincidence in art, biology, literature, music, psychology, mathematics and physics. Comprises texts by i.a. F. Haks, E. van Uitert, H. Blotkamp and E. van Straaten. Also incl. the pamphlet Chance Imagery by G. Brecht (New York, 1966).
Klar, A. (ed.). Fluxus at 50. Bielefeld, Kerber, 2012, German ed. exhibition catalogue, 192p., num. (col.) ills., orig. boards, 4to. - AND 5 others, incl. G. HERZOG (ed.), Sediment. Mitteilungen zur Geschichte des Kunsthandels. Issue 9. Nam June Paiks frühe Jahre im Rheinland (Nürnb., 2005, num. ills., orig. wr., 4to).
- All fine.
- Slipcase stained.