- Both vols. trifle creased in upper corner. Otherwise a fine set.
= Text vol. (in Japanese/ English) and plate vol. of the exhibition in the British Museum and Chiba City Museum of Art in 1995.
Naoi, N., Schenk, S. and Vries, M. de. Takehisa Yumeji. Leyden, Hotei, 2015, 160p., num. col. ills., orig. wr., 4to (fine). - AND 4 others, incl. Y. NOGUCHI, Kôrin (Paris/ Brussels, 1926, plates/ ills., orig. (worn/ stained) wr., sm. 4to).
- Lacks plate 25 (plate 24 bound in twice); a few plates loose(ning). = Standard work.
- Top of frontcover and (less visible) frontwr. waterwrinkled; closed tear in lower margin of front- and backwr.
Genoud, Ch. Buddhist Wall-Painting of Ladakh. Geneva, Olizane, 1982, 116,(4)p., num. col. plates, orig. boards w. dustwr., 4to (fine).
- Both dustwr. w. wrinkled lamination.
= 1. Personal narrative; 2. The Chronicles of Ladakh and Minor Chronicles.
AND 4 others, i.a. the plate vol. only of A. STEIN, Serindia (...) (Delhi etc., 1981, num. (fold.) (col.) plates, orig. cl. w. (sl. frayed) dustwr., 4to) and R. RAY and J. VAN ALPHEN, Tejas. Eternal Energy. 1500 Years of Indian Art (Brussels, 2006, richly illustrated, orig. boards w. dustwr., large 4to).
- Fine copy. = Reprint of the edition Copenhagen, 1935-1938.
AND 3 others, i.a. IDEM, Afrikanske Negerskulpturer/ African Negro Sculptures (London, 1947, num. plates, orig. boards w. dustwr., large 4to).
- Fine copy. = DELUXE EDITION in vellum of the original cloth-bound ed. of 1936.
= Standard reference work, with sword guards arranged by design school and historical period.
ADDED 1 other: C. FALGAYRETTES-LEVEAU a.o., Réceptacles (Paris, 1997, num. (full-p.) (col.) ills., orig boards w. dustwr., 4to).
- Binding sl. soiled; spine-ends sl. worn.
Gruyter, W.J. de (introd.). Some Japanese Hanging Scrolls in the Collection of Mr. F. Tikotin. The Hague, Wed. J. Ahrend & zoon, 1949, (17) textlvs., 18 tipped-in plates, all loosely inserted in orig.(?) hcl. portfolio w. ties, printed in a lim. numb. ed., folio.
- (Sl.) foxed. Portfolio sl. worn/ soiled; joints split(ting). = Rare.
AND 6 others on (erotic) Japanese art, incl. M. BEURDELEY a.o., Erotic Art of Japan. The Pillow Poem ((New York, 1981), 140 (col.) ills., orig. boards w. dustwr., folio).
- Four stamps/ two sm. annots. inside. Scratch in upper right corner frontcover; trifle rubbed along extremities.
= Very nice art deco pattern designs.
- Stamp on first free endpaper and table of contents; otherwise contents fine. Spine dam.; sm. sticker on frontwr.
= Scarce.
- Vol. 16: only 18 plates; 17: only 21 plates; 18: only 21 plates; 19: only 14 plates; 20: only 14 plates; 21: only 15 plates; 22: only 27 plates.
= Beautiful (Jugendstil) plates of ornamental motives used in architecture, interior decoration etc.
- Occas. trifle foxed; 4 library stamps in blank margins on htitle and title-p. Unobtrusive sm. remnant of sticker and vague pen scratch on frontcover; corners showing; spine-ends trifle worn.
= SEE ILLUSTRATION PLATE IX.
= Contains the oeuvre catalogue by K. Berends and T. Philipsen.
Geest, J. van. Wim Schuhmacher. De Meester van het Grijs. Arnh., Jan Brand Boeken, 1997, 320p., (full-p.) (col.) ills., orig. wr., 4to.
= With catalogue raisonné.
Horn, L. Else Berg en Mommie Schwarz. Kunstenaarspaar in Amsterdam 1910-1942. Wezep, Uitgeverij de Kunst, 2012, 191p., num. ills., orig. boards.