= Braches 888. Rare.
- Sm. stamp on first free endpaper and first blank. Covers rubbed along extremities; frontcover 2 rubbed spots. Good copy.
= Braches 1056.
- Bookplate on first blank; inside wr. foxed.
= Early monograph on Ukrainian émigré artist Simon Lissim. With delicate plates.
- Dustwr. dam. = Contains a catalogue raisonnée of the paintings.
Gribaudo, P. (ed.). Botero Women. New York, Rizzoli, 2003, 1st ed., 223,(1)p., num. (full-p.) col. ills., orig. cl. w. mounted col. plate, 4to. Picasso, D.W. Picasso, "Art Can Only Be Erotic". Munich etc., Prestel, 2005, 142,(2)p., (full-p.) col. ills., orig. boards, 4to. - AND 7 others, i.a. P. BIDAINE (introd.), Boris Zaborov (Paris/ Amst., 1991, col. ills., orig. boards, 4to) and M. STASSEN a.o., Panta Rhei. Josef Jan Michnia (Berg en Terblijt, 2010, col. ills., 4to. Signed by the artist on htitle).
- Trifle discol. near spine; nevertheless fine.
- Fine.
= The rare first artist's book by Richard Long. The text reading: "Richard Long's 'sculpture for Martin and Mia Visser' was conceived for the purpose of photographic reproduction. Richard Long made a system of trenches, which was created according to special camera views. Seen from these camera views relations become evident between marks in the landscape such as stone-walls, water-falls, lanes and Long's trenches. The collectors Martin and Mia Visser aquired Richard Long's work as a photographic reproduction for publication in an edition of 500 issues. According to Richard Long's idea the photographs in hand do not have the function of a documentation: It is the 'sculpture made for Martin and Mia Visser'." SEE ILLUSTRATION PLATE XI.
- Dustwr. w. some dam. spots repaired w. sellotape. = One of 1500 numb. copies in blindst. hcl. w. dustwr.
Idem. Gedichte und Zeichnungen. Epilogue L. Kunz. N.pl. (Hamburg), H. Ellermann, 1962, no pagination, num. (full-p.) ills. and orig. wr. LUCEBERT, 4to.
= Signed by Tony Swaanswijk-Koek on first free endpaper.
AND 2 others by/ on the same: H. GROENEWEGEN, Het handschrift van Lucebert (Gron., 2009, (col.) ills., orig. boards, 4to) and LUCEBERT, J.C. JENSEN and K. SZÉKESSY, Van de maltentige losbol./ Op bezoek bij Lucebert (Amst., 1994, 2 vols., (col.) ills., orig. unif. wr., (obl.) 4to).
= Rare program booklet.
Vijftien keer Karel Appel. Amst., Krikhaar, 1964, fold. brochure/ poster, text by S. Vinkenoog, (col.) ills. by KAREL APPEL.
- Sl. yellowed in upper and lower margin; sl. worn on folds.
Constant exposeert tekeningen. Ibid., idem, 1966, fold. invitation/ poster.
- Two sm. tears in upper and lower margin.
AND ±25 other invitations, brochures, cards etc., i.a. by /on Karel Appel (The Hague, Nova Spectra/ J.W. Nieuwenhuizen Segaar, 1963), Constant (Amst., Krikhaar, 1965), Herman Gordijn (New Year wishing card, 1962, w. orig. etching, 9,9x9,8 cm.), Ouborg (Voorburg, Mus. Hofwijck, 1958), Zoltin Peeter (Leeuwarden, Kunstzaal Van Hulsen, 1963), Jan Sierhuis (Amst., Moderne Boekhandel Bas, 1966), Stedelijk Museum Amsterdam (2 variant copies of the "restaurant (...) tariefkaart", n.d., des. by?), C. Timmer (Amst., Zoölogisch Mus., 1954) and Jan Wolkers (The Hague, Kunstzaal Van Stockum, 1964).
- Slight occas. foxing; both vols. waterst. in lower blank margin; both vols w. two owner's entries. Vol.1 lacks portion of spine; both bindings sl. worn along extremities.
= Contains i.a. fine steelengr. plates after old Italian masters, and a fine steelengr. view of the Dom of Milan and the San Marco square in Venice.
AND 2 others, i.a. W. UNGER, Kunst-juweeltjes (Leyden, (1875), 9 engr. plates by W. UNGER, contemp. richly dec. gilt cl., 4to).
= Rare periodical on the art and music scene in Rotterdam in the early '70s
= Copy of the DELUXE edition of 220 numb. copies (200), bound in full cl. w. dustwr., a.e.g., w. loose fold. colophon leaf and board portfolio w. 2 photographs by Man Ray printed from the original negatives (Fashion photograph (1930) and A view of the artist's studio (1934), both numb. "60/200" in pencil and w. stamps "Man Ray Paris" and "Tirage original réalisé par Pierre Gassmann" on verso); together in orig. morocco-backed cloth drop back box, the frontcover w. col. plate (trompe-l'oeil replica of the assemblage Pêchage (1969) by Man Ray) under perspex window, in matching slipcase.
= Catalogue raisonné.
- Endpapers vol.2 sl. browned. Bindings w. some sm. soiled spots; spines faded. = Arntzen/ Rainwater F12.
- Spine sl. yellowed.
= Published on occasion of an exhibition at the Stedelijk Museum Schiedam and the Institut Néerlandais Paris. With loosely inserted ms. letter by the artist to Liesbeth Brandt Corstius and Kees Broos, sending them "mijn/het blauwe boek" (the present catalogue).
Brusse, M. Berliner Objekt. Berlin, Galerie Andre, 1971, no pagination, ills., printed in 1800 copies, orig. wr., sm. 8vo.
= With ms. dedication by the artist: "van harte liesbeth, van mark en nobuko, parijs nov. 1990" and "paris, 9 nov 1990, één jaar zonder muur, waar blijft de romantiek..."
AND 10 others on/by Pat Andrea (4x), Mark Brusse (2x, both w. dedication) and Sjoerd Buisman (4x), incl. small publications.